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Il Barbiere di Siviglia

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Le truculent Rossini offre avec le Barbier un festival d’airs célèbres dans une allégresse communicative. Tout virevolte dans cette musique où seul compte, le divertissement. Chez ce génial compositeur de bel canto, les voix sont toujours à la fête.

Il barbiere di Siviglia, composé en 1816 par Rossini est considéré comme l'exemple le plus abouti d'opéra bouffe à l'italienne. Le livret est inspiré de la pièce éponyme de Beaumarchais, mais ses implications sociales sont plus diffuses que dans l'oeuvre du dramaturge français. Chronologiquement, l'intrigue précède celle des Noces de Figaro de Mozart. Assister à une représentation du Barbier de Séville, c'est retrouver quelques unes des pièces chantées les plus connues du répertoire classique, comme l'air de Basilio, la cavatine de Figaro ou celle de Rosina.
 

[biography] =>

DUREE APPROXIMATIVE DE L’ŒUVRE : 160 minutes

CHANT : ITALIEN

 

Télécharger synopsis
 

L'HISTOIRE

 

A Séville, le comte Almaviva cherche à séduire Rosina, la pupille du Docteur Bartholo. Ce dernier a des vues sur la jeune fille et la maintient enfermée dans sa demeure. Figaro, que l'on surnomme le babier de Séville, devenu valet du comte, aide son maître à conquérir la femme aimée.

Acte 1

Pour séduire la belle Rosina, le comte Almaviva se fait passer pour Lindoro, un jeune homme pauvre. Au début de l'opéra, il lui donne la sérénade, sous le balcon de la demeure du docteur Bartholo. Figaro, un barbier de Séville, prend fait et cause pour le comte et lui promet de l'aider à conquérir Rosina. Prévenu par le maître de musique Basilio des intentions d'Almaviva, Bartolo veut avancer son mariage avec Rosina. Almaviva, déguisé en soldat, exige d'être logé dans la maison du docteur, en agitant un billet d'hébergement. Bartolo refuse de façon véhémente mais Almaviva est parvenu à glisser un mot à Rosina. Il se retire.

Acte 2

Bartolo s'interroge sur l'identité du soldat tandis qu'un nouveau venu se présente. Il s'agit d'Alonso, envoyé pour le remplacer par un Basilio souffrant. Il s'agit en réalité du comte déguisé.
Durant la leçon, la musique endort Bartolo et les deux amoureux en profitent pour échanger de douces parole. Figaro arrive pour raser Bartolo et parvient à intercepter Basilio. Il lui glisse une bourse bien remplie de la part du comte, pour le convaincre de rentrer chez lui et de jouer au malade.

Figaro dérobe à Bartolo la clé de la porte du balcon. Mais Bartolo finit par découvrir l'identité d'Alsonso et veut précipiter les noces avec Rosina. Arrivent le notaire et Basilio, qui sont requis comme témoins. Mais grâce à une nouvelle bourse d'or, ils acceptent de faire signer le contrat de mariage au comte et à Rosina. Bartolo est pris de court et ne peut que s'incliner devant les faits.
 

 

LES PRINCIPAUX ROLES

 

Figaro, barbier (baryton)
Rosina, pupille du docteur Bartolo (contralto)
Le comte Almaviva, amoureux de Rosina (ténor)
Bartolo, docteur (basse)
Basilio, maître de musique (basse)
 

 

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Le truculent Rossini offre avec le Barbier un festival d’airs célèbres dans une allégresse communicative. Tout virevolte dans cette musique où seul compte, le divertissement. Chez ce génial compositeur de bel canto, les voix sont toujours à la fête.

Il barbiere di Siviglia, composé en 1816 par Rossini est considéré comme l'exemple le plus abouti d'opéra bouffe à l'italienne. Le livret est inspiré de la pièce éponyme de Beaumarchais, mais ses implications sociales sont plus diffuses que dans l'oeuvre du dramaturge français. Chronologiquement, l'intrigue précède celle des Noces de Figaro de Mozart. Assister à une représentation du Barbier de Séville, c'est retrouver quelques unes des pièces chantées les plus connues du répertoire classique, comme l'air de Basilio, la cavatine de Figaro ou celle de Rosina.
 

