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Donizetti Lucia di Lammermoor

From 30 April TO 02 May 2024
Covent Garden - London
Program

Donizetti : Lucia di Lammermoor

Cast
  • Conductor
    Giacomo Sagripanti
  • Director
    Katie Mitchell
  • Performers
    Lucia Ashton: Nadine Sierra
    Sir Edgardo di Ravenswood: Ioan Hotea
    Lord Enrico Ashton: Artur Rucinski
    Raimondo Bidebent: In-Sung Sim
    Lord Arturo Bucklaw: Andrés Presno
BOOKING ON REQUEST

For all booking requests, please contact us by e-mail, specifying the city, the date and the number of tickets required at [email protected]

  • Venue Info
  • Seating Plan
  • Synopsis

Covent Garden - London Location Bow Street, Covent Garden - WC2E 9DD London Royaume-Uni

  • Venue's Capacity: 2256

Covent Garden's lyrical tradition goes back to the eighteenth century. It is here, for example, in a theatre constructed in 1732 by John Rich, the successful producer of THE BEGGAR'S OPERA, that the London public discovered several of Handel's operas.

Covent Garden then also staged plays and pantomime, a tradition which continued well into the thirties. The theatre has since hosted the most diverse productions, including cinema, cabaret, ice shows, and the circus. Today only opera and dance (The Royal Ballet) share the season.

As is the case with many an opera house. Covent Garden's life history was interrupted by fire, which twice destroyed the building. The second Royal Opera was inaugurated in 1809. Weber composed OBERON for the theatre, and conducted its premiere in 1826; the next year, Beethoven's F ID EU o was staged. From 1847, Covent Garden most often scheduled the Italian repertoire, with works by Rossini and Verdi. After the fire that demolished the second theatre in 1856, and until 1914, the third opera house built on the Covent Garden site became known as the theatre that hired the world's leading artists (like Nellie Melba, Caruso, and Adelina Patti, who refused all rehearsals by contract), and paid them royally. Several legendary conductors furthered the Royal Opera House's reputation after the First World War, such as Bruno Walter, and, of course, Thomas Beecham, who introduced the opera of Richard Strauss.

During the Second World War, Covent Garden became a "Palais de Dance" (sic). At the end of the war, following an intense period of negogiations. the ambitious decision was made to found a permanent opera company. Karl Rankl was appointed the first Music Director of the Covent Garden Opera Company (it became The Royal Opera in 1968) which gave its first performance in 1947.

Rankl's successors - Rafael Kubelik, Georg Solti, Colin Davis, and Bernard Haitink - have managed to maintain the company spirit and even the most celebrated guest artists are obliged to attend rehearsals.

Covent Garden

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Lucia di Lammermoor

See this Opera in Steaming

LUCIA DI LAMMERMOOR AN ITALIAN TRAGEDY

This opera is a tragedy and consists of three acts. It was written in 1835 by Gaetano Donzietti at the height of his career and it became instantly popular. It was especially popular as it was written at a time when the history and the culture of Scotland was of popular interest within Europe.

Lucia di Lammermoor is set in a castle in Scotland in the late seventeenth century. It is about feud between two families and a love story between members of the feuding families. The opera premiered in 1835 in Naples at Teatro San Carlo. It was later first performed in the United Kingdom in 1838 in London. The opera is still performed widely today and is 21st on the list of the most performed operas in the world.

HISTORY

Act 1

Normanno is searching for intruders. He tells Enrico that he thinks the intruder is Edgardo come to meet Lucia. It is confirmed that the intruder is Edgardo, and this causes Enrico to declare his hatred for the Ravenswood family as well as his determination to end the relationship between Edgardo and Lucia.
Lucia is waiting for Edgardo. She tells her maid, Alisa, that she has seen the ghost of a girl who was killed by a member of the Ravenswood family. Alisa tells Lucia that it is a sign that she should end her relationship with Edgardo. Edgardo enters and declares that he has to leave for France immediately. He also states that he wishes to make peace with Enrico and marry Lucia. Lucia says it is impossible, and they secretly make marriage vows and exchange rings before Edgardo leaves.

Act 2

Preparations are made for Lucia to marry Arturo but Enrico worries that Lucia will not marry him. He fakes a letter supposedly from Edgardo stating that he no longer cares for Lucia. Arturo arrives for the wedding and he signs the marriage contract, followed reluctantly by Lucia. Edgardo appears, curses Lucia and stamps on his ring before being thrown out the castle.

Act 3

Enrico challenges Edgardo to a duel. They arrange to meet later by the graveyard. Raimondo interrupts the marriage celebrations to tell everyone that Lucia has killed her new husband Arturo. Lucia collapes. After hearing that Lucia has killed herself, Edgardo stabs himself with a dagger hoping to be united with her in heaven.

MAIN ROLES

Lucia, coloratura soprano
Lord Enrico Ashton, Lord of Lammermoor and Lucia's brother, baritone
Sir Edgardo di Ravenswood, tenor
Lord Arturo Bucklaw, Lucia's bridegroom, tenor
Raimondo Bidebent, a chaplain, bass
Alisa, Lucia's handmaid, mezzo-soprano

Royal Opera House © Rob Moore

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