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©2019 Teatro la Fenice

Verdi Aida

From 23 August TO 13 September 2020
Teatro La Fenice - Venezia
Program

Verdi : Aida

3 h 20 Sung in : Italian
Cast
  • Conductor
    Francesco Ivan Ciampa
  • Director
    Mauro Bolognini
    Bepi Morassi
  • Performers
    Aida: Roberta Mantegna
    Radamès: Piero Pretti
    Amneris: Silvia Beltrami
    Amonasro: N.N.
    Il Re: Mattia Denti
Details on the Performance

Aida is an opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in Egypt, it was commissioned by and first performed at Cairo’s Khedivial Opera House on 24 December 1871; Giovanni Bottesini conducted after Verdi himself withdrew. Today the work holds a central place in the operatic canon, receiving performances every year around the world; at New York’s Metropolitan Opera alone, Aida has been sung more than 1,100 times since 1886. Ghislanzoni’s scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera.

Source © Teatro La Fenice

  • Venue Info
  • Seating Plan
  • Synopsis

Teatro La Fenice - Venezia Location Campo San Fantin, 1965 - 30124 Venezia Italie

  • Venue's Capacity: 1000

The Venue's History in few words …

A bar is available in the Theater offering few things to eat during the interval.

You may also visit the theater during the day, audioguides are available in english. During day time, the bar aslo serves complete lunch in the beautiful Salle Apolinee.

 

In the history of opéra, the city of Venice occupies an eminent position. In 1637, here in the doges city, the first public opéra theater was opened to paying members of the public. This was a turning point, breaking with the tradition of court performances, and the opéra house in Venice soon attracted a new audience, presenting works that blatantly alternated scènes ofhigh comedy and high tragedy, butfocusing more importantly on the "prima donna" and soon the "primo uomo". Le. the castrato. A number of theaters subsequently appeared in Venice and in the seventeenth century, the works ofHândel and Alessandro Scarlatti were public triumphs.

 

In 1787, "La Nobile Società", the owner of a theater that had recently been expropriated, decided to build a new hall designed to please both the eye and the ear. The élégant building, with two main entrances, one on the canal and the other on a piazza, underwent various changes over the years, particularly after the fire in 1836, but, like the Phoenix whose name it bears, it rose from the ashes.


On the night of 29 January 1996, for the second time in its history, fire devastated the theatre. The interior was completely destroyed and only the foundations survived. The theatre is totally reconstructed “the way it was, where it was” and re-open for a week of inauguration on 14 December 2003. The Return of the great La Fenice theatre is officaly in November 2004 with La Traviata, the opera by Verdi which premiered in this exact theatre.

 

Agreement is universal as to the future of the historié theater which is not only acclaimed as one of the most handsome in Italy, but also holds a long and brilliant record for premiering new works. From Rossini with TANCREDI in 1813 to Luigi Nono with INTOLLERANZA in 1960, ail the great Italian composers have seen their finest works presented here. Verdi premiered five of his opéras to Venetian audiences at La Fenice — ERNANI, ATTILA, RIGOLETTO, LA TRAVIATA and SIMON BOCCANEGRA, and ever since the Italian premières of RIENZI and the RING CYCLE by Wagner, La Fenice hasfeatured many international premières, including three major 20th century opéras: Stravinsky's RAKE'S PROGRESS (1951), Britten's TURN OF THE SCREW (1954) and Prokoflev's THE FIERY AN GEL (1955).

Teatro La Fenice

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Aida

This opera is recognised as one of the world's most celebrated. Composed by Verdi, this dramatic tale, pivots around a love triangle.
It reaches the depths of emotion, with great highs of love and deep lows of despair, all common components, in magnificent dramas and tragic narratives. Outstanding performances, powerful arias and lavish mise-en-scene, intertwine, transporting audiences to a space, back in time, amidst the ruins of ancient Egypt.

Mystery, intrigue, passion and pain resonate throughout scenes and this musical, known as the 'Grand Opera', leaves audiences captivated and enthralled within its rhapsody.

HISTORY
In the Egypt of the pharaohs, Ethiopian king Amonasro threats to attack Thebe and the entire Nile valley. Young captain of the guard Radamès finds himself in love with a juvenile Ethiopian slave, named Aida, whose being Amonasro’s daughter he completely ignores. Pharaoh’s daughter Amneris is in love with Radames, instead. Jealousy and passion alongside with betrayal and war will eventually lead to the death of the young slave and her beloved captain.
Act 1
High Priest Ramphis learns from Radamès that Amonasro intends to attack Thebe. Radamès, on the other hand, dreams to be appointed commander of the Egyptian army and to annihilate the Ethiopians infantry in order to be able to claim the hand of Aida, young Ethiopian Pharaoh’s daughter ‘slave. However, Amneris is in love with the young captain and gets ballistic at the idea that he has feeling for her slave, whose heart is parted between the love for her home country and that she feels for the young Egyptian.
Act 2
Amneris tricks Aida into confessing her love for Radamès. Upon triumphantly returning from Ethiopia and accompanied by festive trumpets he asks the pharaoh to pardon the prisoners, among which stands Ethiopian’s king Amonasro and his daughter Aida. Pharaoh decides to grant Radamès request and rewards him with Amneris’ hand.
Act 3
Radamès and Aida arrange to meet by the Nile’s bank but the rendezvous is discovered by Amonasro that thus becomes aware of his daughter ‘secret love. He then suggests her took advantages of the situation to wring useful information, that might be beneficial to the Ethiopian cause, out of Radames. Aida begs her beloved to flee to Ethiopia together and after agreeing he discloses details regarding the route the Egyptian army is taking. After overhearing the conversation, Amonasro gets out of his hiding place and offers the throne and his daughter’s hand to the young commander. Nevertheless, they’re all oblivious of the fact Amneris has witnessed it all and quickly runs to the High Priest that eventually manages to get Radamès arrested for betrayal, whilst Aida is let free to runaway.
Act 4
Amneris promises to spare Radamès life if he gives up his feeling for Aida but he rejects the offer and gets walled up. Amnéris is devastated and cries her heart out in the attempt to save her beloved’s life. In his tomb, the former commander falls prey of sadness and despair but suddenly finds out Aida is in the tomb as well to hold his hand on his way to death.


MAIN ROLES

Aida, Ethiopian Princess - Soprano
Radames, a brave warrior in Egypt's army - Tenor
Amneris, The Pharaoh's Daughter - Mezzo-Soprano
Amonasro, Captive of the King of Egypt - Baritone
Ramfis, The High Priest - Bass
King of Egypt and father to Amneris - Bass

Teatro La Fenice

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