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Opéra Bastille

Inaugurada en 1989, año revolucionario, la Ópera de la Bastilla tuvo sus detractores, como siempre puede ocurrir en Francia. Apaciguada la animosidad inicial, el majestuoso edificio de Carlos Ott es reconocido actualmente en el panorama lírico internacional como una sala moderna y confortable, donde se programa a los más grandes artistas.

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Actualidad de

  • 07/04/2017
  • 22/12/2016
  • 26/09/2014

Descubre el programa del temporada 2018-2019 del Opéra Bastille y reserva sus entradas enlinea ahora.

 

No hay que perder en Septiembre 2018

En el mes de septiembre en la Ópera de la Bastilla, la “rentrée” musical está asegurada con la recuperación de una gran producción. El sensible director de escena Peter Sellars ha contado con el apoyo del cineasta de genio indiscutible Bill Viola para ilustrar Tristán e Isolda, de Wagner. El resultado es sorprendentemente bello. Esta recuperación es aún más atractiva debido a que cuenta con cantantes de primer orden (entre los que destacan Matthias Goerne y René Pape) y la dirección musical del director del teatro, Philippe Jordan. Hay que reservar las entradas urgentemente igual que para el otro gran evento, la nueva producción de Los Huguenots de Meyerbeer.

 

Las temporadas se suceden y se parecen en la Ópera Nacional de París para mayor regocijo de los melómanos ya que los grandes artistas acuden una vez más a la cita. ¡A tal Señor, tal honor! el inmenso Jonas Kaufmann ofrece por fin al público parisino su interpretación de Mario en Tosca. Tiene como pareja nada menos que a tres de las más destacadas sopranos actuales: Anja Harteros, Sonya Yoncheva y Martina Serafin.

 

La divina Anja Harteros está igualmente presente en el reparto de La forza del destino, de Verdi, en la bella puesta en escena de Jean-Claude Auvray al lado de Brian Jagde que hace su debut en la Ópera de París. Otro tenor de excepción, Roberto Alagna, el Solar, encarna a Otello, un papel a la altura de su talento, acompañado en esta ocasión por la dulce Aleksandra Kurzak. Esta temporada 2018-2019 interpreta además el papel de Don José con la incandescente Carmen de Anita Rachvelishvili. La mezzo está en el apogeo de su carrera vocal y es imprescindible reservar localidades lo antes posible.

 

Otra mezzo en cabeza de cartel vuelve a la Bastilla después de su triunfo en Don Carlos. Elina Garanca es la Didon de la nueva producción tan esperada de Los Troyanos, de Berlioz. La fenomenal ópera está de vuelta en La Bastilla bajo la dirección de Philippe Jordan y puesta en escena del siempre apasionante Dmitri Tcherniakov. Sin duda, uno de los momentos culminantes de la temporada. La Ópera de la Bastilla ofrece al más noble de los barítonos, Ludovic Tézier, un papel de oro con el Simon Boccanegra de Verdi.

 

Otro evento, la vuelta de la gran ópera a la francesa, que produjo bellísimas veladas en la Ópera de París en el siglo XIX. Un reparto ideal (con Diana Damrau, Karine Deshayes, Ermonela Jaho y Bryan Hymel en cabeza de cartel) ha sido reunido para representar Los Huguenots de Meyerbeer, el éxito que merece esta obra.

 

Entre las grandes obras en cartel, no podemos olvidar la danza. La célebre compañía del Ballet de la Ópera nacional de París estará en la Bastilla con las inmortales coreografías de La Cenicienta o la grandiosa Lago de los cisnes, por Rudolph Noureev. Sin olvidar la actualidad con Tree of Codes, el gran éxito de Wayne McGregor. Los grandes títulos de ópera se suceden con La Traviata de Verdi o incluso el encantador Elisir d’amore, de Donizetti. El atractivo Vittorio Grigòlo tiene como pareja a la exquisita Lisette Oropesa en una perfecta puesta en escena de Laurent Pelly.

 

Entre las personalidades de la escena bajo el fuego de los proyectores, esperamos la nueva producción del siempre pertinente Krysztof Warlikowski con Lady Macbeth of Mtsensk, de Shostakovich. Otro director de escena remarcable, Robert Carsen dirige Rusalka, de Dvorák, uno de sus espectáculos más conseguidos, un imprescindible, tanto como la La flauta mágica, de Mozart. Con un reparto repleto de jóvenes talentos (en gran parte franceses y belgas), los aficionados tienen nuevamente motivo para disfrutar en el transcurso de esta bellísima temporada 2018-2019 en la Ópera de la BastillaDescubre ahora la temporada 2018 - 2019 del Palacio Garnier.

 

En el mes de septiembre en la Ópera de la Bastilla, la “rentrée” musical está asegurada con la recuperación de una gran producción. El sensible director de escena Peter Sellars ha contado con el apoyo del cineasta de genio indiscutible Bill Viola para ilustrar Tristán e Isolda, de Wagner. El resultado es sorprendentemente bello. Esta recuperación es aún más atractiva debido a que cuenta con cantantes de primer orden (entre los que destacan Matthias Goerne y René Pape) y la dirección musical del director del teatro, Philippe Jordan. Hay que reservar las entradas urgentemente igual que para el otro gran evento, la nueva producción de Los Huguenots de Meyerbeer.

