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Daniel Barenboim

Daniel Barenboim

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Una de las personalidades más fuertes del mundo de la música, Daniel Barenboim es también gracias a su posición política, un personaje público de primer orden. Defensor de la música sin fronteras y los derechos humanos, su repertorio como director y pianista es inmenso.

[extra_header] =>

La forte personnalité du grand chef d’orchestre et pianiste Daniel Barenboim déborde du cadre traditionnel de la musique classique. En homme d’ouverture, il œuvre considérablement pour la paix avec comme seule arme, la musique à tout prix. C’est en citoyen du monde qu’il a créé le West-Eastern Divan Orchestra pour que toutes les cultures se retrouvent dans un langage universel. Et lorsqu’il a joué la musique de Wagner en Israël, le symbole a été vécu dans le monde comme la réappropriation du bien culturel universel. La musique classique doit dépasser les hommes et leurs sombres histoires.

 

Le talent du maestro a suffit pour que tous les mélomanes se retrouvent dans sa démarche. Depuis ses débuts de prodiges (il donne son premier concert à 7 ans), la carrière de Daniel Barenboim reste exemplaire et digne d’admiration. En véritable boulimique, passant naturellement du piano à la baguette, il aborde un répertoire très varié tant à l’opéra qu’au concert. Ayant absorbé l’enseignement d’une longue et belle tradition de grands artistes, il sait imprégner son interprétation d’une touche toute personnelle pour sublimer les grands compositeurs classiques et contemporains. Inutile de choisir, il faut entendre Daniel Barenboim en concert ou à l’opéra (et même en récital) pour apprécier l’incroyable personnalité qui ne cesse de se réinventer. Un maître…

 

Retrouvez l'actualité de Daniel Barenboim sur sa page Facebook !

[biography] =>

Argentino, Israelí, Español, Palestino... Barenboim es un ciudadano universal y uno de los músicos más completos e interesantes de las últimas décadas. Un niño prodigio que ha tocado todo lo tocable al piano y una memoria enciclopédica, que ha dirigido sin partitura, prácticamente todo el repertorio orquestal de Haydn a Corigliano, con las mejores orquestas. Con 72 años, ha empezado a poner límites a su hiperactividad. Este año deja el podio de la Scala para centrarse en la Staatkapelle de Berlín, la orquesta de la Staatsoper, y quiere tener más tiempo para tocar el piano. A cuatro manos, acaba de realizar un encuentro histórico en Buenos Aires, con su amiga Martha Argerich, en un Teatro Colón abarrotado, que tuvo que traer más sillas para el pasillo y el escenario.

Con sólo 12 años de edad, dejó fascinado a Furtwrangler y formó parte de la masterclass de dirección de Igor Markewich. Al año siguiente, irá a París para estudiar con Nadia Boulanger y debutará con Cluytens y Stokowsky, así como en el Carnegie Hall, con la Filarmónica de Nueva York de Mitropoulos. Desde la década de los 60, ha tocado con los mejores directores y ha dirigido a los mejores solistas. Su primer concierto con la Chicago Symphony en 1970, fue el principio de una estrecha relacå©ión profesional, que culminó con su elección como sucesor de Sir Georg Solti en 1989, manteniendo el cargo hasta 2006.

En 1967 se casó con la violoncelista Jacquelin Du Pré, aunque la relación no terminó bien, sus primeros años nos han dejado verdaderas maravillas, como el Concierto de Elgar o el quinteto de leyenda, que formaron junto a Itzhak Perlman, Pinchas Zukerman y Zubin Mehta tocando el contrabajo.

Director habitual de las filarmónicas de Berlín y Viena, y del Festival de Bayreuth, fue director titular de la Orquesta de París entre 1975 y 1989. Hasta la muerte de Celibidache, fue todos los años a Munich para tocar el piano, dejándonos memorables versiones de los conciertos de Brahms.

Candidato a Premio Nobel de la Paz y ferviente defensor de una posibilidad de entendimiento entre Israel y Palestina, fundó junto a Edward Said la West-Eastern Divan Orchestra, un proyecto con el que ha demostrado, no sin oposición y dificultades constantes, que israelíes y palestinos pueden vivir y trabajar juntos.

