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Il Barbiere di Siviglia

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Le truculent Rossini offre avec le Barbier un festival d’airs célèbres dans une allégresse communicative. Tout virevolte dans cette musique où seul compte, le divertissement. Chez ce génial compositeur de bel canto, les voix sont toujours à la fête.

Il barbiere di Siviglia, composé en 1816 par Rossini est considéré comme l'exemple le plus abouti d'opéra bouffe à l'italienne. Le livret est inspiré de la pièce éponyme de Beaumarchais, mais ses implications sociales sont plus diffuses que dans l'oeuvre du dramaturge français. Chronologiquement, l'intrigue précède celle des Noces de Figaro de Mozart. Assister à une représentation du Barbier de Séville, c'est retrouver quelques unes des pièces chantées les plus connues du répertoire classique, comme l'air de Basilio, la cavatine de Figaro ou celle de Rosina.
 

[biography] =>

DUREE APPROXIMATIVE DE L’ŒUVRE : 160 minutes

CHANT : ITALIEN

 

Télécharger synopsis
 

L'HISTOIRE

 

A Séville, le comte Almaviva cherche à séduire Rosina, la pupille du Docteur Bartholo. Ce dernier a des vues sur la jeune fille et la maintient enfermée dans sa demeure. Figaro, que l'on surnomme le babier de Séville, devenu valet du comte, aide son maître à conquérir la femme aimée.

Acte 1

Pour séduire la belle Rosina, le comte Almaviva se fait passer pour Lindoro, un jeune homme pauvre. Au début de l'opéra, il lui donne la sérénade, sous le balcon de la demeure du docteur Bartholo. Figaro, un barbier de Séville, prend fait et cause pour le comte et lui promet de l'aider à conquérir Rosina. Prévenu par le maître de musique Basilio des intentions d'Almaviva, Bartolo veut avancer son mariage avec Rosina. Almaviva, déguisé en soldat, exige d'être logé dans la maison du docteur, en agitant un billet d'hébergement. Bartolo refuse de façon véhémente mais Almaviva est parvenu à glisser un mot à Rosina. Il se retire.

Acte 2

Bartolo s'interroge sur l'identité du soldat tandis qu'un nouveau venu se présente. Il s'agit d'Alonso, envoyé pour le remplacer par un Basilio souffrant. Il s'agit en réalité du comte déguisé.
Durant la leçon, la musique endort Bartolo et les deux amoureux en profitent pour échanger de douces parole. Figaro arrive pour raser Bartolo et parvient à intercepter Basilio. Il lui glisse une bourse bien remplie de la part du comte, pour le convaincre de rentrer chez lui et de jouer au malade.

Figaro dérobe à Bartolo la clé de la porte du balcon. Mais Bartolo finit par découvrir l'identité d'Alsonso et veut précipiter les noces avec Rosina. Arrivent le notaire et Basilio, qui sont requis comme témoins. Mais grâce à une nouvelle bourse d'or, ils acceptent de faire signer le contrat de mariage au comte et à Rosina. Bartolo est pris de court et ne peut que s'incliner devant les faits.
 

 

LES PRINCIPAUX ROLES

 

Figaro, barbier (baryton)
Rosina, pupille du docteur Bartolo (contralto)
Le comte Almaviva, amoureux de Rosina (ténor)
Bartolo, docteur (basse)
Basilio, maître de musique (basse)
 

 

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Le truculent Rossini offre avec le Barbier un festival d’airs célèbres dans une allégresse communicative. Tout virevolte dans cette musique où seul compte, le divertissement. Chez ce génial compositeur de bel canto, les voix sont toujours à la fête.

Il barbiere di Siviglia, composé en 1816 par Rossini est considéré comme l'exemple le plus abouti d'opéra bouffe à l'italienne. Le livret est inspiré de la pièce éponyme de Beaumarchais, mais ses implications sociales sont plus diffuses que dans l'oeuvre du dramaturge français. Chronologiquement, l'intrigue précède celle des Noces de Figaro de Mozart. Assister à une représentation du Barbier de Séville, c'est retrouver quelques unes des pièces chantées les plus connues du répertoire classique, comme l'air de Basilio, la cavatine de Figaro ou celle de Rosina.
 

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    Il Barbiere di Siviglia Rossini



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  • Opéra
    Det Kongelige Teater (Operaen, Store Scene)
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    Il Barbiere di Siviglia Rossini



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  • Opéra
    Palazzo Barbarigo Minotto
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    Avec son magnifique mobilier baroque, le Palazzo est un décor idéal pour Le Barbier qui se déroule au XVIIe. Les artistes évoluent dans trois salles éclairées à la bougie et utilisent tout l’espace scénique “à la ronde”, faisant pleinement participer le public.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    Palazzo Barbarigo Minotto
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    Avec son magnifique mobilier baroque, le Palazzo est un décor idéal pour Le Barbier qui se déroule au XVIIe. Les artistes évoluent dans trois salles éclairées à la bougie et utilisent tout l’espace scénique “à la ronde”, faisant pleinement participer le public.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    Mariinsky II (New Theatre)
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    Il Barbiere di Siviglia Rossini