Reserva entradas para Concierto, Ópera, Ballet : Opéra Bastille

 | 31 Resultados
Aqui estan los próximos espectáculos, no hay nada previsto este mes.
  • Ópera
    tristan et isolde © Agathe Poupeney - OnP
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    Opéra national de Paris 

     

    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    Tristan und Isolde Wagner


    Opéra Bastille Paris, Francia

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    De 148€ hasta 469€ + Info / Entradas
  • Ópera
    Diana Damrau © Rebecca Fay
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    Opéra national de Paris 

    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    Les Huguenots Meyerbeer


    Opéra Bastille Paris, Francia

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    De 148€ hasta 469€ + Info / Entradas
  • Ópera
    La Traviata © Vincent Pontet / OnP
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    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    La Traviata Verdi


    Opéra Bastille Paris, Francia

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    De 180€ hasta 488€ + Info / Entradas
  • Ópera
    La Traviata © Vincent Pontet  OnP
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    La Traviata Verdi


    Opéra Bastille Paris, Francia

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    De 180€ hasta 488€ + Info / Entradas
  • Ópera
    Diana Damrau © Rebecca Fay
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    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    Les Huguenots Meyerbeer


    Opéra Bastille Paris, Francia

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    De 162€ hasta 445€ + Info / Entradas
  • Ópera
    L'elixir d'Amour © Vincent Pontet - OnP
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    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    L’Elisir d’Amore Donizetti


    Opéra Bastille Paris, Francia

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    De 126€ hasta 427€ + Info / Entradas
  • Ópera
    L'elixir d'Amour © Vincent Pontet - OnP
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    [description_short] =>

    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    L’Elisir d’Amore Donizetti


    Opéra Bastille Paris, Francia

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    De 151€ hasta 449€ + Info / Entradas
  • Ópera
    Ludovic Tézier ©Screenshot Youtube ONP
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    Simon Boccanegra Verdi


    Opéra Bastille Paris, Francia

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    De 148€ hasta 469€ + Info / Entradas
  • Ópera
    L'elixir d'Amour © Vincent Pontet - OnP
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    L’Elisir d’Amore Donizetti


    Opéra Bastille Paris, Francia

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    De 138€ hasta 427€ + Info / Entradas
  • Danza
    Cendrillon © Sébastien Mathé - OnP
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    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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=> 2019/01/02 [date_en] => 01.02.2019 [date_db] => 2019-01-02 19:30:00 ))[picto] => [productImg] => Array ( [url] => /img/persons/53230-home.jpg [alt] => Nureyev )[typeBillet] => Array ( [0] => Array ( [meta_keywords] => e-billet ))) 1

    Cendrillon


    Opéra Bastille Paris, Francia

    • Compañía de danza :
      Ballet de l'Opéra national de Paris

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    De 96€ hasta 451€ + Info / Entradas

Informaciones sobre Opéra Bastille

La historia de la Ópera de París, desde su creación por deseo de Luis XIV, y después, a través de la construcción del Palais Garnier en época de Napoleón III, es una institución, marcada por la voluntad del poder político francés.

La decisión de crear un nuevo teatro de la ópera en la Plaza de la Bastilla no es ninguna excepción a esta regla, ya que fue tomada por François Mitterrand, menos de un año después de ocupar la Presidencia de la República. A continuación, se llevó a cabo un concurso internacional, y entre los 750 proyectos presentados, finalmente se elegirá el del arquitecto canadiense-uruguayo Carlos Ott. El nuevo edificio, se construiyó en el lugar donde comenzó la Revolución Francesa, y su apertura coincidió con la celebración de su bicentenario, en el año 1989.

Su fachada de vidrio, con su iluminación aleatoria, diseñada por Yann Kersalé, insinúa la sobria modernidad del interior, especialmente encarnada en los mismos materiales retomados del exterior. Ya en el interior de la sala, descubrimos la calidez de la madera clara que adorna el interior, con capacidad para 2.703 asientos. Lo que no ve el espectador es el resto del espacio técnico, que en realidad ocupa el 55% del volumen total del edificio, las salas de máquinas de seis sótanos, talleres donde fabricar y almacenar los decorados móviles y el vestuario, o la sala Gounod, de dimensiones idénticas al escenario principal, que puede albergar ensayos con la distribución del espacio real. La Ópera de la Bastilla es una gran máquina de producción de espectáculos perfectamente informatizada que activa a toda la población de esta ciudad dentro de la ciudad.

La historia de la Orquesta de la Ópera, se remonta a la fundación de la Académie Royale de Musique en 1669. Desde la creación de esta nueva sala en 1989 y hasta 1994, el director principal de la orquesta ha sido el coreano Myun Whun Chung. Desde el inicio de la temporada 2009-10, está dirigida por Philippe Jordan.