From €247
×

1 Click on the date to see the prices and book

Ticket Alert

2Choose the Category

Please precise your seating wishes regarding your ticket booking
(150 char. max)

ANY QUESTIONS ?

Contact us by tel : +33 1 53 59 39 29 – or by Email) See Help & FAQ page

TICKET DELIVERY INFORMATION

Your E-tickets to be printed will be sent by mail.

Seating

Music & Opera book the best seats available. the exact seat location will be confirmed by email. Only seats next to each other are booked.More information

Price

Music Opera ticket price differs from the ticket face value. It includes all service fees and taxes.

Refund Protection

A Refund Insurance will be offered before payment More Information

The club
Music & Opera

Join the Club to
Benefit from the special prices
Already Member of the Club,
Please Login !
Retour

Vittorio Grigolo © Alessandro Dobici

Puccini Tosca

From 28 February TO 05 March 2022
Wiener Staatsoper - Wien
Program

Puccini : Tosca 125 mn

Cast
  • Conductor
    Marco Armiliato
  • Director
    Margarethe Wallmann
  • Performers
    Floria Tosca: Elena Stikhina
    Mario Cavaradossi: Vittorio Grigòlo
    Il Barone Scarpia: Roberto Frontali
  • Venue Info
  • Seating Plan
  • Synopsis

Wiener Staatsoper - Wien Location Opernring 2 - 1010 Wien Autriche

  • Venue's Capacity: 1709

The Vienna State Opéra is much more than just a local institution; it is a vital part of the city's identity and a national landmark.

As of the 17th century, the Hapsburgs lavishly patronized the opéra. Family members Ferdinand III and Leopold I composed for the théâtre, while Charles VI tried his hand at conducting the orchestra, and the Empress Maria-Theresa often mingled with the corps de ballet.

During the 19th century, the Karntnerthor-Theater was demolished and the présent building was constructed on the famous " Ring ". It was here that Mahler, with the help of the set designer Alfred RoUer, imposed a new style of performance, based on audacious stagings and a very précise interprétation ofthe score, which demanded countless rehearsals.

After the fall of the Hapsburgs, Richard Strauss took over the reins of the newly baptized Vienna State Opéra. Curiously enough, only one of Strauss'operas, THE WOMAH WITHOUT A SHADOW, was premiered in Vienna. Clemens Krauss and Karl Bôhm were to follow in his footsteps. Under Bôhm's direction, the Opera created its own Company, which was to serve as a model for several générations. Even the bombs that destroyed the opéra house in 1945 could not prevent singer s such as Elisabeth Schwarzkopf, Irmgard Seefried, Sena Jurinac or Erich Kunz from becoming legendary.

One musn't think that the Viennese applaud only their homegrown stars. In 1955, when Maria Callas came to sing LUCIA DI LAMMERMOOR in the reconstructed building with Karajan conducting, the public blocked traffic to pay tribute to the diva... in the street! Karajan succeeàed Karl Bôhm, and invited many international stars to corne sing on the Viennese stage. Works were henceforth sung in their language of origin, and coproductions with La Scala permitted the disco-very of voices such as that of Mirella Freni in LA BOHEME.

Ioan Holender has suceeded in deftly combining these international distributions with an ensemble System. He has scheduled many works never heard on the Viennese stage, which are now included in the Opera's répertoire, such as Verdi's JERUSALEM and Enesco's OEDIPE, furthering a policy instated under Claudio Abbado's brilliant direction. Whatever changes may now occur, the Opera will continue to stage at least 300 performances per season (an absolute world record ren-dered feasible thanks to the în-house technical crew, which hires no less than 250 people), and the public will continue to applaud the finest orchestra any amateur could wish for in the pit : the Vienna Philharmonie !

Wiener Staatsoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Tosca

TOSCA, A UNIVERSALLY ADORED OPERA
This popular opera by Giacomo Puccini was premiered at Rome's famous Teatro Costanzi in 1900.
In three acts and sung to a libretto by Giuseppe Giacosa an Luigi Illica, the opera is about lovers who are threatened by and evil police chief at the time of Napoleon's invasion of Italy in 1800.
With all the ingredients of an epic drama including murder, torture and suicide, this exceptional opera has inspired some amazing performances by many top stars.
Based on a play written in 1887 by French writer Victorien Sardou, it took Puccini over four years to make the long, meandering play into a concise three act opera.

THE HISTORY
A tale based on the love affair of and acclaimed singer, Floria Tosca and Mario Cavaradossi in times of political unrest in Rome. The evil Baron Scarpia wants Floria for himself and tricks her into giving him information that leads to her lovers arrest. Promising that she and Cavaradossi will escape, he tricks Floria into letting her lover stand in front of a firing squad by saying that the bullets will be blank. After he trys to seduce her, Floria stabs the Baron and rushes to the prison. He has tricked her and Cavaradossi is shot. Seeing no alternative, Floria commits suicide.

Act 1
Trying to escape, one time Roman Consul-General, Cesare Angelotti tells his friend Cavaradossi that he is wanted by evil police chief, Baron Scarpia. Cavaradossi hides him down a well in his garden and Floria, his lover overhears. He confides in her. The act ends with a canon signalling that Angelotti's escape has been discovered.

Act 2
Baron Scarpia sends a note to Floria asking her to come to his apartment at supper time. A rival for her affection, he is determined to win Floria away from Cavaradossi. He tries to interrogate her about Angelotti's hiding place and has Cavaradossi tortured within her hearing to persuade her to give up the information. She tells him where Angelotti is hidden as she can stand her lover's pain no longer. Cavaradossi is furious with Floria for betraying him and his friend, and he is taken away to prison. She manages to get the Baron to promise that he will allow her and Cavaradossi to escape from the city if she surrenders to his advances, and he agrees on condition that Cavaradossi is subjected to a mock execution.
The Baron arranges this with one of his men, Spoletta and gives Floria a letter to ensure the safe escape of her and her lover. News comes that Angelotti has killed himself. The Baron tries to force himself on Floria and she stabs him.

Act 3
Floria rushes to the prison to tell Cavaradossi that he will need to go in front of a firing squad but that the guns will contain blank bullets. However, the Baron has tricked her and the bullets are real. When Cavaradossi has been shot Floria commits suicide.

THE MAIN ROLES
Floria Tosca - an opera singer - Soprano
Mario Cavaradossi - a painter and political activist - Tenor
Baron Scarpia - chief of police - Baritone
Cesare Angelotti - a political prisoner who has escaped -Bass

Wiener Staatsoper

You may also be interested by …