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Andris Nelsons © Marco Borggreve

Concert

The 29 February 2020
Théâtre des Champs-Elysées - Paris
Program

Beethoven : Symphonies Nos. 8 & 9

Cast
  • Wiener Philharmoniker
  • Choeur de Radio France
  • Conductor
    Andris Nelsons
  • Performers
    Annette Dasch
    Gerhild Romberger
    Klaus Florian Vogt
    Günther Groissböck
Details on the Performance

The Vienna Philharmonic is a name to conjure with, embodying both tradition and a very exacting approach to performance. It is the very best possible ambassador for Beethoven and one of his most ambitious and monumental cycles. Andris Nelsons breathes new life into this classic repertoire. His unique traits are his physicality, eye for detail, transparency, and an ability to get the very best sound from each section of the orchestra. He is certainly worthy of the challenge set by Beethoven. Over four consecutive evenings, audiences can grasp the full richness of his writing for orchestra and the variety of forms in this unique corpus. An affirming experience and a musical masterclass.

Premium Category

Cat Premium: Get a seat in the best category with a diner at the Bar des Théâtres (choose your meal « Starter + Dish » or « Dish + Dessert », coffee and wine) before the performance from 6PM (for a night show) and from 12AM (for a morning show).

Note that the Bar des Théâtres is located at only 5 minutes walk from the Théâtre des Champs-Elysées. ( 44 rue Jean Goujon, 75008 Paris )

 

 

The Bar des Théâtres on the coffee side, will be pleased to welcome you in a cosy and elegant atmosphere, from Monday to Saturday from 11.30AM to 11.30PM and on Sunday only for Lunch.

This famous place opened after the 2nd world war, with a welcoming spirit. It's still the place to be after the performances at the Théâtre des Champs Elysées for a diner with friends or family where you'll probably be able to meet the artists at the next table.

  • Venue Info
  • Seating Plan

Théâtre des Champs-Elysées - Paris Location 15 Avenue Montaigne - 75008 Paris France

  • Venue's Capacity: 1985

The Venue's History in few words …

The Théâtre des Champs-Elysées, initially planned for construction on the legendary avenue after which it was named, is in fact situated on Avenue Montaigne. It was in 1913 that the Parisian public first discovered the hall, an astonishing synthesis of tradition and modernity, with balconies that recall an Italian théâtre, while being supported by reinforced concrète, and with décoration at once sober and sumptuous. Speaking of eclecticism, the house's first season was quite surprising. THE BARBER OE SEVILLE was billed alongside BORIS GODUNOV, and it was here that Stravinsky RITE OF SPRING was premiered, provoking an infamous scandai. Nijinsky counted behind the scènes for the dancers in Russian, while Pierre Monteux kept time for the musicians, and Stravinsky ran back and forth between the stage and the audience, in an attempt to save the performance. After such an eventful start, the théâtre rapidely grew in réputation and Marcel Proust saluted Gabriel Astruc as being the manager «who staged BORIS GODUNOV, and who, in general, made up for the weaknesses of the Opéra and the Comic Opéra .»

After the First World War, concerts, opéras and ballets alternatively shared the programme, a tradition that still reigns today. Mozart's opéras were quite frequently staged, and performed by the visiting Vienna Opéra in 1924, 1947, 1949, and 1951. But the house also nurtured an affi-nity with Wagner's music; the Bayreuth troupe (with Lauritz Melchior) performed the entire Ring on the Champs-Elysées stage in 1929, and Furtwangler conducted the Walküre here in 1937.

Since the production of Boris Godunov that so enthused Marcel Proust, the théâtre also maintains close ties with the Russian réper­toire. After the bass Chaliapin and the Belgrad and Sofia Opéras, it is now the Kirov Théâtre from Saint Petersburg that regularly brings down the house.

More recently, the Champs-Elysées proposed Rimski-Korsakov's somewhat forgotten opéras in a séries of programmes that subtly mingled young talent with the grand tradition of the Vienna Philharmonie, in a concert hall entirely refurbished in 1986-87. Now equipped with a completely modernized stage machinery, the théâtre hasrevived the splendour of bygone days.

Théâtre des Champs-Elysées

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.
Théâtre des Champs-Elysées

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