 

 

 

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La forte personnalité du grand chef d’orchestre et pianiste Daniel Barenboim déborde du cadre traditionnel de la musique classique. En homme d’ouverture, il œuvre considérablement pour la paix avec comme seule arme, la musique à tout prix. C’est en citoyen du monde qu’il a créé le West-Eastern Divan Orchestra pour que toutes les cultures se retrouvent dans un langage universel. Et lorsqu’il a joué la musique de Wagner en Israël, le symbole a été vécu dans le monde comme la réappropriation du bien culturel universel. La musique classique doit dépasser les hommes et leurs sombres histoires.

 

Le talent du maestro a suffit pour que tous les mélomanes se retrouvent dans sa démarche. Depuis ses débuts de prodiges (il donne son premier concert à 7 ans), la carrière de Daniel Barenboim reste exemplaire et digne d’admiration. En véritable boulimique, passant naturellement du piano à la baguette, il aborde un répertoire très varié tant à l’opéra qu’au concert. Ayant absorbé l’enseignement d’une longue et belle tradition de grands artistes, il sait imprégner son interprétation d’une touche toute personnelle pour sublimer les grands compositeurs classiques et contemporains. Inutile de choisir, il faut entendre Daniel Barenboim en concert ou à l’opéra (et même en récital) pour apprécier l’incroyable personnalité qui ne cesse de se réinventer. Un maître…

 

Retrouvez l'actualité de Daniel Barenboim sur sa page Facebook !

  • Función Director de orquesta y pianista
  • Nacionalidad Argentina, España, Israel y Palestina
  • Fecha de nacimiento 15 novembre 1942 (Buenos Aires)
  • Edad 76 años
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Actualidad de Daniel Barenboim

  • 10/12/2015
  • 15/12/2014

    Entre los conciertos de despedida de Daniel Barenboim en la Scala, el maesto dará tres recitales en torno a Schubert los días 12, 15 y 22/12

  • 25/06/2014

Reserva entradas para Concierto, Ópera, Ballet : Entradas

 | 14 Resultados
Aqui estan los próximos espectáculos, no hay nada previsto este mes.
  • Concierto
    Staatsoper Unter den Linden
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    Daniel Barenboim, director musical de la Orquesta desde 1992 y "Jefe de por vida" desde el 2000, dirigirá dos de las grandes obras orquestales alemanas, las Sinfonías No. 1 y 2 de Brahms. Se trata de un directorio en el que sobresale esta formación, en la más pura tradición alemana.

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    Brahms Symphonies Nos. 1 & 2



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  • Concierto
    Philharmonie
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    Para este concierto que forma parte del abono anual, la Staatskapelle Berlin y su director Daniel Barenboim se hacen cargo de las dos primeras Sinfonías de Brahms. El compositor tenía más de 40 años cuando terminó su primera Sinfonía, después de una elaboración muy larga, colocándola dentro de la continuidad evidente de las obras de Beethoven.

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    Brahms Symphonies Nos. 1 & 2


    Philharmonie Berlin, Alemania

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  • Ópera
    Volle
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    Incansable, Daniel Barenboim dirige Falstaff, la última ópera y única obra cómica de Verdi, "comedia lírica" según su propia definición. Michael Volle, un gran wagneriano de voz imponente y eminente psicólogo de roles, cantará Falstaff. A su lado, vemos a la irresistible Nadine Sierra como Nanetta.

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    Falstaff Verdi



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    De 72€ hasta 208€ + Info / Entradas
  • Concierto
    Staatsoper Unter den Linden
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    Daniel Barenboim dirige uno de sus repertorios favoritos: las Sinfonías de Brahms. La gran Tercera Sinfonía en fa mayor op. 90 data de 1883, cuando el compositor tenía 50 años. El tema del tercer movimiento ganó popularidad con la película ¿Amas a Brahms? con Yves Montand e Ingrid Bergman basada en la novela de Sagan.

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    Brahms Symphonies Nos. 3 & 4



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  • Concierto
    Philharmonie
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    La segunda velada con las dos últimas Sinfonías de Brahms es una buena oportunidad para apreciar una vez más el arte de la Staatskapelle Berlin Orchestra en su repertorio favorito. La Filarmónica de Berlín, una de las salas más buscadas del mundo, nos ofrecerá una experiencia de sonido inolvidable.

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    Brahms Symphonies Nos. 3 & 4


    Philharmonie Berlin, Alemania

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  • Ópera
    Staatsoper Unter den Linden
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    La obra maestra de Richard Strauss ha encontrado a su director. El añorado Patrice Chéreau fue un genio que más que nadie encontró la justa psicología de sus héroes llevados por sus pasiones. Precisaba Chérau de artistas a la altura, cosa que logra con las excepcionales Evelyn Herlitzius y Waltraud Meier que afortunadamente encontramos bajo la dirección de Barenboim.

