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Daniel Barenboim

Daniel Barenboim

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Una de las personalidades más fuertes del mundo de la música, Daniel Barenboim es también gracias a su posición política, un personaje público de primer orden. Defensor de la música sin fronteras y los derechos humanos, su repertorio como director y pianista es inmenso.

[extra_header] =>

La forte personnalité du grand chef d’orchestre et pianiste Daniel Barenboim déborde du cadre traditionnel de la musique classique. En homme d’ouverture, il œuvre considérablement pour la paix avec comme seule arme, la musique à tout prix. C’est en citoyen du monde qu’il a créé le West-Eastern Divan Orchestra pour que toutes les cultures se retrouvent dans un langage universel. Et lorsqu’il a joué la musique de Wagner en Israël, le symbole a été vécu dans le monde comme la réappropriation du bien culturel universel. La musique classique doit dépasser les hommes et leurs sombres histoires.

 

Le talent du maestro a suffit pour que tous les mélomanes se retrouvent dans sa démarche. Depuis ses débuts de prodiges (il donne son premier concert à 7 ans), la carrière de Daniel Barenboim reste exemplaire et digne d’admiration. En véritable boulimique, passant naturellement du piano à la baguette, il aborde un répertoire très varié tant à l’opéra qu’au concert. Ayant absorbé l’enseignement d’une longue et belle tradition de grands artistes, il sait imprégner son interprétation d’une touche toute personnelle pour sublimer les grands compositeurs classiques et contemporains. Inutile de choisir, il faut entendre Daniel Barenboim en concert ou à l’opéra (et même en récital) pour apprécier l’incroyable personnalité qui ne cesse de se réinventer. Un maître…

 

Retrouvez l'actualité de Daniel Barenboim sur sa page Facebook !

[biography] =>

Argentino, Israelí, Español, Palestino... Barenboim es un ciudadano universal y uno de los músicos más completos e interesantes de las últimas décadas. Un niño prodigio que ha tocado todo lo tocable al piano y una memoria enciclopédica, que ha dirigido sin partitura, prácticamente todo el repertorio orquestal de Haydn a Corigliano, con las mejores orquestas. Con 72 años, ha empezado a poner límites a su hiperactividad. Este año deja el podio de la Scala para centrarse en la Staatkapelle de Berlín, la orquesta de la Staatsoper, y quiere tener más tiempo para tocar el piano. A cuatro manos, acaba de realizar un encuentro histórico en Buenos Aires, con su amiga Martha Argerich, en un Teatro Colón abarrotado, que tuvo que traer más sillas para el pasillo y el escenario.

Con sólo 12 años de edad, dejó fascinado a Furtwrangler y formó parte de la masterclass de dirección de Igor Markewich. Al año siguiente, irá a París para estudiar con Nadia Boulanger y debutará con Cluytens y Stokowsky, así como en el Carnegie Hall, con la Filarmónica de Nueva York de Mitropoulos. Desde la década de los 60, ha tocado con los mejores directores y ha dirigido a los mejores solistas. Su primer concierto con la Chicago Symphony en 1970, fue el principio de una estrecha relacå©ión profesional, que culminó con su elección como sucesor de Sir Georg Solti en 1989, manteniendo el cargo hasta 2006.

En 1967 se casó con la violoncelista Jacquelin Du Pré, aunque la relación no terminó bien, sus primeros años nos han dejado verdaderas maravillas, como el Concierto de Elgar o el quinteto de leyenda, que formaron junto a Itzhak Perlman, Pinchas Zukerman y Zubin Mehta tocando el contrabajo.

Director habitual de las filarmónicas de Berlín y Viena, y del Festival de Bayreuth, fue director titular de la Orquesta de París entre 1975 y 1989. Hasta la muerte de Celibidache, fue todos los años a Munich para tocar el piano, dejándonos memorables versiones de los conciertos de Brahms.

Candidato a Premio Nobel de la Paz y ferviente defensor de una posibilidad de entendimiento entre Israel y Palestina, fundó junto a Edward Said la West-Eastern Divan Orchestra, un proyecto con el que ha demostrado, no sin oposición y dificultades constantes, que israelíes y palestinos pueden vivir y trabajar juntos.

 

 

 

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La forte personnalité du grand chef d’orchestre et pianiste Daniel Barenboim déborde du cadre traditionnel de la musique classique. En homme d’ouverture, il œuvre considérablement pour la paix avec comme seule arme, la musique à tout prix. C’est en citoyen du monde qu’il a créé le West-Eastern Divan Orchestra pour que toutes les cultures se retrouvent dans un langage universel. Et lorsqu’il a joué la musique de Wagner en Israël, le symbole a été vécu dans le monde comme la réappropriation du bien culturel universel. La musique classique doit dépasser les hommes et leurs sombres histoires.

