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Madama Butterfly - Puccini

Teatro Comunale - Bologna

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Madama Butterfly - Puccini

Teatro Comunale, Bologna

Puccini Madama Butterfly

From 31 March TO 04 April 2027
Opening date: 27 November 2026
Teatro Comunale - Bologna
From 53 €
Prices & Dates
Program

Puccini : Madama Butterfly 130 mn

Sung in : Italian
Cast
  • Conductor
    Stefano Ranzani
  • Director
    Monica Manganelli
  • Performers
    Cio-Cio San: Maria Teresa Leva
    Pinkerton: David Esteban
    Suzuki: Benedetta Mazzetto
    Sharpless: Gustavo Castillo
    Goro: Saverio Pugliese

Ticket prices include the face value of the tickets, VAT, transaction fees and handling fees applied by Music & Opera.

  • Venue Info
  • Seating Plan
  • Synopsis

Teatro Comunale - Bologna LocationLargo Respighi, 1 - 40126 Bologna Italie

For a theatre that is more than 300 years old, the Teatro Comunale di Bologna has a remarkedly peaceful past. Neither fires nor wars, neither political nor artistic revolutions have upset the long history of this opera house, constructed between 1756 and 1763 by Antonio Galli Bibiena. From its inauguration, with Gluck's II TRIONFO DI CLELIA, to the present day, the house's fortunate audience, which most often fills the 1000-seat hall, has simply witnessed some of the most brilliant performances in opera history, and has heard the essential lyrical repertoire. Rossini came to produce TANCREDI, L'ITALIANA IN ALGERI, LA CENERENTOLA, LA GAZZA LADRA, and THE BARBER OF SEVILLE; Merendante premiered his MARIA STUARDA REGINA DI SCOZIA here. Later on, Verdi came to premiere the first Italian version of his DON CARLO in 1867, and Boito his final version of MEFISTOFELE in 1875. Much to its honour, the theatre didn't content itself with presenting only top-notch Italian artists: it was the first Italian opera house to produce one of Wagner's operas, LOHENGRIN, in 1871. The next year TANNHAUSER was performed, followed, before the end of the century, by THE FLYING DUTCHMAN and TRISTAN UND ISOLDE. For this reason, Bologna is still known today as one of Italy's few Wagnerian centres.

Since the beginning of the twentieth century, seated in the same hall, the audience has applauded the house orchestra conducted by artists such as Toscanini, Furtwangler, Karajan, Abbado, and Sinopoli, without forgetting Riccardo Chailly, who left his position as Bologna's principal conductor to conduct the Concertgebouw Orchestra in Amsterdam. And the list of stars who have sung on the Bologna stage is impressive, including Schipa, Gigli. Di Stefano, Christoff, Renata Tebaldi, Del Monaco, Pavarotti, Mirella Freni, Marilyn Home, Christa Ludwig, June Anderson, Ghiaurov, and Raina Kabaivanska, to name a few.

The Institution also takes part in pedagogical programmes for children as well as for the retired throughout the Emilia-Romagna region. Besides producing the lyrical Performances that have established Bologna's reputation, the house orchestra also proposes a Symphonie series, as well as a chamber music season that has become a rendez-vous for the world's leading artists. A peaceful history, and a happy one...

Teatro Comunale

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Madama Butterfly

Find out the upcoming dates for Puccini's opera Madama Butterfly, and book your tickets now for Madama Butterfly.

No other opera offers a more sublime death than that of Cio-Cio-san, the endearing heroine of Madama Butterfly. Puccini's marvellous music and the ultimate sacrifice of this passionate but neglected lover can only leave hearts of stone unmoved.

Delicacy and restraint define this tragedy in three acts. In the intimacy of a Japanese home, the hopes and pain of a young woman madly in love are expressed. The unspoken dramatic tension, compassion and pity are underlined by an extremely rich melodic line, discreetly punctuated by seven authentically Japanese melodies. The music is at the service of a sincere love and a scorned honour that lead to the final tragedy. The ‘un bel di vedremo’, vibrant with love and trust, is the musical climax of the work.

THE STORY

Nagasaki, early 20th century. An American naval lieutenant, Pinkerton, marries a young geisha, Cio-Cio san, nicknamed Madam Butterfly. After he leaves, Butterfly waits faithfully for him, especially as she has had a son. Pinkerton returns three years later, but accompanied by his American wife. He wants to adopt the young boy. In despair and disgrace, Butterfly takes her own life.

PRINCIPALS CARACTERS 

  • Cio-Cio-San, a young geisha known as "Madame Butterfly", soprano.
  • Suzuki, her maid, mezzo-soprano.
  • Benjamin Franklin Pinkerton, Lieutenant in the US Navy, tenor.
  • Sharpless, US Consul in Nagasaki, baritone.
Teatro Comunale, Bologna

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