From €75
×

1 Click on the date to see the prices and book

Sold out
Available

2Choose the Category

Please precise your seating wishes regarding your ticket booking
(150 char. max)

Need help to book your ticket ?
TICKET DELIVERY INFORMATION

You will receive by email, your E-tickets to be printed or downloaded on your mobilephone.

Seating

Music & Opera book the best seats available. the exact location of your seats (with numbers) will be confirmed by email, except for the free seating’s performances. only seats next to each other are reserved.

Price

Music Opera ticket price differs from the ticket face value. It includes all service fees and taxes.

Refund Protection

A Refund Insurance will be offered before payment More Information

The club
Music & Opera

Join the Club to
Benefit from the special prices
Already Member of the Club,
Please Login !
Retour

Lise Davidson © Ray Burmiston

Wagner Die Walküre

From 01 October TO 11 October 2020
Deutsche Oper - Berlin
Program

Wagner : Die Walküre

4h 45
Cast
  • Conductor
    Donald Runnicles
  • Director
    Stefan Herheim
  • Performers
    Siegmund: Brandon Jovanovich
    Sieglinde: Lise Davidsen
    Wotan: John Lundgren
    Brünnhilde: Nina Stemme
    Hunding: Tobias Kehrer
    Fricka: Annika Schlicht
  • Venue Info
  • Seating Plan
  • Synopsis

Deutsche Oper - Berlin Location Bismarckstrasse 35 - 10627 Berlin Allemagne

  • Venue's Capacity: 1859

The Venue's History in few words …

Contrary to the Staatsoper Unter den Linden which was founded in the eighteenth century in the centre of town and for a long time considered the Royal Opera, the history of the Berlin Opera began in 1912, in the Charlottenburg neighborhood situated outside the city limits, and intitiated by the rich bourgeoisie. But the inevitable occured, following the economic crisis of World War I, and the Charlottenburg Opera was ultimately purchased by the City of Berlin.

Bruno Walter greatly improved the musical qualities of this institution which was rebaptized the Städtische Oper (City Opera). Prior to that, Carl Ebert, as administrator (with Rudolf Bing, the future legendary director of the MET in New York, as assistant), promoted more modern music, including those operas by Kurt Weill or Schreker which Klemperer could no longer perform at the then-closed Kr oll-Oper, and which provoked the ire of the Nazis as early as 1933. In 1945, the building was left in ruins, but by the month of August 45, the company presented FIDELIO at the « Theater des Westerns » and animated that theatre until 1961. During this period, the conductor Ferenc Fricsay, named music director, enabled the Städtische Oper to regain its international ranking, alternating standard repertoire in top-quality productions (where voices such as Dietrich Fischer-Dieskau or Josef Greindl were discovered), works by Stravinsky and Hindemith (who were banned by the Nazis), and world premieres. But in 1955, the Opera Unter den Linden, situated in East Germany, reopened under the name of the Deutsche Staatsoper. Under the influence of this politico-artistic competition, three decisions were made : the Städtische Oper was rebaptized the Deutsche Oper Berlin, plans were made to construct a theatre at the Charlottenburg site (situated in West Berlin), and Carl Ebert who, in the mean­time founded the Glyndebourne Festival, was called back. His productions and season programmes turned West Berlin into one of contemporary opera's main capitals.

Deutsche Oper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Die Walküre

LA WALKYRIE, ONE OF THE GREAT GREAT GERMAN OPERAS'S BY WAGNER

Richard Wagner's La Walkyrie, which translates to The Valkyrie brings to the stage a beautiful story and stunning imagery of the Norse myths of the Valkyrie choosing which soldiers will live and die in battle.

This classic piece of German culture to hear live the iconic Ride of the Valkyrie, which is probably best known in popular culture as the theme of the helicopter pilots in the Hollywood movie, Apocalypse Now.

HISTORY

Based at the time of the Vikings, this opera by the great German composer is the second of the four operas in the classic Ring of the Nibelung series. The basis of the story of this series of operas tells the tale of the Norse hero Siegfried, explaining the story of the conception of the Norse hero and the romance between his parents.

Act 1

A raging storm forces Siegmund to take shelter in an unfamiliar house, where he is greeted by Sieglinde, the unhappy mistress of the home. Siegmund is obviously fleeing and decides to hide his identity behind the name Wehwalt. Sieglinde's husband, Hunding returns and prompts Siegmund to reveal the fact he is fleeing a group of pursuers. Hunding reveals he is one of those pursuing Siegmund and challenges him to battle the next morning. Sieglinde explains the tree in the centre of the room holds a sword left there by a mysterious old man. Siegmund removes the sword and realises it was left by his father and that Sieglinde is his twin sister.

Act 2

As act 2 begins the truth about the ancestry of Siegmund and Sieglinde is revealed as the Norse God Wotan explains to his Valkyrie daughter, Brunhilde that Siegmund and Sieglinde are his children. The conversation is interrupted by Fricka, Wotan's wife who is also the guardian of marriage, she tells Wotan that he must allow Siegmund to be killed as he has committed adultery and incest with his sister Sieglinde. Wotan interferes with the battle between Siegmund and Hunding, which ends with Siegmund's death.

Act 3

Brunhilde flees the scene of Siegmund's death with Sieglinde, whom she brings to the other Valkyrie, Brunhilde agrees to delay Wotan and let Sieglinde and her unborn child, Siegfried flee. Wotan arrives and decides that Brunhilde must be punished by death for her actions in disobeying him. Brunhilde pleads for her life and is held at the top of a mountain in a deep sleep until a hero wakes her with a kiss. Wotan makes the mountain difficult to access by allowing the God, Loge to create a ring of fire around the mountain.

MAIN ROLES

Siegmund, son of Wotan, tenor
Sieglinde, daughter of Wotan, soprano
Hunding, husband of Sieglinde, bass
Wotan, Norse God, bass-baritone
Fricka, Wotan's wife, mezzo-soprano
Brunhilde, Valkyrie, soprano

Deutsche Oper Berlin im Saal © Günter Karl Bose

You may also be interested by …