 

Le talent du maestro a suffit pour que tous les mélomanes se retrouvent dans sa démarche. Depuis ses débuts de prodiges (il donne son premier concert à 7 ans), la carrière de Daniel Barenboim reste exemplaire et digne d’admiration. En véritable boulimique, passant naturellement du piano à la baguette, il aborde un répertoire très varié tant à l’opéra qu’au concert. Ayant absorbé l’enseignement d’une longue et belle tradition de grands artistes, il sait imprégner son interprétation d’une touche toute personnelle pour sublimer les grands compositeurs classiques et contemporains. Inutile de choisir, il faut entendre Daniel Barenboim en concert ou à l’opéra (et même en récital) pour apprécier l’incroyable personnalité qui ne cesse de se réinventer. Un maître…

 

Retrouvez l'actualité de Daniel Barenboim sur sa page Facebook !

  • Función Director de orquesta y pianista
  • Nacionalidad Argentina, España, Israel y Palestina
  • Fecha de nacimiento 15 novembre 1942 (Buenos Aires)
  • Edad 76 años
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Actualidad de Daniel Barenboim

  • 10/12/2015
  • 15/12/2014

    Entre los conciertos de despedida de Daniel Barenboim en la Scala, el maesto dará tres recitales en torno a Schubert los días 12, 15 y 22/12

  • 25/06/2014

Reserva entradas para Concierto, Ópera, Ballet : Entradas

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    Yoncheva
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    Médée Cherubini



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    Dvorák Cello Concerto / Ravel Daphnis et Chloé (Suite No. 2) / Beethoven Die Geschöpfe des Prometheus (Overture) / Skalkottas The Return of Odysseus



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    Soltani
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    Dvorák Cello Concerto / Ravel Daphnis et Chloé (Suite No. 2) / Beethoven Die Geschöpfe des Prometheus (Overture) / Skalkottas The Return of Odysseus


    Philharmonie Berlin, Alemania

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    Soltani
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    Strauss R. Don Quixote / Tchaikovsky Symphony No. 5



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    Staatsoper Unter den Linden
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    Brahms Symphonies Nos. 1 & 2



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  • Concierto
    Philharmonie
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    Brahms Symphonies Nos. 1 & 2


    Philharmonie Berlin, Alemania

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  • Ópera
    Volle
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    Falstaff Verdi



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  • Concierto
    Staatsoper Unter den Linden
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    Brahms Symphonies Nos. 3 & 4



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  • Concierto
    Philharmonie
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    Brahms Symphonies Nos. 3 & 4


    Philharmonie Berlin, Alemania

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  • Ópera
    Staatsoper Unter den Linden
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    Elektra Strauss R.



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Biografía de Daniel Barenboim

Argentino, Israelí, Español, Palestino... Barenboim es un ciudadano universal y uno de los músicos más completos e interesantes de las últimas décadas. Un niño prodigio que ha tocado todo lo tocable al piano y una memoria enciclopédica, que ha dirigido sin partitura, prácticamente todo el repertorio orquestal de Haydn a Corigliano, con las mejores orquestas. Con 72 años, ha empezado a poner límites a su hiperactividad. Este año deja el podio de la Scala para centrarse en la Staatkapelle de Berlín, la orquesta de la Staatsoper, y quiere tener más tiempo para tocar el piano. A cuatro manos, acaba de realizar un encuentro histórico en Buenos Aires, con su amiga Martha Argerich, en un Teatro Colón abarrotado, que tuvo que traer más sillas para el pasillo y el escenario.

Con sólo 12 años de edad, dejó fascinado a Furtwrangler y formó parte de la masterclass de dirección de Igor Markewich. Al año siguiente, irá a París para estudiar con Nadia Boulanger y debutará con Cluytens y Stokowsky, así como en el Carnegie Hall, con la Filarmónica de Nueva York de Mitropoulos. Desde la década de los 60, ha tocado con los mejores directores y ha dirigido a los mejores solistas. Su primer concierto con la Chicago Symphony en 1970, fue el principio de una estrecha relacå©ión profesional, que culminó con su elección como sucesor de Sir Georg Solti en 1989, manteniendo el cargo hasta 2006.

En 1967 se casó con la violoncelista Jacquelin Du Pré, aunque la relación no terminó bien, sus primeros años nos han dejado verdaderas maravillas, como el Concierto de Elgar o el quinteto de leyenda, que formaron junto a Itzhak Perlman, Pinchas Zukerman y Zubin Mehta tocando el contrabajo.

Director habitual de las filarmónicas de Berlín y Viena, y del Festival de Bayreuth, fue director titular de la Orquesta de París entre 1975 y 1989. Hasta la muerte de Celibidache, fue todos los años a Munich para tocar el piano, dejándonos memorables versiones de los conciertos de Brahms.

Candidato a Premio Nobel de la Paz y ferviente defensor de una posibilidad de entendimiento entre Israel y Palestina, fundó junto a Edward Said la West-Eastern Divan Orchestra, un proyecto con el que ha demostrado, no sin oposición y dificultades constantes, que israelíes y palestinos pueden vivir y trabajar juntos.