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Gran Teatre del Liceu

La mítica y bella ópera de Barcelona fue completamente reconstruida a imagen y semejanza de la antigua, completamente devastada por un incendio en 1994. La nueva, dotada de la más moderna tecnología escénica, mantiene a la institución entre las más emblemáticas de Europa.

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La Temporada de ópera, de ballet y concierto 2018 del Gran Teatre del Liceu de Barcelona esta online !

Ya puede reservar sus entradas para el Teatro del Liceu de Barcelona.

Reserva entradas para Concierto, Ópera, Ballet : Gran Teatre del Liceu

 | 6 Resultados
Aqui estan los próximos espectáculos, no hay nada previsto este mes.
  • Ópera
    Manon Lescaut (© Laura Ferrari)
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Ver la temporada de concierto y ópera en París y mejores asientos online. 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    Manon Lescaut Puccini


    Gran Teatre del Liceu Barcelona, España

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    De 116€ hasta 227€ + Info / Entradas
  • Ópera
    Manon Lescaut (© Laura Ferrari)
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    Manon Lescaut Puccini


    Gran Teatre del Liceu Barcelona, España

    Menos detalle Ver más

    De 104€ hasta 227€ + Info / Entradas
  • Concierto
    François-Frédéric Guy (© Benjamin De Diesbach)
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    Brahms Piano Concerto No. 2 / Strauss R. Also sprach Zarathustra


    Gran Teatre del Liceu Barcelona, España

    • Orquestra Simfònica del Gran Teatre del Liceu
    • Director de orquesta :
      Josep PONS

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    De 81€ hasta 145€ + Info / Entradas
  • Ópera
    Manon Lescaut (© Laura Ferrari)
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    Manon Lescaut Puccini


    Gran Teatre del Liceu Barcelona, España

    Menos detalle Ver más

    De 116€ hasta 227€ + Info / Entradas
  • Ópera
    La favorite (© A. Bofill)
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    La Favorite Donizetti


    Gran Teatre del Liceu Barcelona, España

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  • Ópera
    La favorite (© A. Bofill)
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    La Favorite Donizetti


    Gran Teatre del Liceu Barcelona, España

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Informaciones sobre Gran Teatre del Liceu

El 4 de abril de 1847 abría sus puertas el Gran Teatre del Liceu, obra del arquitecto Miquel Garriga, con un programa de danza, música y teatro. El primer gran evento operístico, Ana Bolena de Donizetti, fue el día 17. En 1861, el teatro sufrió su primer incendio, pero fue reconstruido en tan solo un año. El nuevo coliseo resultó ser  un duro rival para el Teatro de la Santa Cruz, al que se acabó imponiendo. A finales del XIX el Liceu se convirtió en un importante lugar de encuentro de la sociedad barcelonesa, el lugar donde ver y ser visto, por lo que se mantenían encendidas las luces de la sala durante la representación.

 

Aunque las obras de compositores españoles son pocas veces representadas, autores como Guridi, Arrieta o Bretón, son muy apreciados. El gran repertorio francés fue introduciéndose en le teatro más lentamente que el italiano. Robert le Diable de Meyerbeer fue estrenada en 1851, aunque el verdadero entusiasmo por este compositor, uno de los más interpretados de la historia del teatro, llegó en 1856 con el estreno de Les Huguenots. A pesar del reinado indiscutible de la ópera italiana, se siguieron estrenando con mucho éxito obras de compositores franceses como Adam, Halévy o Gounod, cuyo Faust, estrenado en 1864, supuso un triunfo, con hasta 26 representaciones seguidas. Reconocido ya como uno de los principales teatros de ópera europeos a finales del XIX, el Liceu siguió estrenando los principales títulos italianos y franceses, compositores nacionales como Pedrell y algún alemán como Weber y muy especialmente Wagner. Die Walkure causó una tremenda sensación en el público y por primera vez, las luces de la sala fueron apagadas durante la representación.

 

El estreno de Boris Godunov de Mussorgky el 20 de noviembre de 1915 marcó el inicio de un periodo de esplendor de la ópera rusa en el Liceu. Durante la Segunda República, el teatro acusó gravemente la crisis económica propiciada por la inestabilidad política. Durante la Guerra Civil, el teatro fue nacionalizado, pasando a llamarse Teatre Nacional de Catalunya. La llegada de las tropas de Franco a Barcelona propició la clausura del teatro entre los meses de febrero y diciembre.

 

Durante la 2ª Guerra Mundial, el hecho de que España no participara en el conflicto y las excelentes relaciones entre Madrid y Berlín, facilitaron la visita de compañías germanas y un resurgimiento de la ópera alemana y de Wagner especialmente. En 1955 por primera vez en su historia, el Festival de Bayreuth al completo, visitó el teatro para nueve representaciones. Alemania necesitaba pedir disculpas por su pasado reciente. Barcelona era una opción obvia, dado que tenía una sólida tradición wagneriana y un régimen autoritario, que impidió cualquier elemento hostil. El festival repitió su visita el teatro para inaugurar la temporada 2012-13.

 

El 31 de enero de 1994 el teatro volvió a sufrir otro devastador incendio y se decidió reconstruirlo en el mismo lugar. El nuevo edificio, terminado en 1999, respeta la decoración de la antigua sala, mejorando el número de butacas con visibilidad y la acústica. Amplió además su capacidad de trabajo, siendo ahora posible albergar hasta tres producciones distintas, con la más avanzada tecnología escénica.