    Mariinsky II (New Theatre) Sankt-Peterburg, Russie

    De 54€ à 66€ Infos & billets
  • Opéra
    Palazzo Barbarigo Minotto
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    Avec son magnifique mobilier baroque, le Palazzo est un décor idéal pour Le Barbier qui se déroule au XVIIe. Les artistes évoluent dans trois salles éclairées à la bougie et utilisent tout l’espace scénique “à la ronde”, faisant pleinement participer le public.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    Florian Sempey © Pierre Virly - Olga Peretyatko-Mariotti © Dario Acosta - Michael Spyres © Dax Bedell
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    Faut-il présenter le Barbier de Séville de Rossini, œuvre virevoltante, enlevée et truffée d’airs connus ? Les Chorégies ont réuni une distribution inédite et exceptionnelle. Les plus grands chanteurs actuels vont d’enchanter Orange 2018. Un spectacle pour tous, à ne pas louper…

    [description_short] =>

    Catégorie Premium : places dans les Bloc A et Bloc B avec coussins intégrés.

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    Il Barbiere di Siviglia Rossini


    Théâtre Antique Orange, France

    Moins de detail Voir plus

    De 48€ à 264€ Infos & billets
  • Opéra
    Palazzo Barbarigo Minotto
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    Avec son magnifique mobilier baroque, le Palazzo est un décor idéal pour Le Barbier qui se déroule au XVIIe. Les artistes évoluent dans trois salles éclairées à la bougie et utilisent tout l’espace scénique “à la ronde”, faisant pleinement participer le public.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    Il Barbiere di Siviglia © Arena Opera Festival 2015
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    Conductor : Daniel Oren (4, 8/8) / Andrea Battistoni (17, 24, 30/8)
     

    Figaro : Leo Nucci (4, 8/8) / Mario Cassi (17, 24, 30/8)


    Rosina : Nino Machaidze

     

    Count Almaviva : Dmitry Korchak (4, 8, 24, 30/8) / Leonardo Ferrando (17/8)


    Bartolo : Ambrogio Maestri (4, 8, 17/8) / Luca Dall’Amico (24, 30/8)


    Basilio : Ferruccio Furlanetto (4, 8/8) / Roberto Tagliavini (17, 24, 30/8)

    [description_short] =>

    Information prix : le prix Music & Opera comprend la valeur faciale du billet et les frais allant de 15 à 20% max. incluant 22% de TVA et les frais administratifs et bancaires.

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    Il Barbiere di Siviglia Rossini


    Arena Verona, Italie

    Moins de detail Voir plus

    De 97€ à 245€ Infos & billets
  • Opéra
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    Il Barbiere di Siviglia Rossini


    Adriatic Arena Pesaro, Italie

    Moins de detail Voir plus

    De 72€ à 229€ Infos & billets

Informations sur Il Barbiere di Siviglia

DUREE APPROXIMATIVE DE L’ŒUVRE : 160 minutes

CHANT : ITALIEN

 

Télécharger synopsis
 

L'HISTOIRE

 

A Séville, le comte Almaviva cherche à séduire Rosina, la pupille du Docteur Bartholo. Ce dernier a des vues sur la jeune fille et la maintient enfermée dans sa demeure. Figaro, que l'on surnomme le babier de Séville, devenu valet du comte, aide son maître à conquérir la femme aimée.

Acte 1

Pour séduire la belle Rosina, le comte Almaviva se fait passer pour Lindoro, un jeune homme pauvre. Au début de l'opéra, il lui donne la sérénade, sous le balcon de la demeure du docteur Bartholo. Figaro, un barbier de Séville, prend fait et cause pour le comte et lui promet de l'aider à conquérir Rosina. Prévenu par le maître de musique Basilio des intentions d'Almaviva, Bartolo veut avancer son mariage avec Rosina. Almaviva, déguisé en soldat, exige d'être logé dans la maison du docteur, en agitant un billet d'hébergement. Bartolo refuse de façon véhémente mais Almaviva est parvenu à glisser un mot à Rosina. Il se retire.

Acte 2

Bartolo s'interroge sur l'identité du soldat tandis qu'un nouveau venu se présente. Il s'agit d'Alonso, envoyé pour le remplacer par un Basilio souffrant. Il s'agit en réalité du comte déguisé.
Durant la leçon, la musique endort Bartolo et les deux amoureux en profitent pour échanger de douces parole. Figaro arrive pour raser Bartolo et parvient à intercepter Basilio. Il lui glisse une bourse bien remplie de la part du comte, pour le convaincre de rentrer chez lui et de jouer au malade.

Figaro dérobe à Bartolo la clé de la porte du balcon. Mais Bartolo finit par découvrir l'identité d'Alsonso et veut précipiter les noces avec Rosina. Arrivent le notaire et Basilio, qui sont requis comme témoins. Mais grâce à une nouvelle bourse d'or, ils acceptent de faire signer le contrat de mariage au comte et à Rosina. Bartolo est pris de court et ne peut que s'incliner devant les faits.
 

 

LES PRINCIPAUX ROLES

 

Figaro, barbier (baryton)
Rosina, pupille du docteur Bartolo (contralto)
Le comte Almaviva, amoureux de Rosina (ténor)
Bartolo, docteur (basse)
Basilio, maître de musique (basse)