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Réservez des Concerts, Opéras, Ballets : Philharmonie (Grande salle Pierre Boulez)

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  • Concert
    Capuçon
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    Bartók Violin Concerto No. 2 / Berlioz La Mort de Cléopâtre / Janácek Taras Bulba / Ives The Unanswered Question



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  • Opéra
    Valery Gergiev © Bernhard Burklin
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    Après L’Or du Rhin et La Walkyrie, Valery Gergiev et l’Orchestre du Mariinsky poursuivent leur exploration de la Tétralogie avec Siegfried. Siegfried, fils de Sieglinde et Siegmund, est atteint d’un étrange syndrome : il est incapable de ressentir la peur. Lorsqu’il traverse le feu et rencontre Brünnhilde endormie, il est pris d’une extase qui a deux conséquences : pour la première fois de sa vie, il est frappé à la fois d’amour et de peur. Ils s’embrassent, découvrent les délices de l’amour charnel et se contemplent : ils sont l’un pour l’autre « amour radieux, mort rieuse ». Cette scène de l’acte III de Siegfried est centrale dans la Tétralogie de Richard Wagner. Sous la direction tempétueuse de Valery Gergiev, l’opéra créé en 1876 à Bayreuth retrouve tout son éclat. Si le chef ossète, qui fête ses trente ans à la tête du Mariinsky, est particulièrement connu pour ses interprétations de Prokofiev, Moussorgski ou Tchaïkovski, il excelle également dans l’expression des œuvres titanesques du compositeur allemand.

     

    Source Philharmonie de Paris

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    Siegfried Wagner



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  • Opéra
    Valery Gergiev © Bernhard Burklin
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    Dernier volet de L’Anneau du Nibelung, Le Crépuscule des dieux présente le dénouement du drame. Valery Gergiev et l’Orchestre du Mariinsky posent ainsi le point final à l’œuvre grandiose de Richard Wagner. Au commencement du Crépuscule des dieux, Siegfried quitte le rocher de Brünnhilde, qui lui a offert ses connaissances et des soins. Ils échangent des gages d’amour : Siegfried reçoit le cheval Grane, et Brünnhilde l’anneau. Dans ce quatrième et ultime drame lyrique, le génie de Wagner flamboie de la première scène au bûcher final. Peu de chefs d’orchestre ont, autant que Valery Gergiev, l’énergie, le talent et le recul nécessaires pour présenter de manière convaincante l’intégralité du Ring. Gergiev, qui dirige le Mariinsky depuis trente ans et a réalisé une refondation complète de l’institution pétersbourgeoise, a acquis depuis lors une notoriété internationale, notamment pour son sens du détail.

     

    Source Philharmonie de Paris

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    Götterdämmerung Wagner



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  • Concert
    Daniel Harding © Julian Hargreaves
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    Widmann Violin concerto No. 2 / Beethoven Symphony No. 6 "Pastorale"



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  • Concert
    Frank Zappa © DR Philharmonie de Paris
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    Transposition scénique de 200 Motels, film halluciné de Frank Zappa captant la vie d’un groupe de rock en tournée, 200 Motels - The Suites est une impressionnante fresque musico-théâtrale, créée pour la première fois en France.

    Au début des années 1970, s’inspirant des expériences vécues avec son groupe, The Mothers of Invention, Frank Zappa réalise – en binôme avec Tony Palmer – 200 Motels, vrai-faux documentaire frappadingue. Doté d’une tumultueuse bande originale, entre bouffées psychédéliques et envolées symphoniques, ce fleuron du cinéma surréel connaît une nouvelle vie scénique sous le titre 200 Motels – The Suites. Inédite, la version française réunit des comédiens, des chanteurs, un groupe de rock (The Headshakers), les Percussions de Strasbourg, l’ensemble choral Les Métaboles et l’Orchestre Philharmonique de Strasbourg. Léo Warynski assure la direction musicale et Antoine Gindt signe la mise en scène. Un projet absolument hors normes, à la (dé)mesure de Zappa.
     
     
    Source Philharmonie de Paris.
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    Zappa 200 Motels



    • Les Percussions de Strasbourg
    • Orchestre Philharmonique de Strasbourg
    • The HeadShakers
    • Les Métaboles
    • Chef d'orchestre :
      Léo WARYNSKI
    • Metteur en scène :
      Antoine GINDT

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    De 52€ à 92€ Infos & billets