From €61
×

1 Click on the date to see the prices and book

Available

2Choose the Category

Please specify your seating requests regarding your ticket booking.
(150 char. max)

Seating

Music & Opera books the best available seats. The exact location of your seats will be confirmed via email. Only adjacent seats can be booked. More information

ANY QUESTIONS ?

Contact us by tel: +33 1 53 59 39 29 – or by Email.) See Help & FAQ page

TICKET DELIVERY INFORMATION

Your E-tickets to be printed will be sent by mail.

Price

Music & Opera ticket prices differ from the ticket face value, as they also include all service fees and taxes.

Refund Protection

Refund Insurance will be offered before payment. More Information

THE MUSIC & OPERA CLUB

Join the Club to
benefit from special offers.
Already a member of the Club,
Login !
Retour

Anja Harteros © Markus Tedeskino

Giordano Andrea Chénier

From 07 July TO 11 July 2024
Opernhaus - Zurich
Program

Giordano : Andrea Chénier

Cast
  • Conductor
    Marco Armiliato
  • Director
    Concert Version
  • Performers
    Andrea Chénier: Yonghoon Lee
    Maddalena di Coigny: Anja Harteros
    Carlo Gérard: Artur Rucinski
    La Mulatta Bersi: Siena Licht Miller
    Madelon: Irène Friedli

We can never say it enough, the Opernhaus in Zürich is one of the stages that are most important at international level. The human scale stage has welcomed many of today´s superstars before they established themselves as such. This is where Thomas Hampson and Matthias Goerne got their first international recognition as well as a certain Jonas Kaufmann who was a regular at the Opernhaus in his early days.

  • Venue Info
  • Seating Plan
  • Synopsis

Opernhaus - Zurich Location Falkenstrasse 1 - 8008 Zurich Suisse

  • Venue's Capacity: 1200

The Zurich Opera House is famous the world over for both opera and dance. It is among the most important European theatres and plays host to leading conductors. The original theatre built in 1833 was replaced by the present building which was opened in 1891. It was the venue for the first performance of Parsifal outside Germany.

The history of the Opernhaus has indeed been punctuated by numerous premieres: Turandot by Busoni in 1917, Lulu in 1937, Mathis der Mahler and Cardillac by Hindemith (1938 and 1952) and Moses und Aron by Schönberg in 1957. Several major conductors such as Otto Ackerman, Hans Knappertsbuch, and Wilhelm Furtwängler conducted a varied repertoire always with the greatest singers (Lisa della Casa was for instance a member of the Opernhaus company).

It was at the Studiobühne too that the young singers Gwyneth Jones and Edith Mathis perfected their craft. One of the most outstanding events of its history was the “re-staging” for the first time of the operas of Monteverdi and Mozart performed on period instruments at the instigation of the pioneer Nikolaus Harnoncourt supported by the legendary stage settings of Jean-Pierre Ponnelle. These productions contributed to the renaissance of Baroque opera and the rediscovery of a vast repertoire.

Today the Opernhaus is one of the few theatres that can pride itself on presenting the greatest stars of the opera world in one and the same season. With its well-thought out and varied programming, the audience has every reason to be satisfied.

Opernhaus

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Andrea Chénier

ANDREA CHENIER, A POPULAR OPERA

A verisimo opera in four acts by Italian composer Umberto Giordano and sung to a libretto by Luigi Illica, the story is based on the real life of a French poet, Andrea Chénier who was executed in the days of the French Revolution. Though not performed as often now, the opera remains a highly popular work with audiences who enjoy the dramatic music and lyrics written by Giordano for the leading tenor. A wonderful chance for singers to show off their exceptional vocal skills, the tenor Giuseppe Borgatti was catapulted to the top echelon of Italian opera singers thanks to his magnificent portrayal of the role.

HISTORY

Set in and around Paris in the period 1789-94, the opera is based on the life of a popular poet at the time of the French Revolution. Chénier is increasingly affected by the suffering of the poor in the turbulent society of his times, and comes under scrutiny. Maddalena the daughter of the Countess is known as 'Speranza' or hope, she pleads for Chénier's life after he is trapped and arrested, but to no avail. Although Gérard admits that he had Chénier accused because he too is in love with Maddalena, Robespierre refuses to pardon him. Maddalena changes places with an imprisoned noblewoman and goes to the guillotine in her place at Chénier's side.

Act 1

At a ball at the home of the Countess of Coigny, Chénier meets her daughter Maddalena after she gets him to recite poetry containing the word 'love' as a bet. Chénier becomes enraged and sings of the suffering of the poor. He appears with a crowd of beggars asking for food, and the Countess has him removed, comforting herself with thoughts of her gifts to charity.

Act 2

Now a merveilleuse, Bersi who was Maddalena's former serving girl chats with an Incroyable, or spy in a cafe in Paris. She jokes that she has nothing to hide. The Incroyable sees a blonde lady and notes that Chénier was seated at a nearby table. Robespierre passes with a former servant, Gérard who comes into the cafe in search of the blonde. The Incroyable tell him that she will return to the cafe that night. A hooded woman enters the cafe. It is Maddalena, known now as 'Speranza' or hope. Gérard accosts them and wounds Chénier in a sword fight.

Act 3

The Revolutionary Tribunal find Chénier guilty. Maddalena cries for justice, telling how the mob has burned down her mothers palace and left it in ruins.
Gérard's admits that it was he who had Chénier arrested to clear the way to Maddalena who he has always loved. Maddalena tries to give herself to Gérard in return for Chénier's life. Despite trying to take back his accusations, Gérard can not save Chénier and he is sentenced to death.

Act 4

Gérard's pleas for justice fall on deaf ears and Robespierre refuses to pardon the poet Chénier. Maddalena exchanges places with a condemned noblewoman and goes to the guillotine with Chénier in her place.

MAIN ROLES

Andrea Chénier - popular poet - tenor
Carlo Gérard - servant - baritone
Maddalena de Coigny - soprano
Bersi - maid to Maddalena - mezzo-soprano
The Incredible - a spy for Robespierre - tenor

Opernhaus Zurich © Dominic Büttner

You may also be interested by …