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Der Freischuetz © Wiener Staatsoper GmbH

Weber Der Freischütz

From 09 May TO 19 May 2020
Wiener Staatsoper - Wien
Program

Weber : Der Freischütz

Cast
  • Conductor
    Axel Kober
  • Director
    Christian Räth
  • Performers
    Max: Andreas Schager
    Agathe: Camilla Nylund
    Kaspar: Tomasz Konieczny
    Ännchen: N.N.
Details on the Performance

In all opera literature, few works have been subjected to such extreme and frequent paradigm shifts as Weber’s Der Freischuütz. While some considered him the originator of natural folk style, others regarded him as the “most German” of composers (Wagner); while some considered the uncanny to be a central plot element, others felt that fate or even nature, more specifically the forest, truly played the lead role (Pfitzner). Later people said that Weber was a successor to French Revolution opera, or that with his use of folk song he followed after Haydn and Beethoven. Regardless of all these considerations, Der Freischuütz – a “Romanticopera” in the widest sense of the term – is a popular and definitive work of the German-language repertoire. 

Source © Wiener Staatsoper

  • Venue Info
  • Seating Plan
  • Synopsis
  • Videos

Wiener Staatsoper - Wien Location Opernring 2 - 1010 Wien Autriche

  • Venue's Capacity: 1709

The Venue's History in few words …

The Vienna State Opéra is much more than just a local institution; it is a vital part of the city's identity and a national landmark.

 

As of the 17th century, the Hapsburgs lavishly patronized the opéra. Family members Ferdinand III and Leopold I composed for the théâtre, while Charles VI tried his hand at conducting the orchestra, and the Empress Maria-Theresa often mingled with the corps de ballet.

 

During the 19th century, the Karntnerthor-Theater was demolished and the présent building was constructed on the famous " Ring ". It was here that Mahler, with the help of the set designer Alfred RoUer, imposed a new style of performance, based on audacious stagings and a very précise interprétation ofthe score, which demanded countless rehearsals.

 

After the fall of the Hapsburgs, Richard Strauss took over the reins of the newly baptized Vienna State Opéra. Curiously enough, only one of Strauss'operas, THE WOMAH WITHOUT A SHADOW, was premiered in Vienna. Clemens Krauss and Karl Bôhm were to follow in his footsteps. Under Bôhm's direction, the Opera created its own Company, which was to serve as a model for several générations. Even the bombs that destroyed the opéra house in 1945 could not prevent singer s such as Elisabeth Schwarzkopf, Irmgard Seefried, Sena Jurinac or Erich Kunz from becoming legendary.

 

One musn't think that the Viennese applaud only their homegrown stars. In 1955, when Maria Callas came to sing LUCIA DI LAMMERMOOR in the reconstructed building with Karajan conducting, the public blocked traffic to pay tribute to the diva... in the street! Karajan succeeàed Karl Bôhm, and invited many international stars to corne sing on the Viennese stage. Works were henceforth sung in their language of origin, and coproductions with La Scala permitted the disco-very of voices such as that of Mirella Freni in LA BOHEME.

 

Ioan Holender has suceeded in deftly combining these international distributions with an ensemble System. He has scheduled many works never heard on the Viennese stage, which are now included in the Opera's répertoire, such as Verdi's JERUSALEM and Enesco's OEDIPE, furthering a policy instated under Claudio Abbado's brilliant direction. Whatever changes may now occur, the Opera will continue to stage at least 300 performances per season (an absolute world record ren-dered feasible thanks to the în-house technical crew, which hires no less than 250 people), and the public will continue to applaud the finest orchestra any amateur could wish for in the pit : the Vienna Philharmonie !

Wiener Staatsoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Der Freischütz

Wiener Staatsoper

Video

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