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Vittorio Grigolo © Alessandro Dobici

Verdi Il Trovatore

From 27 October TO 07 November 2022
Gran Teatre del Liceu - Barcelona
Program

Verdi : Il Trovatore 143 mn

Cast
  • Conductor
    Riccardo Frizza
  • Director
    Alex Ollé
  • Performers
    Manrico: Vittorio Grigòlo
    Leonora: Saioa Hernández
    Il Conte di Luna: Juan Jesús Rodríguez
    Azucena: Ksenia Dudnikova
    Ferrando: Gianluca Buratto
  • Venue Info
  • Seating Plan
  • Synopsis

Gran Teatre del Liceu - Barcelona Location La Rambla, 51-59 - 08002 Barcelona Espagne

  • Venue's Capacity: 2290
  • Other : PRICE: The Gran Teatre del Liceu uses "Dynamic Pricing" that means that Prices for all performances are subject to change (increase and decrease) based on their sales. So, the prices may have changed, you will be informed of the new price as soon as possible, you will then be able to choose wether you want to buy your tickets at the new price or to cancel your booking (your credit card will not be charged).

On 4 April 1847, the Gran Teatre del Liceu established by Miguel Garriga, opened its doors with a very diverse programme. Anna Bolena by Donizetti was one of the major events here. In 1861, the theatre caught fire. It was rebuilt one year later to become the true rival of the old Santa Gran Teatre. At the end of the 19th century, the Liceu became the venue where people came to see and be seen; which is why the shows were performed with the house lights left on.

The work of national composers was rarely performed. However, among them were several highly esteemed composers, including GURIDI, ARRIETA and BRETON. The great French operas did not take hold quite as quickly as the Italian repertoire. It was in 1851 that Robert le diable was performed. Enthusiasm for MEYERBEER reached its peak with the performance of the play Les Huguenots in 1856; he is one of the most frequently performed composers in the history of the Liceu. This fascination of the public for the French repertoire grew with the performances of GOUNOD’s Faust in 1864 which was considered, with its 26 consecutive performances, as the last word in opera. At the end of the 19th century, the Liceu was one of the leading opera houses in Europe. Verdi was performed there, as were the great French operas, and national composers such as Felip PEDRELL and Wagner. Die Walküre caused a sensation and the house lights of the Liceu were put out for the first time.

The performance of Mussorgsky’s Boris Godunov on 20 November 1915 marked the beginning of a period of splendour for Russian opera at the Liceu. When the second republic was proclaimed in 1931, political instability led to a serious financial crisis which badly affected the Liceu. During the civil war, the Liceu was nationalised and took the name “Gran Teatre del Liceu”. Its seasons were later suspended.

The activities of the Liceu began again in 1939 under the aegis of the Spanish and German authorities, subject to the propaganda of the Third Reich. Wagner was the most frequently performed composer during this period. In 1955, for the first time in its history, the Festival of Bayreuth was held at the Gran Teatre del Liceu. Germany felt the need to make up for its recent past. Barcelona was an obvious choice, given its longstanding Wagnerian tradition and the authoritarian regime that kept away any hostile element.

On 31 January 1994, the Liceu was once again destroyed by fire and it was rebuilt on the same site. The new building opened in 1999 offering great artistic and technological quality whilst respecting the former décor which had been reproduced. Its stage allows two or three performances at the same time with maximum visibility and an improved acoustic quality.

Gran Teatre del Liceu

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Il Trovatore

IL TROVATORE: A DRAMA OF WAR, LOVE AND FATE
Verdi's Il Trovatore, performed worldwide, tells the tale of Manrique, who - disguised as the 'troubadour' of the title - serenades Leonore, a beautiful noblewoman at his enemy's court. Though his song wins her heart, it fires the jealousy of the Count De Luna. Manrique and De Luna are rivals in love and leaders of opposing armies, but their fates are strangely linked by a mystery from years before...
Il Trovatore combined war, romance, revenge and revelation to create a huge hit and an enduring favourite - millions hearing it for the first time will recognise the famous Anvil Chorus.

HISTORY

Act 1
From Fernand, De Luna's captain of guards, we learn how Manrique's mother, Azucena, lost her mother by the cruelty of De Luna's father and avenged herself by abducting and killing one of the count's two sons, only his charred bones being found.
Leonora admits her love to her confidante, while De Luna stalks in search of his rival. Mistaking De Luna for the troubadour, Leonore rushes to him, only for Manrique to appear, and she is powerless to prevent a duel between the enemies.

Act 2
Manrique has spared De Luna's life, only to be defeated on the battlefield, left for dead, and rescued by Azucena.
Azucena remains haunted by her duty to avenge her mother. She confesses that, in her confusion, the child she killed was not the count's son, but her own. Who, then, is Manrique? A messenger arrives and reports that Leonore, believing Manrique is dead, intends to renounce the world and enter a convent.
Manrique rushes away to stop her.

Act 3
De Luna's army besiege the fortress where Manrique and Leonore have hidden. Azucena, who has been captured nearby, is recognised as the murderer of De Luna's brother. When Azucena cries out to Manrique, De Luna orders his men to burn Azucena in sight of her son. Manrique prepares to launch a desperate attack to rescue her.

Act 4
Verdi provides a harrowing ending. Leonore dies after Manrique refuses to have his freedom bought by her marriage to De Luna. As Manrique is led away and executed, Azucena reveals the terrible truth: De Luna has killed his own brother.

MAIN ROLES

Manrique ,the troubadour, and a leader of the army of the Prince of Urgel, tenor
Count de Luna, a nobleman of the Prince of Aragon, enemy of Manrique, baritone
Azucena ,a gypsy, who has raised Manrique as her son, mezzo-soprano
Leonore ,a beautiful noblewoman, in love with Manrique, but desired by De Luna, soprano
Ines, Leonore's confidante,soprano

Gran Teatre del Liceu © A. Bofill

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