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    Elektra Strauss R.



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  • Ópera
    Staatsoper Unter den Linden
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    Clarinetista y director de orquesta alemán, uno de los compositores más buscados, Jörg Widmann escribió Babilonia en 2012, sobre el libreto de su compatriota Peter Sloterdijk, filósofo y teórico de la cultura. La partitura tonal de múltiples colores expresa la diversidad de esta antigua ciudad, con muchas referencias musicales clásicas.

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    Babylon Widmann



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    De 72€ hasta 208€ + Info / Entradas
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    Philharmonie
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    La Orquesta Filarmónica de Viena, bajo la dirección de Daniel Barenboim, interpretará la primera Sinfonía de Prokofiev y el "Titán" de Mahler. La combinación de estas dos "primeras sinfonías", de factura bien diferente, mostrará la alta calidad de esta orquesta considerada una de las mejores del mundo.

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    Prokofiev Symphony No. 1 / Mahler Symphony No. 1 "Der Titan"


    Philharmonie Berlin, Alemania

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  • Concierto
    Staatsoper Unter den Linden
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    Mozart Piano Concerto No. 27 K. 595 / Prokofiev Aleksandr Nevsky / Skalkottas Little Suite



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    Philharmonie
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    En la Filarmónica de Berlín, escuchamos una obra rara vez interpretada, La Pequeña Suite del compositor griego del siglo XX, Nikos Skalkóttas (1904-1949). Escrita en los años de la guerra en un lenguaje libre y rápido, no carente de ironía, las piezas se refieren a las composiciones de Alban Berg.

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    Mozart Piano Concerto No. 27 K. 595 / Prokofiev Aleksandr Nevsky / Skalkottas Little Suite


    Philharmonie Berlin, Alemania

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Biografía de Daniel Barenboim

Argentino, Israelí, Español, Palestino... Barenboim es un ciudadano universal y uno de los músicos más completos e interesantes de las últimas décadas. Un niño prodigio que ha tocado todo lo tocable al piano y una memoria enciclopédica, que ha dirigido sin partitura, prácticamente todo el repertorio orquestal de Haydn a Corigliano, con las mejores orquestas. Con 72 años, ha empezado a poner límites a su hiperactividad. Este año deja el podio de la Scala para centrarse en la Staatkapelle de Berlín, la orquesta de la Staatsoper, y quiere tener más tiempo para tocar el piano. A cuatro manos, acaba de realizar un encuentro histórico en Buenos Aires, con su amiga Martha Argerich, en un Teatro Colón abarrotado, que tuvo que traer más sillas para el pasillo y el escenario.

Con sólo 12 años de edad, dejó fascinado a Furtwrangler y formó parte de la masterclass de dirección de Igor Markewich. Al año siguiente, irá a París para estudiar con Nadia Boulanger y debutará con Cluytens y Stokowsky, así como en el Carnegie Hall, con la Filarmónica de Nueva York de Mitropoulos. Desde la década de los 60, ha tocado con los mejores directores y ha dirigido a los mejores solistas. Su primer concierto con la Chicago Symphony en 1970, fue el principio de una estrecha relacå©ión profesional, que culminó con su elección como sucesor de Sir Georg Solti en 1989, manteniendo el cargo hasta 2006.

En 1967 se casó con la violoncelista Jacquelin Du Pré, aunque la relación no terminó bien, sus primeros años nos han dejado verdaderas maravillas, como el Concierto de Elgar o el quinteto de leyenda, que formaron junto a Itzhak Perlman, Pinchas Zukerman y Zubin Mehta tocando el contrabajo.

Director habitual de las filarmónicas de Berlín y Viena, y del Festival de Bayreuth, fue director titular de la Orquesta de París entre 1975 y 1989. Hasta la muerte de Celibidache, fue todos los años a Munich para tocar el piano, dejándonos memorables versiones de los conciertos de Brahms.

Candidato a Premio Nobel de la Paz y ferviente defensor de una posibilidad de entendimiento entre Israel y Palestina, fundó junto a Edward Said la West-Eastern Divan Orchestra, un proyecto con el que ha demostrado, no sin oposición y dificultades constantes, que israelíes y palestinos pueden vivir y trabajar juntos.