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Tuuli Takala

Mozart Le Nozze di Figaro

From 30 April TO 01 June 2024
Semperoper - Dresden
Program

Mozart : Le Nozze di Figaro 180 mn

Cast
  • Conductor
    Georg Fritzsch
  • Director
    Johannes Erath
  • Performers
    La Contessa Almaviva: Elena Gorshunova
    Il Conte Almaviva: Sebastian Wartig
    Figaro: Lawson Anderson
    Susanna: Tuuli Takala
    Cherubino: Anna Stéphany
    Marcellina: Sabine Brohm
    Marcellina: Michal Doron
    Dottor Bartolo: Matthias Henneberg
    Don Basilio: Simeon Esper
    Don Basilio: Aaron Pegram
  • Venue Info
  • Seating Plan
  • Synopsis

Semperoper - Dresden Location Theaterplatz 2 - 01067 Dresden Allemagne

During the seventeenth and eighteenth centuries, Dresden, which became known as the « Florence of the Elbe, » became a primordially important intellectual centre and its orchestra, which developed a new virtuostic instrumental style, spread its influence throughout Europe. Under the influence of Weber, Dresden actively participated in the renaissance of German opera.

For instance, the Opera House built by Gottfried Semper in 1841 welcomed Wagner's first successes in his attempt to renovate German lyrical art; RIENZI, THE FLYING DUTCHMAN, and TANNHÄUSER. But Wagner was also a political agitator and he was forced to leave the city after the 1848 revolution.

In 1858, the orchestra organized its first regular season of symphonic concerts for the public. Following a fire in 1869, Semper erected a second concert hall which was subsequently destroyed, along with the rest of the splendid baroque city, during the devastating bombings of 1945. In 1985, the reopening of one of Europe’s most beautiful opera houses

Semperoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Le Nozze di Figaro

"Le nozze di Figaro", or The Marriage of Figaro is one of the finest operas ever written. Wolfgang Amadeus Mozart wrote this comic opera in 1786 and it has been produced and enjoyed around the world ever since. This most performed opera worldwide, about the wedding day of Figaro and Susanna, is a funny and intriguing romp. 

This is one of the best known Mozart’s operas. Da Ponte’s libretto was based on Beaumarchais’s The Marriage of Figaro, however, the playful atmosphere is preserved whilst the satirical elements and the criticism toward society are considerably reduced and toned down due to censorship. Nevertheless, the opera still shows the aristocracy as strongly clinging to their privileges and the third state as struggling to survive. Plus, this is the beginning of the collaboration between Mozart and Da Ponte.

HISTORY
The action takes place in the palace of Count Almaviva in Seville, Spain. The time is the early 19th century. 

The plot: the Countess of Almaviva is married to the raunchy, ageing, womanising Count. The count is chasing Susanna, a servant girl, about to be married to Figaro, the Count's valet. The Countess, Susanna and Figaro plan to shame the Count and expose his scheming ways. In response, the Count arranges for Figaro to legally marry an old woman who turns out to be his mother. 
Because of clever schemes the love of the Count and Countesses is resored. 

Act 1 
In the Count's home, Figaro and Susanna, are preparing for their wedding when Figaro learns that the Count desires Susanna. Afraid that the Count will reinstate a law that would allow the Count to bed a servant girl before her new husband. Figaro realises a plan needs to be devised. 

Act 2 
In the Countess's chambers, the Countess is questioning Susanna about the Count's fidelity. Susanna explains that the Count has offered her bribes in return for her affections. Susanna convinces the Countess that she is not interested in the Count. The Countess crafts a plan to teach her husband a lesson.

Act 3
The plot unfolds in the wedding hall. Susanna tells the Count to meet her at night, in garden. The Count suspects deception and tells Figaro that he must marry old Marcellina instead of Susanna. Figaro argues that he must have his parents blessing. Figaro does not know his parents so court documents are searched. There are celebrations when Figaro is reunited with his parents.

Act 4
The Count and Susanne are to meet in the garden after the wedding. But, the Countess, dressed as Susanna meets him instead. Elsewhere, Susanna sings of her love for Figaro, though Figaro believes she is singing about the Count, not him . In the garden, "Susanna" and the Count meet. The two embrace passionately and he gifts her a ring. The Count discovers his wife, dressed as Susanne. The Countess scolds her husband for his foolishness, he begs for forgiveness and all ends well. 

MAIN ROLES
Count Almaviva. Bass 
Countess Rosina Almaviva. Soprano 
Susanna, the countess's maid. Soprano 
Figaro, valet to the count. Bass 
Marcellina. Soprano 

Semperoper Dresden © Matthias Creutziger

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