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Nina Stemme (c) Tanja Niemann

Nina Stemme

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Esta gran voz wagneriana, rara y preciosa, cercana ya a la leyenda... Todo melómano que se precie, debería escuchar a esta soprano en directo, al menos una vez en su vida.

[extra_header] =>

Esta gran voz wagneriana, rara y preciosa, cercana ya a la leyenda... Todo melómano que se precie, debería escuchar a esta soprano en directo, al menos una vez en su vida.

 

Encontraras más informaciones sobre Nina Stemme sobre su página Facebook !

[biography] =>

La gran soprano dramática Nina Stemme nació en Stokholm en 1966. Su debut en Cortona como Cherubino, fue el punto de inflexión que le permitió tomar la decisión de dedicarse  definitivamente a cantar ópera como profesional. Terminó sus estudios en 1994, aunque un año antes, gano el concurso Operalia y fue finalista del Cardiff Singer of the World. Empezó cantando pequeños papeles en la Stockholm Royal Opera, presentando poco después en el Stora Theatre Goteborg, Donna Elvira y Madama Butterfly. Su debut en el Festival de Bayreuth, fue en 1995 como Freia en Das Reihgold.

 

Durante los siguientes años seguirá debutando en los principales teatros del mundo: Festival de Glydebourne (2003) con Isolda, Liceu (2004) con Jenufa, junto a Eva Marton;  Covent Garden (2005), con Amelia de Un Ballo in Maschera; la Scala (20009) con Brünnhilde;

Aclamada en los mejores teatros por sus roles wagnerianos, recibió en 2010 el Lawerence Oliver Award, por su Isolda en el Covent Garden. En las últimas temporadas ha cantado Brünnhilde en los ciclos completos del Anillo, realizados en San Francisco, Múnich, Milán,  Viena y en los Proms londinenses, bajo la dirección de Daniel Barenboim.

 

El prestigio conseguido en el repertorio alemán, no la ha apartado de la tradición italiana, que ella mantiene especialmente en Puccini, con papeles como Tosca y Turandot. Recientemente incorporó con gran éxito en la Ópera de Viena, el complicado papel de Minnie de La Fanciulla del West,  su Brünnhilde pucciniana, como a ella le gusta llamarla, junto a Jonas Kaufmann. Papeles que a ella le gusta preparar cuidadosamente, acudiendo a las fuentes originales que propiciaron la creación de las obras y escuchando también grabaciones antiguas. Stemme es un modelo de profesionalidad, que prefiere trabajar al detalle cada uno de los personajes, junto al resto de cantantes y el director, a que este le dé libertad absoluta para hacer lo que quiera.

 

Elegida, mejor cantante del año en 2005 y 2012, por la revista Opernwelt, Nina Stemme es miembro de la Real Academia Sueca de la Música.

 

 

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Esta gran voz wagneriana, rara y preciosa, cercana ya a la leyenda... Todo melómano que se precie, debería escuchar a esta soprano en directo, al menos una vez en su vida.

 

Encontraras más informaciones sobre Nina Stemme sobre su página Facebook !

  • Función Soprano
  • Nacionalidad Suecia
  • Fecha de nacimiento 11 mai 1963 (Stockholm)
  • Edad 55 años
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Actualidad de Nina Stemme

  • 27/11/2015
  • 10/03/2015

    El 29 de marzo en la Opera de Viena, bajo la dirección de Mikko Frank, la gran Nina Stemme ampliará su catálogo de heroínas straussianas con la temible Elektra, junto a un gran reparto

Reserva entradas para Concierto, Ópera, Ballet : Nina Stemme

 | 2 Resultados
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    Stemme
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    Die Walküre Wagner


    Covent Garden London, Reino Unido

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  • Ópera
    Stemme
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    Siegfried Wagner


    Covent Garden London, Reino Unido

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Biografía de Nina Stemme

La gran soprano dramática Nina Stemme nació en Stokholm en 1966. Su debut en Cortona como Cherubino, fue el punto de inflexión que le permitió tomar la decisión de dedicarse  definitivamente a cantar ópera como profesional. Terminó sus estudios en 1994, aunque un año antes, gano el concurso Operalia y fue finalista del Cardiff Singer of the World. Empezó cantando pequeños papeles en la Stockholm Royal Opera, presentando poco después en el Stora Theatre Goteborg, Donna Elvira y Madama Butterfly. Su debut en el Festival de Bayreuth, fue en 1995 como Freia en Das Reihgold.

 

Durante los siguientes años seguirá debutando en los principales teatros del mundo: Festival de Glydebourne (2003) con Isolda, Liceu (2004) con Jenufa, junto a Eva Marton;  Covent Garden (2005), con Amelia de Un Ballo in Maschera; la Scala (20009) con Brünnhilde;

Aclamada en los mejores teatros por sus roles wagnerianos, recibió en 2010 el Lawerence Oliver Award, por su Isolda en el Covent Garden. En las últimas temporadas ha cantado Brünnhilde en los ciclos completos del Anillo, realizados en San Francisco, Múnich, Milán,  Viena y en los Proms londinenses, bajo la dirección de Daniel Barenboim.

 

El prestigio conseguido en el repertorio alemán, no la ha apartado de la tradición italiana, que ella mantiene especialmente en Puccini, con papeles como Tosca y Turandot. Recientemente incorporó con gran éxito en la Ópera de Viena, el complicado papel de Minnie de La Fanciulla del West,  su Brünnhilde pucciniana, como a ella le gusta llamarla, junto a Jonas Kaufmann. Papeles que a ella le gusta preparar cuidadosamente, acudiendo a las fuentes originales que propiciaron la creación de las obras y escuchando también grabaciones antiguas. Stemme es un modelo de profesionalidad, que prefiere trabajar al detalle cada uno de los personajes, junto al resto de cantantes y el director, a que este le dé libertad absoluta para hacer lo que quiera.

 

Elegida, mejor cantante del año en 2005 y 2012, por la revista Opernwelt, Nina Stemme es miembro de la Real Academia Sueca de la Música.