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Così fan tutte © Opera Australia

Mozart Così fan tutte

From 01 August TO 17 August 2024
Joan Sutherland Theatre, Sydney Opera House - Sydney
Program

Mozart : Così fan tutte 165 mn

Cast
  • Conductor
    Zoe Zeniodi
  • Director
    David McVicar
  • Performers
    Fiordiligi: Nardus Williams
    Dorabella: Helen Sherman
    Guglielmo: Nathan Lay
    Ferrando: Filipe Manu
    Despina: Alexandra Oomens
    Don Alfonso: Richard Anderson
  • Venue Info
  • Seating Plan
  • Synopsis

Joan Sutherland Theatre, Sydney Opera House - Sydney Location Bennelong Point - NSW 2000 Sydney Australie

The Sydney Opera House Restaurant, the Bennelong is very nice, to discover !

In 1884, a young Australian soprano, Helen Mitchell, gave her first concert in Melbourne. Later acclaimed as one of the most breathtaking coloraturas, she took the stage name Nellie Melba, in souvenir of the city of her début. After growing success greeted her from Paris to New York, from Saint Petersburg to London and Milano, she decided to organize opera tours in her native country. These tours no doubt marked the beginnings of opera in Australia. But it was not before 1973 that the country built an opera house worthy of the birthplace of two of the century's most important coloraturas: Nellie Melba, of course, and Joan Sutherland.

Nevertheless, as of the fifties, a small group of local résidents, backed by the conductor Eugène Goossens, demanded the construction of a modem concert hall in Sydney. The site was rapidly chosen: Bennelong Point, named after the birthplace ofthe first Aborigine who spoke English. A lottery was organized to finance the project and in 1956, an itinérant company, The Australian Opera, was founded. In 1957, the Danish architect Jern Utzon was chosen to design an arts complex that everyone already called the «Opera House.» Everything seemed to be moving along quite quickly: the first stone was laid in 1959, but Utzon, who had designed the famous shells that jut out over the bay of Sydney, had to modify his plans which were impracticable. After much controversy, he resigned in 1966 and an Australian team took over the project in 1973.

After this somewhat difficult birth, the Sydney Opera House rapidly gained an international réputation, and its easily recognizable silhouette has since become an emblem of the city, if not of the country. The complex houses more than 1,000 différent spaces for the performing arts, including a 1,547-seat opera theatre (with its walls painted in black, to bet ter attract the audience's eyes towards the stage). It's in this hall that Joan Sutherland, spouse of the Australian Richard Bonynge (the house's principal conductor from 1976 to 1986), was triumphantly applauded. This hall is also the home of The Australian Opéra, since the company has now mostly limited its tours to Melbourne. A véritable nursery of young talent, which one can applaud, together with a large number of guest stars, during the company's numerous performances.

Joan Sutherland Theatre, Sydney Opera House

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Così fan tutte

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COSI FAN TUTTE: AN INSPIRING, THRILLING WORK
Meaning "all women are like that", Cosi fan tutti is a dramatic and engaging work by the famous composer Wolfgang Amadeus Mozart.

HISTORY
In 18th century Naples, two men aim to test the fidelity of their respective fiancees. They decide to assume disguises and see if they can seduce their fiancees whilst pretending to be other men.

Act 1
Ferrando and Gugliemo are officers in the navy. They praise the fidelity of their respective fiancees. Their friend Don Alfonso wagers that the two women are not so faithful after all. Don Alfonso comes up with a plan to test just how faithful the two women are. Don Alfonso instructs Ferrando and Gigliemo to pretend that they have been called away to fight in a battle. Then, he tells them to return disguised as Albanian men, and to each try and seduce the other's fiancee. Ferrando's fiancee Dorabella and Gugliemo's fiancee Fiordiligi are saddened as their fiances sail off to their pretended battle. The two women, who are also sisters, express their love for Ferrando and Gigliemo. Ferrando and Gigliemo return, disguised as Albanians and make straight for Dorabella and Fiordiligi. The two women do not recognise their fiances, and refuse to succumb to the 'Albanians'' seduction techniques. Still in disguise, Ferrando and Gigliemo pretend to drink poison, saying that they are so distressed at this rejection. Their accomplice, Despina, disguised as a doctor, pretends to revive them. The 'Albanians', reviving, pretend that they think Fiordiligi and Dorabella are divine goddesses who have saved them from death. They ask to kiss the two women, but are once more rejected.

Act 2
Despina convinces Fiordiligi and Dorabella that they ought to give in to the 'Albanians'' flirtatious remarks, and seductive overtures. Eventually, the two women agree. After some resistance, both women fall into the arms of the 'Albanians'. Don Alfonso is delighted to have won the wager. Gugliemo and Ferrando are angry at first, but Don Alfonso persuades them to forgive their fiancees. After all, says Don Alfonso, 'all women are like this': 'Cosi fan tutti'. Dorabella and Fiordiligi agree to marry the 'Albanians', still unaware that these men are in fact their fiances in disguise. Half way through the wedding, the 'Albanians' retire, and remove their disguises. The brides are shocked to find out that the 'Albanians' are really their long lost Neapolitan fiances.

Epilog
Unlike many other operas, Cosi fan tutti has just two acts. The opera ends with the group of lovers agreeing to forgive one another, and singing about how life involves both good and bad times.

MAIN ROLES
Fiordiligi, a Lady of Naples, soprano
Dorabella, Fiordiligi's sister, soprano
Guglielmo, Fiordiligi's fiance and a naval officer, bass
Ferrando, Dorabella's fiance and a naval officer, tenor
Despina, a maid and accomplice to Gugliemo and Ferrando, soprano
Don Alfonso, an old philosopher and friend to Gugliemo and Ferrando, bass

SYDNEY OPERA HOUSE

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