The name Nemanja Radulovic inevitably rhymes with virtuosity. An incredible violinist with a characteristically tousled head of hair, he twirls his bow with an impressive dexterity that is always at the service of the work he performs. As a child prodigy, the artist has had time to mature his repertoire, which he wants to be eclectic. The great Romantic concertos rub shoulders with Baroque and also with world music that recalls his roots in the Balkans.
Winner of the 2015 Echo Klassik Award for Newcomer of the Year, Serbian-French violinst Nemanja Radulović has taken the classical music world by storm with his thrilling virtuosity, depth of expression, and adventurous programming, both in the recording studio and on the concert stage. An exclusive Deutsche Grammophon artist, his most recent album , Baika, features his evocative interpretations of Khachaturian's Violin Concerto as well as Rimsky-Korsakov's Scheherazade, arranged for solo violin and chamber orchestra.
Fresh off a hotly-anticipated, ‘magical’ (Barry Creasy, musicOMH) BBC Proms debut featuring the Bournemouth Symphony Orchestra, Kirill Karabits, and a Barber Violin Concerto whose ‘lyric delicacy and last-movement super-virtuosity were caught to near perfection’ (The Times), Radulović ’s recent and forthcoming highlights include an extensive European tour with the Russian State Academic Symphony and Andrey Boreyko; debut engagements with the Gothenburg Symphony, Philharmonia Orchestra, Sydney Symphony, MDR Leipzig Radio Symphony, Dusseldorf Symphony, RTE National Symphony Dublin, Orquesta Sinfonica de Valencia, and Orchestre Philharmonique de Strasbourg; the season opening of the Jeunesse Musicale series at the Vienna Konzerthaus; a play/direct performance of the Beethoven Violin Concerto with the Munich Chamber Orchestra (resulting in an immediate re-invitation and on-going relationship with the ensemble); and a special collaboration with clarinettist Andreas Ottensamer, accordionist Ksenija Sidorova, and pianist Laure Favre-Kahn, performing to audiences at festivals across Germany, Switzerland and France.
An artist who seeks to broaden the boundaries of classical music, Radulović champions the power of music to bring people together with his unique energy and candour. He has amassed a legion of loyal fans around the world who have enjoyed his performances with many of the world’s leading orchestras, including the Munich Philharmonic, Deutsches Symphonie-Orchester Berlin, Staatskapelle Dresden, Royal Liverpool Philharmonic, Tokyo Symphony, Yomiuri Nippon Symphony in Tokyo, Orchestre Symphonique de Montréal, Orquesta Nacional de España, Netherlands Radio Philharmonic, Salzburg Camerata, NDR Radiophilharmonie in Hanover, WDR Sinfonieorchester in Cologne, Orchestre Philharmonique de Radio France, Belgian National Orchestra, Orchestre National de Lille, Orchestra Sinfonica Nazionale della RAI in Turin, Orchestra della Toscana, Tampere Philharmonic, Gävle Symphony, Royal Philharmonic Orchestra, Copenhagen Phil, Geneva Camerata, Queensland Symphony, Macao Orchestra, Malaysian Philharmonic, Cadaqués Orchestra, and the Bilbao Orkestra Sinfonikoa.Radulović has an equal passion for the intimacy of chamber music, and is an increasingly active recitalist on the international circuit. He has performed at such notable venues as New York’s Carnegie Hall, the Amsterdam Concertgebouw, Berlin Philharmonie, both the Salle Pleyel and the Théâtre des Champs-Élysées in Paris, the Athens Megaron, Tokyo’s Suntory Hall, Teatro Colón in Buenos Aires, and the Melbourne Recital Centre in Australia. His many recital partners include Marielle Nordmann, Laure Favre-Kahn, and Susan Manoff, the latter with whom he has also recorded a disc of Beethoven Sonatas released on the Decca/Universal Music label.
Radulović also regularly undertakes a play/direct role with his infectious, high-energy ensemble The Devil’s Trills – noted for their ‘immense purity, artistic force, passion, intimacy, and exquisite dynamic choices, leaving the audience in complete astonishment’ (Johannes Seifert, Augsburger Allgemeine) – and his chamber orchestra, Double Sens, which was recently celebrated for their recordings of Bach and Rimsky-Korsakov, as well as The 5 Seasons, a piece that combines Vivaldi’s Four Seasons with a new composition, Spring in Japan, by Aleksandar Sedlar and dedicated to the Japanese tsunami victims in 2011. Their other recent recordings include Paganini Fantasy (2013), Journey East (2014), BACH (2016), Tchaikovsky (2017), and most recently Baïka (2018).Radulović’s recognition for his work in classical music includes International Revelation of the Year by the Victoires de la musique classique in 2005, an Honorary Doctorate from the University of Arts in Niš, Serbia, and an ELLE Style Award for Musician of the Year in 2015. He is the winner of several international violin competitions, such as Joseph Joachim in Hanover, George Enescu in Bucharest, and Stradivarius in Cremona.Born in Serbia in 1985, Nemanja Radulović studied at the Faculty of Arts and Music in Belgrade, the Saarlandes Hochschule für Musik und Theater in Saarbrücken, the Stauffer Academy in Cremona with Salvatore Accardo, and the world-renowned Conservatoire de Paris with Patrice Fontanarosa.
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Nemanja Radulovic | 2 Performances
Violin Concerto - Tchaikovsky / Daphnis et Chloé (Complete Ballet) - Ravel / Alborada del gracioso - Ravel
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