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Consultez le programme de la saison 2018-2019 du Teatro di San Carlo de Naples et réservez vos billets dès maintenant 

 

 

Réservez des Concerts, Opéras, Ballets : Teatro di San Carlo

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  • Ballet
    Teatro di San Carlo
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    La chorégraphie de Derek Deane, ancien danseur principal du Royal Ballet de Londres, sublime l’éternel drame romantique d’Alexandre Dumas. Les solistes de la troupe Anna Chiara Amirante et Alessandro Staiano danseront deux amoureux, sur la musique interprétée par l’Orchestre des Jeunes Luigi Cherubini, fondé en 2004 par Riccardo Muti.

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    La Dame aux Camélias


    Teatro di San Carlo Napoli, Italie

    • Danse :
      Corpo di Ballo del Teatro di San Carlo
    • Orchestra Giovanile Luigi Cherubini
    • Chef d'orchestre :
      Nicola GIULIANI

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    De 80€ à 146€ Infos & billets
  • Concert
    Teatro di San Carlo
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    Dans ce concert de musiques du 20e siècle sous la direction de Zubin Mehta, le pianiste Stefano Bollani, qui navigue librement entre le classique et le jazz, interprétera Rhapsody in blue de Gershwin, dont l’enregistrement avec Riccardo Chailly a remporté un véritable succès, avec plus de 70 000 copies !

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    Stravinsky Le Sacre du Printemps / Gershwin Rhapsody in Blue / Bernstein Candide (Overture)


    Teatro di San Carlo Napoli, Italie

    • Orchestra del Teatro di San Carlo
    • Chef d'orchestre :
      Zubin MEHTA

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    De 66€ à 99€ Infos & billets
Autres salles à Naples

Informations sur Teatro di San Carlo

Le «San Carlo» est le plus vieux théâtre lyrique encore en activité. Dès 1737, année de son inauguration, on y admire l'excellent orchestre de 42 musiciens, mais aussi les chanteuses connues par leur surnom, «la Parruchierrina» ou «la Bastarella», et plus que tout, les castrats du Conservatoire de Naples, dont le fameux Farinelli. Enfin, il se dégage de son architecture somptueuse, avec ses six étages de loges, un charme qui ravira encore Stendhal, où même Paul Klee, fasciné par ce «théâtre superbe, lourd et obscur».

 

On comprend donc que Ferdinand de Bourbon ait vite fait reconstruire l'édifice, et à l'identique, après l'incendie de 1816 : Naples, privée d'opéra, en deuil, menaçait de retirer sa confiance au souverain. Il faut ajouter qu'avait alors brillamment commencé le règne de Domenico Barbaja, un véritable personnage de roman qualifié de «prince des imprésarios» par Alexandre Dumas. Dès 1815, cet ancien garçon de café milanais, à qui Von attribue parfois l'invention de la crème fouettée, avait eu l'idée géniale de prendre pour directeur artistique Gioacchino Rossini en personne. Cette collaboration exceptionnelle, pendant laquelle Rossini composa une dizaine d'opéras et s'enticha de la voix et de la personne d'Isabella Colbran, se termina précipitamment, en 1822, puisque la Colbran était également la maîtresse de Barbaja... Ce dernier engage alors Donizzetti (qui composera notamment LUCIA DI LAMMERMOOR pour le San Carlo), tout en lançant, en 1826, un jeune compositeur nommé Vincenzo Bellini. La scène napolitaine est alors le lieu où se font et se défont les réputations des chanteurs : c'est ainsi que le célèbre ténor français Adolphe Nourrit, s'esti-mant peu applaudi, se suicidera après une représentation au San Carlo. C'est ensuite le compositeur Saverio Mercadante qui gagnera les faveurs du terrible public du San Carlo, à tel point qu'un Verdi ne s'y sentira pas tout de suite à l'aise. Mais il finira par y triompher en 1872, où il assure la direction d'une saison entière, et fait construire une fosse d'orchestre.

 

Toutefois, auXXème siècle, l'étoile de la Scala de Milan fait parfois pâlir celle de l'opéra de Naples, une rivalité ancestrale qui dure toujours, dans un pays où les mélomanes doivent savoir choisir leur camp. Mais la scène napolitaine sait se défendre en enrichissant, de nos jours encore, le plus vaste répertoire au monde d'oeuvres créées dans un théâtre lyrique ; et les plus grands chanteurs, comme Beniamino Gigli qui s'y est produit de 1915 à 1953, restent exceptionnellement fidèles au public averti du Teatro di San Carlo, qui est aussi le plus chaleureux qu'on puisse imaginer.