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Yannick Nézet-Séguin studied piano, conducting, composition, and chamber music at the Conservatoire de musique du Québec in Montreal and choral conducting at the Westminster Choir College in Princeton, New Jersey before going on to study with renowned conductors, most notably the Italian maestro Carlo Maria Giulini. By the time he made his European debut in 2004, he had already founded his own professional orchestra and vocal ensemble, La Chapelle de Montréal, going on to conduct all the major ensembles in Canada.
Yannick Nézet-Séguin has worked with many leading European ensembles and enjoys close collaborations with Berliner Philharmoniker, Wiener Philharmoniker, Bayerischer Rundfunk Sinfonieorchester and Chamber Orchestra of Europe; between 2008 and 2014, he was also Principal Guest Conductor of London Philharmonic Orchestra. He has appeared many times at the BBC Proms and at many European festivals, among them Edinburgh, Lucerne, Salzburg and Grafenegg (Vienna). North American summer appearances include New York’s Mostly Mozart Festival, Lanaudiere, Vail and Saratoga. With the Philadelphia Orchestra, he goes regularly to Carnegie Hall. He also conducts master classes, notably at two of the most renowned institutions, the Curtis Institute of Philadelphia and the Julliard School of New York.
2013/14 marked the start of his three-year term as Artist-in-Residence at Konzerthaus Dortmund which featured The Philadelphia Orchestra, London Philharmonic, Chamber Orchestra of Europe, Rotterdam Philharmonic, Bayerischer Rundfunk, Berliner Philhamoniker, Wiener Philharmoniker and chamber concerts.
He conducts regularly The Philadelphia Orchestra, the Rotterdam Philharmonic Orchestra and The Chamber Orchestra of Europe on Asian and European tours. In November 2017, he has led the Orchestre Métropolitain of Montreal in its very first European tour.
Yannick Nézet-Séguin is equally comfortable in the pit and on the concert podium. After doing his first opera conducting experiences for the Opéra de Montréal from 2000 to 2004, in L'Incoronazione di Poppea, Le Barbier de Séville, Cosi fan tutte, Pelléas et Mélisande and L'Elisir d'amore, he returned once in a while for Wozzeck, Madame Butterfly, Salomé and Elektra. He made his Salzburg Festival opera debut in 2008 with a new production of Roméo et Juliette, returning in 2010 and 2011 for Don Giovanni. In the 2009/10 season, he made his Metropolitan Opera debut with their new production of Carmen; since then, he has returned each season to conduct Don Carlo, Faust, La Traviata, Rusalka, Otello, Der fliegende Hollander, Parsifal and Elektra before he was named Music Director beginning with the season 2018-2019. During his first season at this post, he conducts La Traviata, Pelléas et Mélisande and Dialogues des Carmélites. He has conducted for Teatro alla Scala, Royal Opera House, Covent Garden, Netherlands Opera and Vienna State Opera; in 2011, he began the cycle of Mozart's seven mature operas for Festspielhaus Baden-Baden, all recorded live by Deutsche Grammophon.
In September 2018, Yannick Nézet-Séguin becomes the third Music Director of the Metropolitan Opera, New York. Music Director of the Philadelphia Orchestra since 2012 and the Orchestre Métropolitain of Montreal since 2000, he becomes Honorary Conductor of the Rotterdam Philharmonic Orchestra after being their Music Director from 2008 to 2018. He is also Honorary Member of the Chamber Orchestra of Europe.
Source : yannicknezetseguin.com
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Yannick Nézet-Séguin | 2 Performances
Piano Concerto No. 20 K. 466 - Mozart / Ma Mère l’Oye - Ravel / Prélude à l’après-midi d’un Faune - Debussy
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