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La traviata © Wiener Staatsoper GmbH - Michael Pöhn

Verdi La Traviata

From 20 June TO 27 June 2020
Wiener Staatsoper - Wien
Program

Verdi : La Traviata 135 mn

Cast
  • Conductor
    Plácido Domingo
  • Director
    Jean-François Sivadier
  • Performers
    Violetta Valery: Aída Garifullina
    Alfredo Germont: Benjamin Bernheim
    Giorgio Germont: Simon Keenlyside
Details on the Performance

As courtesan, as much desired as ill famed, beautiful Violetta Valéry dwells at the fringes of bourgeois society. She has sworn off “true love” – until Alfredo steps into her life, loving her with all his heart. Alfredo's father forces her to abandon his son, to safeguard his families reputation. Violetta wastes away, terminally ill, poverty stricken, with a broken heart – when Alfredo returns with his finally insightful father, it is already too late… 

Source © Wiener Staatsoper

  • Venue Info
  • Seating Plan
  • Synopsis
  • Videos

Wiener Staatsoper - Wien Location Opernring 2 - 1010 Wien Autriche

  • Venue's Capacity: 1709

The Venue's History in few words …

The Vienna State Opéra is much more than just a local institution; it is a vital part of the city's identity and a national landmark.

 

As of the 17th century, the Hapsburgs lavishly patronized the opéra. Family members Ferdinand III and Leopold I composed for the théâtre, while Charles VI tried his hand at conducting the orchestra, and the Empress Maria-Theresa often mingled with the corps de ballet.

 

During the 19th century, the Karntnerthor-Theater was demolished and the présent building was constructed on the famous " Ring ". It was here that Mahler, with the help of the set designer Alfred RoUer, imposed a new style of performance, based on audacious stagings and a very précise interprétation ofthe score, which demanded countless rehearsals.

 

After the fall of the Hapsburgs, Richard Strauss took over the reins of the newly baptized Vienna State Opéra. Curiously enough, only one of Strauss'operas, THE WOMAH WITHOUT A SHADOW, was premiered in Vienna. Clemens Krauss and Karl Bôhm were to follow in his footsteps. Under Bôhm's direction, the Opera created its own Company, which was to serve as a model for several générations. Even the bombs that destroyed the opéra house in 1945 could not prevent singer s such as Elisabeth Schwarzkopf, Irmgard Seefried, Sena Jurinac or Erich Kunz from becoming legendary.

 

One musn't think that the Viennese applaud only their homegrown stars. In 1955, when Maria Callas came to sing LUCIA DI LAMMERMOOR in the reconstructed building with Karajan conducting, the public blocked traffic to pay tribute to the diva... in the street! Karajan succeeàed Karl Bôhm, and invited many international stars to corne sing on the Viennese stage. Works were henceforth sung in their language of origin, and coproductions with La Scala permitted the disco-very of voices such as that of Mirella Freni in LA BOHEME.

 

Ioan Holender has suceeded in deftly combining these international distributions with an ensemble System. He has scheduled many works never heard on the Viennese stage, which are now included in the Opera's répertoire, such as Verdi's JERUSALEM and Enesco's OEDIPE, furthering a policy instated under Claudio Abbado's brilliant direction. Whatever changes may now occur, the Opera will continue to stage at least 300 performances per season (an absolute world record ren-dered feasible thanks to the în-house technical crew, which hires no less than 250 people), and the public will continue to applaud the finest orchestra any amateur could wish for in the pit : the Vienna Philharmonie !

Wiener Staatsoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

La Traviata

LA TRAVIATA: AN EXCITING AND PASSIONATE OPERA
La Traviata by Giuseppe Verdi is a popular opera played over three parts, and set to a beautiful Italian libretto by Francesco Maria Piave.

Telling the tale of a fallen woman, the opera is based on an original play adapted from a novel entitled 'La Dame aux Camélias' by Alexandre Dumas, the younger son of the famous French writer. Though both Verdi and Piave wished to adhere to Dumas' contemporary setting, authorities at La Fenice were adamant that it should be set in the 1700's. It was only in the 1880's that the opera was finally performed in the contemporary setting that Verdi had intended. However, it was not well recieved until it was again revised.

HISTORY
The most performed opera in the world according to Operaboard 2012/2013, and certainly one of the most popular, La Traviata is set in early 18th century Paris and tells the tale of Violetta, a courtesan.

Act 1
A fabulous party is thrown to celebrate the recovery from illness of famous Parisian courtesan, Violetta Valéry. Count Gastone has brought along his friend, the young noble Alfredo Germont who is in love with Violetta. Gastone tells Violetta that during her illness Alfredo visited her home every daym abnd she wonders if he could be 'the one'. However, Violetta's lover Baron Douphol is not impressed and refuses to toast her creating the opening for Alfredo to sing a drinking song in her honour.

Act 2
Scene 1:
Violetta has given up her life in Paris and has moved with Alfredo to her country home. Annina the maid has been to Paris to sell Violetta's belongings to support them and when Alfredo discovers this he leaves for Paris. Alfredo's father, Giorgio Germont visits Violetta to beg her to break up with his son since her reputation is ruining his daughter's engagement. She finally agrees and is seen weeping alone. Leaving a farewell note with her servant for Alfredo, Violetta leaves for Paris.
Scene 2: Party at Flora's house
Everyone is shocked to hear of the break up of Violetta and Alfredo. She arrives at the party with Baron Douphol. Alfredo says it will be he who leaves with her and wins a lot of money at the gambling table. Alfredo won't believe that Violetta no longer loves him and forces her to say that she is in love with the Baron. Alfredo throws the money at Violetta to 'pay for her services'. Giorgio enters looking for his son Alfredo and immediately realises what has happened. The Baron and Alfredo decide to fight a duel.

Act 3
Her tuberculosis has returned and Violetta doesn't have long to live when a letter from Alfredo's father informing her that the Baron was only wounded. He has told Alfredo of the sacrifice Violetta made for him and his sister. It is too late and Violetta is aware of this when Alfredo rushes in. She dies in his arms.

THE MAIN ROLES
Violetta Valéry - courtesan (soprano)
Alfredo Germont - a young noble (tenor)
Giorgio Germont - Alfredo's father (baritone)
Annina - maid (soprano)
Barone Douphol - Violetta's lover and Alfredo's rival (baritone)

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