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Palau de la Catalana - Sala de Concerts @ A. Bofill

Bizet Carmen

The 01 May 2024
Palau de la Música - Barcelona
Program

Bizet : Carmen 170 mn

Cast
  • Orquestra NovAria Barcelona
  • Conductor
    Adolf Gassol
  • Director
    Sergi Giménez
  • Performers
    Carmen: Cristina Segura
    Don José: Ignacio Guzmán
    Escamillo: Alberto Cazes
    Micaela: Sarah Zhai
    Frasquita: Lara Sagastizabal
    Mercédès: Leire Viscarret
    Zuniga: Edson Jimenez
  • Venue Info
  • Seating Plan
  • Synopsis

Palau de la Música - Barcelona Location C/ Palau de la Música, 4-6 - 08003 Barcelona Espagne

The architect Lluis Domenech i Montaner is the father of Catalonian "Modernismo," and the Palau de la Music a Catalana is his masterpiece. Together with Gaudi, Domenech i Montaner is a representative of the mixture of nationalism and unbridled invention that characterizes turn-of-the-century art in Barcelona, the equivalent of, for example, the French and Belgian "Art Nouveau", the Austrian "Jugendstil" and the English "Modern Style".

In 1891, Lluis Millet and Amadeu Vives founded the Orfeô Català, a chorale that performs both the Catalonian popular repertoire and serious polyphonic music. The succès of the chorale was such that they asked Domenech i Montaner to design office space and a concert hall for them. Up to this day, the Palau, inaugurated in 1908, has marked Barcelonas musical history. Amidst the building's coloured mosaics and its countless floral motifs, the Catalomans came legion to hear their Orfeö perform Bach's ST. MATTHEW PASSION (Catalonian premiere in 1921) and Beethoven's MISSA SOLEMNIS (performed to commemorate the centennial of his death in 1927). To mark these events, sculptures and bus reliefs were added to the already exuberant decoration. In the building's smaller chamber music theatre, as well as in the larger 2000-seat hall, with its luminous and extravagant glass ceiling in the form of an inverted coupola, the century's most prestigious artists have come to perform.

In 1921, for example, during the famous performance of Bach's PASSION, Albert Schweitzer played the German organ that is part of the hall's hemicycle (unfortunately, this organ has been abandoned since being poorly restored in 1973). Much to the architect's credit, the Berlin Philharmonic under Karajan's baton, as well as artists such as Rubinstein, Oistrakh, and Menuhin, not to mention the famous Catalonian singers Montserrat Caballé and Victoria de Los Angeles (locally called "dels Angels"), have kept alive this extraordinary edifice, that could be visited as a museum.

Declared a historical monument in 1971. the Palau was restored and extended between 1982 and 1989. In 1991-92, Orfeö Catalä's centennial celebrations, Barcelona again established its position amongst the world's major theatres, for Giulini, Temirkanov, Colin Davis, Muti, Mehta, Barenboim, and several others came here to conduct the Philadelphia, Leningrad, Berlin, Montreal, Dresden and London symphony orchestras.

Palau de la Música

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Carmen

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Carmen is among the renowned operas in the world, composed by Georges Bizet. It is one of the most attention-grabbing operas, composed of eminent melodies. The play was written by Henri Meilhac and Ludovic Halevy, and based on a short story by Prosper Merimee.
Carmen's intoxicating melodies together with the atmosphere represent the misery and emotions of these characters.

It is a fascinating opera full of affection and jealousy, and with an awesome performance which makes this Carmen most enjoyable and dramatic for any first time operagoer. Stunning, this opera is performed in almost all opera theaters in the entire world.

HISTORY
Carmen was first staged on 3rd March 1875 in Paris Opéra Comique.

The opera has then been recorded in various versions, since 1908 and has been the narrative of numerous screens and theater adaptations.

Act I
Spain. In Seville by a cigarette factory, soldiers comment on the townspeople. Among them is Micaëla, a peasant girl, who asks for a corporal named Don José. Moralès, another corporal, tells her he will return with the changing of the guard. The relief guard, headed by Lieutenant Zuniga, soon arrives, and José learns from Moralès that Micaëla has been looking for him. When the factory bell rings, the men of Seville gather to watch the female workers—especially their favorite, the gypsy Carmen. She tells her admirers that love is free and obeys no rules. Only one man pays no attention to her: Don José. Carmen throws a flower at him, and the girls go back to work. José picks up the flower and hides it when Micaëla returns. She brings a letter from José’s mother, who lives in a village in the countryside. As he begins to read the letter, Micaëla leaves. José is about to throw away the flower when a fight erupts inside the factory between Carmen and another girl. Zuniga sends José to retrieve the gypsy. Carmen refuses to answer Zuniga’s questions, and José is ordered to take her to prison. Left alone with him, she entices José with suggestions of a rendezvous at Lillas Pastia’s tavern. Mesmerized, he agrees to let her get away. As they leave for prison, Carmen escapes. Don José is arrested.

Act II

Carmen and her friends Frasquita and Mercédès entertain the guests at the tavern. Zuniga tells Carmen that José has just been released. The bullfighter Escamillo enters, boasting about the pleasures of his profession, and flirts with Carmen, who tells him that she is involved with someone else. After the tavern guests have left with Escamillo, the smugglers Dancaïre and Remendado explain their latest scheme to the women. Frasquita and Mercédès are willing to help, but Carmen refuses because she is in love. The smugglers withdraw as José approaches. Carmen arouses his jealousy by telling him how she danced for Zuniga. She dances for him now, but when a bugle call is heard he says he must return to the barracks. Carmen mocks him. To prove his love, José shows her the flower she threw at him and confesses how its scent made him not lose hope during the weeks in prison. She is unimpressed: if he really loved her, he would desert the army and join her in a life of freedom in the mountains. José refuses, and Carmen tells him to leave. Zuniga bursts in, and in a jealous rage José fights him. The smugglers return and disarm Zuniga. José now has no choice but to join them.

Act III

Carmen and José quarrel in the smugglers’ mountain hideaway. She admits that her love is fading and advises him to return to live with his mother. When Frasquita and Mercédès turn the cards to tell their fortunes, they foresee love and riches for themselves, but Carmen’s cards spell death—for her and for José. Micaëla appears, frightened by the mountains and afraid to meet the woman who has turned José into a criminal. She hides when a shot rings out. José has fired at an intruder, who turns out to be Escamillo. He tells José that he has come to find Carmen, and the two men fight. The smugglers separate them, and Escamillo invites everyone, Carmen in particular, to his next bullfight. When he has left, Micaëla emerges and begs José to return home. He agrees when he learns that his mother is dying, but before he leaves he warns Carmen that they will meet again.

Act IV

Back in Seville, the crowd cheers the bullfighters on their way to the arena. Carmen arrives on Escamillo’s arm, and Frasquita and Mercédès warn her that José is nearby. Unafraid, she waits outside the entrance as the crowds enter the arena. José appears and begs Carmen to forget the past and start a new life with him. She calmly tells him that their affair is over: she was born free and free she will die. The crowd is heard cheering Escamillo. José keeps trying to win Carmen back. She takes off his ring and throws it at his feet before heading for the arena. José stabs her to death.

MAIN ROLES
Carmen, a gypsy girl, mezzo soprano

Don Jose, corporal of dragoons, tenor

Escamillo, toreador, bass-baritone

Micaela, A village maiden, soprano

Zuniga, lieutenant of dragoons, bass

Morales, corporal of dragoons, baritone

Palau de la Catalana - Sala de Concerts @ A. Bofill

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