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The Club Music & Opera
Opera
Verdi Nabucco
145 mn
Venue Info- Seating Plan
- Synopsis
Teatro Regio - Parma strada Garibaldi, 16/a - 43121 Parma Italie
strada Garibaldi, 16/a - 43121 Parma ItalieTeatro Regio
The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.
The division of categories may differ depending on shows and dates.
Synopsis
Nabucco
Discover upcoming dates for Verdi's opera Nabucco and book your tickets now for Nabucco this season.
This opera is dear to all Italians and contains the massively famous aria “Va, pensiero” that everyone in the peninsula knows almost by heart. At the centre of an intricate politic impeachment, Abigail is, by far, the flashiest among Verdi’s heroin.
This Verdi’s opera in 4 acts to a libretto written by Temistocle Solera is known to the general public for the sublime arias such as “Va, pensiero”, that has become a very powerful ode to freedom or “ Coro degli Schiavi Ebrei ”. When the opera premiered, the political message it brought was very relevant and easy to identify with, as the despair of the Jewish people and their resistance against tyrant Nabuccodonosor would mirror that of the Milanese people against the Austrian invaders. Beyond the message though, the opera is, above all, an interesting revise Alfieri’s “I Deliri di Saul”. The opera premiered at La Scala in Milan on 9 March 1842, gaining instant success.
The opera tells the story of a group of captive Israelites triumphing over their Babylonian captors. The Israelite leader, Ismaele, fights the forces of evil to keep the love of the Babylonian princess Fenena and return his people to Israel. He has to defeat the High Priest of the pagan god, Baal, and the wicked princess, Abigaille.
MAIN PROTAGONISTS
Nabucco, King of Babylon, baritone.
Abigaille, princess, supposed daughter of Nabucco, soprano.
Zaccaria, High Priest of Jerusalem, bass.
Fenena, princess, daughter of Nabucco, soprano.
Ismaele, nephew of the King of Jerusalem, tenor.