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  • Opéra
    Barbier - Palazzo Barbarigo Minotto
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    Chanté en italien (sans sous-titres)

     

    L’action se déroule au XVIIe siècle, les salles du Palais Barbarigo Minotto sont donc un décor idéal naturellement enrichi par son magnifique mobilier baroque.

     

    Les deux actes sont accomplis dans trois salles différentes : le Portego (hall central), la Salle Tiepolo et la chambre avec alcôve; pendant l’entracte vous pourrez apprécier la beauté des salles qui donnent sur le Grand Canal. La structure architecturale du palais, avec ses nombreuses portes en bois précieux, permet aux artistes de se déplacer en utilisant tout l’espace scénique “ à la ronde ” faisant pleinement participer le public à la fête des œuvres de Rossini.

     

    Les espaces sont éclairés par des bougies et les costumes raffinés, conçu par Anthony Knight, sont inspirés de ceux de l’époque et faits avec des tissus de grande valeur.

     

    La mise en scène hilarante et la virtuosité des chants et des instruments assureront au spectateur une soirée de plaisir pétillant.

     

    Spectacle en placement libre.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    Teatro La Fenice
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    Le très bel aspect visuel de cette production a déjà séduit des milliers de spectateurs. La mezzo Chiara Amarù au timbre rond et le ténor belcantiste Francesco Brito formeront un couple vocal idéal, alors qu’on attend beaucoup à la performance du baryton coréen Julien Kim en Figaro.

    [description_short] =>

      Offre spéciale :  

    SUR LE 19 ET LE 23 SEPTEMBRE

    Cat + : 169 € au lieu de 247 €

    Cat 1 : 130 € au lieu de 215 €

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    Il Barbiere di Siviglia Rossini


    Teatro La Fenice Venezia, Italie

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  • Opéra
    Opernhaus
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    Il Barbiere di Siviglia Rossini


    Opernhaus Leipzig, Allemagne

    Moins de detail Voir plus

    De 59€ à 95€ Infos & billets
  • Opéra
    Barbier - Palazzo Barbarigo Minotto
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    Chanté en italien (sans sous-titres)

     

    L’action se déroule au XVIIe siècle, les salles du Palais Barbarigo Minotto sont donc un décor idéal naturellement enrichi par son magnifique mobilier baroque.

     

    Les deux actes sont accomplis dans trois salles différentes : le Portego (hall central), la Salle Tiepolo et la chambre avec alcôve; pendant l’entracte vous pourrez apprécier la beauté des salles qui donnent sur le Grand Canal. La structure architecturale du palais, avec ses nombreuses portes en bois précieux, permet aux artistes de se déplacer en utilisant tout l’espace scénique “ à la ronde ” faisant pleinement participer le public à la fête des œuvres de Rossini.

     

    Les espaces sont éclairés par des bougies et les costumes raffinés, conçu par Anthony Knight, sont inspirés de ceux de l’époque et faits avec des tissus de grande valeur.

     

    La mise en scène hilarante et la virtuosité des chants et des instruments assureront au spectateur une soirée de plaisir pétillant.

     

    Spectacle en placement libre.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    Staatsoper
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    Il Barbiere di Siviglia Rossini


    Staatsoper Hamburg, Allemagne

    Moins de detail Voir plus

    De 88€ à 155€ Infos & billets
  • Opéra
    Barbier - Palazzo Barbarigo Minotto
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    Chanté en italien (sans sous-titres)

     

    L’action se déroule au XVIIe siècle, les salles du Palais Barbarigo Minotto sont donc un décor idéal naturellement enrichi par son magnifique mobilier baroque.

