From €96
< Back to show details
Un ballo in maschera - Verdi

Semperoper - Dresden

Select the date of the show

Loading available dates...

Please specify your seating requests regarding your ticket booking (OPTIONAL).
(100 char. max)

Seating

Music & Opera books the best available seats. The exact location of your seats will be confirmed via email. Only adjacent seats can be booked. More information

ANY QUESTIONS ?

Contact us by tel: +33 1 53 59 39 29 – or by Email.) See Help & FAQ page

TICKET DELIVERY INFORMATION

You will receive by email, your E-tickets to be printed or downloaded on your mobilephone.

Price

Music & Opera ticket prices differ from the ticket face value, as they also include all service fees and taxes.

The Club Music & Opera

Le Club Music & Opera
Join the Club to benefit from special offers. Already Member of the Club, Login !
Un ballo in maschera - Verdi

Francesco Meli

Verdi Un Ballo in Maschera

From 04 October TO 21 October 2026
Semperoper - Dresden
From 96 €
Prices & Dates
Program

Verdi : Un Ballo in Maschera 135 mn

Sung in : Italian
Cast
  • Conductor
    Daniele Gatti
  • Director
    Angela Denoke
  • Performers
    Riccardo (Gustave III): Francesco Meli
    Amelia: Nicole Car
    Renato (Ankarstroem): Lodovico Filippo Ravizza
    Ulrica (Arvidson): Yulia Matochkina
    Oscar: Rosalia Cid
  • Venue Info
  • Seating Plan
  • Synopsis

Semperoper - Dresden LocationTheaterplatz 2 - 01067 Dresden Allemagne

During the seventeenth and eighteenth centuries, Dresden, which became known as the « Florence of the Elbe, » became a primordially important intellectual centre and its orchestra, which developed a new virtuostic instrumental style, spread its influence throughout Europe. Under the influence of Weber, Dresden actively participated in the renaissance of German opera.

For instance, the Opera House built by Gottfried Semper in 1841 welcomed Wagner's first successes in his attempt to renovate German lyrical art; RIENZI, THE FLYING DUTCHMAN, and TANNHÄUSER. But Wagner was also a political agitator and he was forced to leave the city after the 1848 revolution.

In 1858, the orchestra organized its first regular season of symphonic concerts for the public. Following a fire in 1869, Semper erected a second concert hall which was subsequently destroyed, along with the rest of the splendid baroque city, during the devastating bombings of 1945. In 1985, the reopening of one of Europe’s most beautiful opera houses

Semperoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Un Ballo in Maschera

If you like your opera with a touch of politics then you will enjoy Un ballo in maschera. This opera was composed by Giuseppe Verdi with a libretto by Antonio Somma and was premiered in Rome in 1859. The opera is based on the assassination of King Gustav III of Sweden, although the final version had to undergo several changes because of censorship and the tense political situation in France.

HISTORY
Le bal masqué revolves around political conspiracy and unrequited love; both strands becoming entwined.

Act 1
The long first act of Le bal masqué opens at the court of King Gustavo of Sweden; he is reviewing a list of guests for his masked ball. Gustavo is in love with Amelia, the wife of Count Anckarstrom and is happy to see that she is a guest. When the Count arrives he tries to warn the King of trouble in his kingdom but Gustavo will not listen. A magistrate asks King Gustavo to banish Madame Arvidson, a fortune teller accused of witchcraft but she is defended by Oscar, the King's page. To test the accusation the King calls upon his courtiers to disguise themselves ready to meet at her lodgings. Amelia arrives to see Madame Arvidson and the disguised King hides. From his hiding place he hears Amelia profess his love for him and the problems this is causing her. The fortune teller advises her to collect a magical herb. King Gustavo and his courtiers present themselves to the fortune teller and their fortunes are read. Madame Arvidson prophesies that the King will be killed by the next man to shake his hand, who turns out to be Count Anckarstrom.

Act 2
It is now the middle of the night and Amelia bravely visits the forest to pick her herbs. King Gustavo surprises her and they declare their love for each other; but suddenly the Count arrives and Amelia veils her face to hide from her husband. The Count tells the King that conspirators are looking for him and his life is in danger. As the King flees he asks Count Anckarstrom to escort the veiled lady back to the town. The Count has to fight the conspirators and in the struggle Amelia´s face is revealed. Count Anckarstrom immediately thinks the worst. He confers with the leaders of the conspiracy and they agree to meet the following day.

Act 3
Count Anckarstrom threatens to kill Amelia. She pleads her innocence and begs to see her son one more time. The Count relents and decides Gustavo must die instead. When the conspirators arrive they ask Amelia to draw lots to see who will kill the King and the Count is chosen. They decide that the masked ball, Le bal masqué, will be the perfect place for an assasination. At the ball the King is seen resolving to be strong and deciding to send Amelia and the Count away from court but the Count finds and stabs King Gustavo. As he lies dying he declares that Amelia did not break her marriage vows although he loves her. He bids farewell to his friends and his country and dies.

MAIN ROLES

  • Riccardo, Earl of Warwick, Governor of Boston, tenor
  • Renato, Riccardo's secretary and friend, husband of Amélia, baritone
  • Amelia, Renato's wife, soprano
  • Ulrica,fortune-teller, contralto
  • Samue,conjurer, bass
  • Tom,conjurer, bass
Semperoper Dresden © Matthias Creutziger

You may also be interested by …

Pay in 3 installments 32,00€ with interest-free. Learn more