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Don Pasquale © Wiener Staatsoper GmbH / Michael Pöhn

Donizetti Don Pasquale

The 24 October 2020
Wiener Staatsoper - Wien
Program

Donizetti : Don Pasquale

Cast
  • Conductor
    Marco Armiliato
  • Director
    Irina Brook
  • Performers
    Don Pasquale: Erwin Schrott
    Norina: Slávka Zamecníková
    Ernesto: Dmitry Korchak
    Dottore Malatesta: Boris Pinkhasovich
  • Venue Info
  • Seating Plan
  • Synopsis

Wiener Staatsoper - Wien Location Opernring 2 - 1010 Wien Autriche

  • Venue's Capacity: 1709

The Vienna State Opéra is much more than just a local institution; it is a vital part of the city's identity and a national landmark.

 

As of the 17th century, the Hapsburgs lavishly patronized the opéra. Family members Ferdinand III and Leopold I composed for the théâtre, while Charles VI tried his hand at conducting the orchestra, and the Empress Maria-Theresa often mingled with the corps de ballet.

 

During the 19th century, the Karntnerthor-Theater was demolished and the présent building was constructed on the famous " Ring ". It was here that Mahler, with the help of the set designer Alfred RoUer, imposed a new style of performance, based on audacious stagings and a very précise interprétation ofthe score, which demanded countless rehearsals.

 

After the fall of the Hapsburgs, Richard Strauss took over the reins of the newly baptized Vienna State Opéra. Curiously enough, only one of Strauss'operas, THE WOMAH WITHOUT A SHADOW, was premiered in Vienna. Clemens Krauss and Karl Bôhm were to follow in his footsteps. Under Bôhm's direction, the Opera created its own Company, which was to serve as a model for several générations. Even the bombs that destroyed the opéra house in 1945 could not prevent singer s such as Elisabeth Schwarzkopf, Irmgard Seefried, Sena Jurinac or Erich Kunz from becoming legendary.

 

One musn't think that the Viennese applaud only their homegrown stars. In 1955, when Maria Callas came to sing LUCIA DI LAMMERMOOR in the reconstructed building with Karajan conducting, the public blocked traffic to pay tribute to the diva... in the street! Karajan succeeàed Karl Bôhm, and invited many international stars to corne sing on the Viennese stage. Works were henceforth sung in their language of origin, and coproductions with La Scala permitted the disco-very of voices such as that of Mirella Freni in LA BOHEME.

 

Ioan Holender has suceeded in deftly combining these international distributions with an ensemble System. He has scheduled many works never heard on the Viennese stage, which are now included in the Opera's répertoire, such as Verdi's JERUSALEM and Enesco's OEDIPE, furthering a policy instated under Claudio Abbado's brilliant direction. Whatever changes may now occur, the Opera will continue to stage at least 300 performances per season (an absolute world record ren-dered feasible thanks to the în-house technical crew, which hires no less than 250 people), and the public will continue to applaud the finest orchestra any amateur could wish for in the pit : the Vienna Philharmonie !

Wiener Staatsoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Don Pasquale

DON PASCUALE, A COMIC OPERA

Don Pasquale is a comic opera by Gaetano Donizetti and takes place in three acts.
The opera was first performed, by Theatre-Italien, on 3 January 1843 in Paris at the Salle Ventadour. Donizetti's music and lyrical humour brings the comic opera to life. Pasquale is an old man who runs his crumbling pension with the help of a greasy cook, a chambermaid and an ancient porter.

HISTORY

The story of Donizetti's Don Pasquale is based in early 19th century in Rome, and it is a perfect setting to showcase the quirks of the clashing generations.

Pasquale, the reclusive old man, who likes cats, is a worried man as he fears that his wealth will be taken over by Ernesto, his scheming nephew. To avert this he wants to find a wife for himself and appears truly smitten when a young lady turns up in his life.

Act 1

Pasquale wants to marry in order to produce a lawful heir and keep his scheming nephew, Ernest, away from his inheritance. Dr. Malatesta calls on Pasquale and suggests his younger sister as a befitting bride for the old man.
Pasquale is immensely delighted at the prospect of marrying and urges the doctor to immediately arrange for a meeting.

Ernesto loves Norina, a young widow and refuses to marry the woman chosen by his uncle, and as a result he has to forgo the house. Norina is on her terrace, reading a romance and appears amused at the feminine wiles of the story. She suddenly feels depressed by Ernesto's farewell note when Malatesta appears with his proposal of her impersonating as his sister and marry off Pasquale.

Act 2

Ernesto is unaware of Malatesta's schemes and sits in his uncle's living room, grieving at the imminent loss of his beloved Norina. He leaves when his uncle arrives, who is getting ready to meet his bride-to-be. Pasquale feels youthful on meeting "Sofronia" and is willing to marry her immediately.

At the wedding ceremony, Ernesto enters and expresses his beloved's infidelity. But before he can foil the strategy, Malatesta informs him of the plan he has entered with Norina. So Ernesto becomes a willing witness of the contract. The Notary has sealed the contract wherein the fortune is bequeathed to the new bride, Norina. The trio celebrate their success while Pasquale is stunned to see his demure bride turn into a rebellious woman.

Act 3

Pasquale is seated in his refurbished living room with a pile of bills incurred by his wife. Norina enters the room followed by servants carrying her purchases only to leave again for the theatre. She drops a letter which speaks of a meeting in a garden at night, with some suitor. Pasquale seeks the help of Dr. Malatesta who assures him that they will trap the couple red-handed. In the garden, while Ernesto and "Sofronia" engage in a song of love, Pasquale and Malatesta arrive but they cannot see her lover as he escapes quickly. Later when Ernesto proposes to marry his beloved, "Sofronia" claims to leave if another woman lives in the same house. Pasquale is glad to permit Ernesto to marry his love. Pasquale is stunned to find the true identity of his bride. He however realises that marriage cannot work right for an old man and agrees to the young couple's marriage.

THE MAIN ROLES

Don Pasquale, an elderly bachelor, bass
Dr Malatesta, physician, baritone
Ernesto, Pasquale's nephew,tenor
Norina, Emesto's beloved, soprano
Carlino,Dr Malatesta's cousin, bass
Servants

Wiener Staatsoper

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