Biography

Since making her professional operatic debut at the Latvian National Theatre in Riga as Micaela in Carmen, she has been seen at nearly all of the major theaters of the world, including the Royal Opera House, Covent Garden, Opéra National de Paris, Metropolitan Opera, Teatro alla Scala in Milan, Deutsche Oper Berlin, Staatsoper Berlin, Bayerische Staatsoper in Munich, Opernhaus Zürich and Gran Teatre del Liceu in Barcelona.

This season, Pretty Yende returns to Paris for two highly anticipated role debuts: Violetta in a new production of La Traviata by Simon Stone, and the title role in Manon, featuring a new production by Vincent Huguet. She will also appear for the first time at The Dallas Opera as Rosina in Christopher Mattaliano's colorful production of Il Barbiere di Siviglia. 

On the concert stage, Ms. Yende embarks on a solo recital tour, making stops at Oper Frankfurt, the Opernhaus Zürich, Smetana Hall in Prague, and the Barbican in London, and Carnegie Hall in New York. Further concert engagements include appearances with the Würth Philharmonic Orchestra, the Opéra Royal de Wallonie-Liège, and in Bratislava and Grafenegg.

Ms. Yende began the 2018/19 season with her return to Barcelona as Elvira in I Puritani. She returned to The Metropolitan Opera as Marie in La fille du regiment, and sang her first Leïla in Les Pêcheurs de perles, receiving critical acclaim from the New York Times: "In the role of Leïla, suppressed erotic longing is sublimated into pure vocalism lavishly ornamented with arabesques and grace notes." Shortly thereafter, she appeared at the Opéra national de Paris as Norina in Don Pasquale, portrayed her first Amina inLa sonnambula at Opernhaus Zürich, and returned to the Bayerische Staatsoper to sing the title role of Lucia di Lammermoor and as Adina in L'elisir d'amore.

Recent highlights include her acclaimed Metropolitan Opera debut, stepping in as the Countess Adele in Le Comte Ory; her role and house debut as Marie in La fille du régiment at the Teatro de la Maestranza in Seville; debuts at Opéra national de Paris as Rosina in Il Barbiere di Siviglia, the Gran Teatre del Liceu as Norina in Don Pasquale, with the Los Angeles Opera as Micaëla in Carmen, at Staatsoper Hamburg as Fiorilla in Il Turco in Italia, and her debut at the Theater an der Wien as Countess Adèle. Additional highlights include Rosina, Adina, the title role of Lucia di Lammermoor, Juliette in Roméo et Juliette, Elvira in I Puritani, Pamina in Die Zauberflöte at the Met; Adina at the Royal Opera House; Lucia at the Opéra national de Paris and Deutsche Oper Berlin; Adina at the Staatsoper Berlin; Pamina at the Grand Théâtre de Genève; Elvira at Opernhaus Zürich; Susanna in Le nozze di Figaro at Los Angeles Opera; Countess Adèle and Musetta in La Bohème at Teatro alla Scala; her role debut as Teresa in Benvenuto Cellini in Paris; and Lucia di Lammermoor in concert at the Cape Town Opera.

Highlights on the concert stage include her Carnegie Hall recital debut with pianist Kamal Khan, with the New York Times acclaiming: “A gracefulness that can seem decidedly divine seems to radiate from Ms. Yende.” She later returned to Carnegie Hall to join the Metropolitan Opera Orchestra for a performance of Mozart's Exsultate Jubilate and Mahler's Symphony No. 4. Ms. Yende has presented concerts in Switzerland, Spain, Austria, Johannesburg, South Africa, Germany, Italy, and the Netherlands.

In 2016, she released her debut album "A Journey" for Sony Classical, and appeared as the musical guest on several television shows including "The Late Show" with Steven Colbert, "The Wendy Williams Show," and "Good Morning America." She released her second solo album titled "Dreams" one year later on Sony Classical, with Opera Now raving: "South African Yende has a delicious instrument, with a youthful quiver of passion to it, and a wonderfully secure technique."

A 2011 graduate of the Young Artists Accademia of the Teatro alla Scala, Yende made her debut with the company in 2010 as Berenice in Rossini's L'Occasione fa il Ladro. In 2010, she became the first artist in the history of the Belvedere competition to win top prize in every category, and went on to win First Prize in the Operalia Competition in 2011.

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