     

    Les deux actes sont accomplis dans trois salles différentes : le Portego (hall central), la Salle Tiepolo et la chambre avec alcôve; pendant l’entracte vous pourrez apprécier la beauté des salles qui donnent sur le Grand Canal. La structure architecturale du palais, avec ses nombreuses portes en bois précieux, permet aux artistes de se déplacer en utilisant tout l’espace scénique “ à la ronde ” faisant pleinement participer le public à la fête des œuvres de Rossini.

     

    Les espaces sont éclairés par des bougies et les costumes raffinés, conçu par Anthony Knight, sont inspirés de ceux de l’époque et faits avec des tissus de grande valeur.

     

    La mise en scène hilarante et la virtuosité des chants et des instruments assureront au spectateur une soirée de plaisir pétillant.

     

    Spectacle en placement libre.

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    Il Barbiere di Siviglia Rossini



  • Opéra
    The Barber of Seville © 2013, Marcus Lieberenz
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    Il Barbiere di Siviglia Rossini


    Deutsche Oper Berlin, Allemagne

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  • Opéra
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    Il Barbiere di Siviglia Rossini


    Wiener Staatsoper Wien, Autriche

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    The Barber of Seville © 2013, Marcus Lieberenz
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    Il Barbiere di Siviglia Rossini


    Deutsche Oper Berlin, Allemagne

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    Il Barbiere di Siviglia Rossini


    Mariinsky II (New Theatre) Sankt-Peterburg, Russie

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Informations sur Il Barbiere di Siviglia

DUREE APPROXIMATIVE DE L’ŒUVRE : 160 minutes

CHANT : ITALIEN

 

Télécharger synopsis
 

L'HISTOIRE

 

A Séville, le comte Almaviva cherche à séduire Rosina, la pupille du Docteur Bartholo. Ce dernier a des vues sur la jeune fille et la maintient enfermée dans sa demeure. Figaro, que l'on surnomme le babier de Séville, devenu valet du comte, aide son maître à conquérir la femme aimée.

Acte 1

Pour séduire la belle Rosina, le comte Almaviva se fait passer pour Lindoro, un jeune homme pauvre. Au début de l'opéra, il lui donne la sérénade, sous le balcon de la demeure du docteur Bartholo. Figaro, un barbier de Séville, prend fait et cause pour le comte et lui promet de l'aider à conquérir Rosina. Prévenu par le maître de musique Basilio des intentions d'Almaviva, Bartolo veut avancer son mariage avec Rosina. Almaviva, déguisé en soldat, exige d'être logé dans la maison du docteur, en agitant un billet d'hébergement. Bartolo refuse de façon véhémente mais Almaviva est parvenu à glisser un mot à Rosina. Il se retire.

Acte 2

Bartolo s'interroge sur l'identité du soldat tandis qu'un nouveau venu se présente. Il s'agit d'Alonso, envoyé pour le remplacer par un Basilio souffrant. Il s'agit en réalité du comte déguisé.
Durant la leçon, la musique endort Bartolo et les deux amoureux en profitent pour échanger de douces parole. Figaro arrive pour raser Bartolo et parvient à intercepter Basilio. Il lui glisse une bourse bien remplie de la part du comte, pour le convaincre de rentrer chez lui et de jouer au malade.

Figaro dérobe à Bartolo la clé de la porte du balcon. Mais Bartolo finit par découvrir l'identité d'Alsonso et veut précipiter les noces avec Rosina. Arrivent le notaire et Basilio, qui sont requis comme témoins. Mais grâce à une nouvelle bourse d'or, ils acceptent de faire signer le contrat de mariage au comte et à Rosina. Bartolo est pris de court et ne peut que s'incliner devant les faits.
 

 

LES PRINCIPAUX ROLES

 

Figaro, barbier (baryton)
Rosina, pupille du docteur Bartolo (contralto)
Le comte Almaviva, amoureux de Rosina (ténor)
Bartolo, docteur (basse)
Basilio, maître de musique (basse)