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© Státní Opera

Verdi Nabucco

From 12 May TO 26 June 2024
Státní Opera - Praha
Program

Verdi : Nabucco 145 mn

Cast
  • Conductor
    Andriy Yurkevych
    Piotr Staniszewski
  • Director
    Tomáš Ondřej Pilař
  • Venue Info
  • Seating Plan
  • Synopsis

Státní Opera - Praha Location Wilsonova 4 - 110 00 Praha République Tchèque

Nice evening dress or elegant dress.

Besides the legendary Stavovské divadlo and the patriotic monument which is the Národní divadlo, there also exists a Prague State Opera, the Státní Opera, that dates back to 1888.

For in light of the success of the National Theatre, the amateurs of the German lyrical repertoire gathered the funds necessary for the construction of a New German Theatre, inaugurated that year. This institution replaced the Royal Theatre, which had hitherto proposed the German repertoire.

Angelo Neumann, the Vienna Opera's famous baritone who had become director of the Leipzig company, look over the artistic management of the house, where he billed Wagner and hired Gustav Mahler as conductor, Contemporary opera thus occupied a large place in the programming, continuing to do so under Zemlinsky's direction (1911-1927). In 1924, for example, Schoenberg's ERWARTUNG was premiered here. Georg Szell perpetuated this tradition, brutally interrupted in 1938. The theatre reopened in 1945, and was rebaptized the Smetana Theatre in 1949 when the company fused with that of the National Theatre. This illustrions house didn't regain its indépendance until 1992, when it was called the Prague State Opera.

Foreign conductors and stage directors now caollaborate with Czech artists to stage the innovative productions that have established the Státní Opera's reputation as one of Europe's most dynamic opera homes.

Státní Opera

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Nabucco

This opera is dear to all Italians and contains the massively famous aria “Va, pensiero” that everyone in the peninsula knows almost by heart. At the centre of an intricate politic impeachment, Abigail is, by far, the flashiest among Verdi’s heroin.

This Verdi’s opera in 4 acts to a libretto written by Temistocle Solera is known to the general public for the sublime arias such as “Va, pensiero”, that has become a very powerful ode to freedom or “ Coro degli Schiavi Ebrei ”. When the opera premiered, the political message it brought was very relevant and easy to identify with, as the despair of the Jewish people and their resistance against tyrant Nabuccodonosor would mirror that of the Milanese people against the Austrian invaders. Beyond the message though, the opera is, above all, an interesting revise Alfieri’s “I Deliri di Saul”. The opera premiered at La Scala in Milan on 9 March 1842, gaining instant success.

HISTORY
The opera tells the story of a group of captive Israelites triumphing over their Babylonian captors. The Israelite leader, Ismaele, fights the forces of evil to keep the love of the Babylonian princess Fenena and return his people to Israel. He has to defeat the High Priest of the pagan god, Baal, and the wicked princess, Abigaille.

Act 1
The Babylonian army arrives in Jerusalem. Zaccaria, the high priest, entrusts Fenena to Ismaele, nephew of the King of Jerusalem. The couple are already in love, having met when Ismaele was previously captive in Babylon. Abigaille, King of Babylon's eldest daughter, is also in love with Ismaele. She threatens Fenena with high treason if the couple do not renounce one another. Ismaele refuses, betraying the Israelites. The King of Babylon destroys the temple.

Act 2
Abigaille discovers that she is the daughter of slaves. The High Priest of Baal spreads rumours that Fenena has released the Israeli captives and that he intends to place Abigaille on the throne. Zaccaria tells the Israelites that Fenena has converted to Judaism and pleads with them to forgive Ismaele. Because of Fenena's conversion, the King of Babylon threatens all of the Israelites with death. When he declares himself a god, there is a crack of thunder, his crown falls off and Abigaille seizes it.

Act 3
Abigaille is now queen of Babylon. She tricks the broken King of Babylon into signing the death warrant of the Israelites, which means the death of Fenena. He pleads for her life but Abigaille is unmoved and tears up the document that proves she is a slave. On the banks of the Euphrates, the Israelites sing their song of longing for the homeland: Fly, thoughts, on golden wings.

Act 4
The King of Babylon watches as Fenena is led to her death. He promises to convert to Judaism and to rebuild the temple of Jerusalem if Fenena's life is saved. His strength is restored and he hurries to save Fenena and the Israelites from death. The Babylonian idol falls to the ground and Abigaille poisons herself. Fenena forgives Abigaille as she dies.

THE MAIN ROLES
Nabucco, baritone, King of Babylon
Fenena, mezzo soprano, daughter to the King of Babylon
Abigaille, soprano, his supposed daughter
Ismaele, tenor, nephew of the King of Jerusalem
Zaccaria, bass, high priest of the Jews

© Státní Opera

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