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©2019 Teatro la Fenice

Verdi Rigoletto

From 23 April TO 31 May 2020
Teatro La Fenice - Venezia
Program

Verdi : Rigoletto 120 mn

Sung in : Italian
Cast
  • Conductor
    Daniele Callegari
  • Director
    Damiano Michieletto
  • Performers
    Rigoletto: Luca Salsi (Baryton)
    Gilda: Claudia Pavone (Soprano)
    Il Duca di Mantova: Iván Ayón Rivas (Tenor)
  • Venue Info
  • Seating Plan
  • Synopsis
  • Videos

Teatro La Fenice - Venezia Location Campo San Fantin, 1965 - 30124 Venezia Italie

  • Venue's Capacity: 1000

The Venue's History in few words …

A bar is available in the Theater offering few things to eat during the interval.

You may also visit the theater during the day, audioguides are available in english. During day time, the bar aslo serves complete lunch in the beautiful Salle Apolinee.

 

In the history of opéra, the city of Venice occupies an eminent position. In 1637, here in the doges city, the first public opéra theater was opened to paying members of the public. This was a turning point, breaking with the tradition of court performances, and the opéra house in Venice soon attracted a new audience, presenting works that blatantly alternated scènes ofhigh comedy and high tragedy, butfocusing more importantly on the "prima donna" and soon the "primo uomo". Le. the castrato. A number of theaters subsequently appeared in Venice and in the seventeenth century, the works ofHândel and Alessandro Scarlatti were public triumphs.

 

In 1787, "La Nobile Società", the owner of a theater that had recently been expropriated, decided to build a new hall designed to please both the eye and the ear. The élégant building, with two main entrances, one on the canal and the other on a piazza, underwent various changes over the years, particularly after the fire in 1836, but, like the Phoenix whose name it bears, it rose from the ashes.


On the night of 29 January 1996, for the second time in its history, fire devastated the theatre. The interior was completely destroyed and only the foundations survived. The theatre is totally reconstructed “the way it was, where it was” and re-open for a week of inauguration on 14 December 2003. The Return of the great La Fenice theatre is officaly in November 2004 with La Traviata, the opera by Verdi which premiered in this exact theatre.

 

Agreement is universal as to the future of the historié theater which is not only acclaimed as one of the most handsome in Italy, but also holds a long and brilliant record for premiering new works. From Rossini with TANCREDI in 1813 to Luigi Nono with INTOLLERANZA in 1960, ail the great Italian composers have seen their finest works presented here. Verdi premiered five of his opéras to Venetian audiences at La Fenice — ERNANI, ATTILA, RIGOLETTO, LA TRAVIATA and SIMON BOCCANEGRA, and ever since the Italian premières of RIENZI and the RING CYCLE by Wagner, La Fenice hasfeatured many international premières, including three major 20th century opéras: Stravinsky's RAKE'S PROGRESS (1951), Britten's TURN OF THE SCREW (1954) and Prokoflev's THE FIERY AN GEL (1955).

Teatro La Fenice

Synopsis

Rigoletto

“La donna è mobile”, “Caro nome”…these are only few of the successful arias contained in this Verdi’s Opera where the identity of the Villain is blurred and whose audience will most certainly cries a river.

When the Italian composer decided to adapt Victor Hugo’s “Le Roi s’amuse”, the play, which harshly and straightforwardly criticises the Royal family, had been already censored. As a consequence, this passionate opera went through many ups and downs before making it to the Venice’s Fenice Theatre, where it premiered on the 11 March 1851. Verdi and librettist Francesco Maria Piave had to change a number of different elements such as the setting, titles and names in order to be allowed to stage it.

HISTORY
The action takes place in the opulent palaces of sixteenth century Mantua. The opera revolves around a licentious Duke's efforts to seduce the beautiful daughter of the hunchback Rigoletto.

Act 1
The Duke of Mantua sings joyfully of his many love affairs. With the help of his hunchbacked jester Rigoletto, the Duke makes fun of the husbands whose wives he has seduced. The jester has a daughter, Gilda, whom he has kept hidden from the Duke, well aware of the Duke's licentious ways. By the end of the act, however, Gilda and the Duke have met, whilst the Duke disguises his real identity. Gilda falls in love with the Duke.

Meanwhile, a group of noblemen employ the jester to help them kidnap a woman, without revealing that the woman is Gilda. Once it is too late, the jester realises that he has unwittingly helped his daughter's kidnappers to carry her away, and is devastated.

Act 2
The Duke is concerned that Gilda has disappeared. The noblemen arrive and tell the Duke about the woman they have kidnapped. They think that Gilda is the jester's mistress, and do not realise that she is his daughter.
The Duke, however, recognises that the woman is Gilda from the way that the noblemen describe her. The jester and the Duke both attempt to save Gilda, with each swearing to take revenge on the other.

Act 3
The Duke is in the house of a noble woman, busy seducing her. Gilda and her father arrive. Gilda is still in love with the Duke, but her father attempts to make her realise that the Duke will never be faithful to her. The jester hires an assassin to kill the Duke, to make sure that the Duke can never try and seduce his daughter again. The assassin's sister, Maddalena, informs Gilda of this plan. Gilda dresses as a man and, still in love with the Duke, takes his place and proves her love by being killed in his stead.

Epilog
The jester is presented with a corpse. Thinking it is the assassinated Duke, he rejoices. Finally, he uncovers the corpse and finds it to be his own daughter. Gilda revives, briefly, and she and her father share a short moment of reconciliation before she dies.

MAIN ROLES
The Duke of Mantua, A rich and licentious man, tenor
Rigoletto, The Duke's court jester, baritone
Gilda, Daughter to the Jester, soprano
Sparafucile, An Assassin, bass
Giovanna, Gilda's nurse, mezzo-soprano
Maddalena, Sister to Sparafucile, mezzo-soprano

Teatro La Fenice

Video

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