From €87
×

1 Click on the date to see the prices and book

Available

2Choose the Category

Please precise your seating wishes regarding your ticket booking
(150 char. max)

ANY QUESTIONS ?

Contact us by tel : +33 1 53 59 39 29 – or by Email) See Help & FAQ page

TICKET DELIVERY INFORMATION

Your tickets will be sent by post. If the delay is too short, you will get a voucher by email to exchange at the theater.

Seating

Music & Opera book the best seats available. the exact seat location will be confirmed by email. Only seats next to each other are booked.More information

Price

Music Opera ticket price differs from the ticket face value. It includes all service fees and taxes.

Refund Protection

A Refund Insurance will be offered before payment More Information

The club
Music & Opera

Join the Club to
Benefit from the special prices
Already Member of the Club,
Please Login !
Retour

Teatro di San Carlo

Mozart Così fan tutte

From 23 March TO 02 April 2022
Teatro di San Carlo - Napoli
Program

Mozart : Così fan tutte 165 mn

Cast
  • Conductor
    Dan Ettinger
  • Director
    Chiara Muti
  • Performers
    Fiordiligi: Mariangela Sicilia
    Dorabella: Serena Malfi
    Guglielmo: Alessio Arduini
    Ferrando: Giovanni Sala
    Despina: Damiana Mizzi
    Don Alfonso: Paolo Bordogna
  • Venue Info
  • Seating Plan
  • Synopsis

Teatro di San Carlo - Napoli Location Via San Carlo, 98F - 80132 Napoli Italie

  • Venue's Capacity: 1386

The "San Carlo" is the world's oldest opera house still in activity. Right from the start, in 1737, people came from far and wide to admire the theatre's excellent 42-musician orchestra, and to applaud the castratos trained at the Naples Conservatory (like the famous Farinelli), as well as divas known by their nicknames, "la Parruchierrina," or "la Bastarella," for example. And the house in itself, with its sumptuous architecture and no less than six stories of boxes, was no minor attraction: Stendhal was enchanted by the hall's charm, and Paul Klee was fascinated by what he described as this "superb, heavy, and obscure theatre."

In 1816, fire burned down the theatre, and Ferdinand de Bourbon reconstructed an identical building with amazing speed, for Naples, robbed of its opera house, was plunged in mourning, and threatened to not support its sovereign. Let's not forget that at that time, the reign of Domenico Barbaja (nicknamed "The Prince of Impresarios" by Alexander Dumas) had already begun brilliantly. In 1815. this Milanese ex-cafe waiter, who is often credited with the invention of whipped-cream, had had the brilliant idea of hiring Gioacchino Rossini in person as the theatre's artistic director. This exceptional LUCIA DI LAMMERMOOR for the San Carlo), while launching, in 1826, a young composer called Vincenzo Bellini. The Neapolitan stage became the place where several singers' careers were made or broken; the famous French tenor Adolphe Nourrit, for example, who considered that the applause had not been sufficient, commited suicide after a performance at the San Carlo. The composer Saverio Mercadante then won the favours of the San Carlo's notorious audience, to such an extent that Verdi at first felt ill at ease in the theatre. Only to better triumph in 1872, when he organized an entire season, and had an orchestra pit added.

During the twentieth century, the stars of the Scala have sometimes overshadowed those of the San Carlo, an historic rivalry that has always existed, in a country where music lovers must choose sides. But the Neapolitan stage defends itself by ever enriching, even to this day, the world's largest repertoire of works ever premiered in an opera house, while legendary singers, such as Beniamino Gigli (who performed in the theatre from 1915 to 1953), have always remained exceptionally faithful to the San Carlo audience, which also happens to be one of the warmest anyone could imagine.

Teatro di San Carlo

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Così fan tutte

COSI FAN TUTTE: AN INSPIRING, THRILLING WORK
Meaning "all women are like that", Cosi fan tutti is a dramatic and engaging work by the famous composer Wolfgang Amadeus Mozart.

HISTORY
In 18th century Naples, two men aim to test the fidelity of their respective fiancees. They decide to assume disguises and see if they can seduce their fiancees whilst pretending to be other men.

Act 1
Ferrando and Gugliemo are officers in the navy. They praise the fidelity of their respective fiancees. Their friend Don Alfonso wagers that the two women are not so faithful after all. Don Alfonso comes up with a plan to test just how faithful the two women are. Don Alfonso instructs Ferrando and Gigliemo to pretend that they have been called away to fight in a battle. Then, he tells them to return disguised as Albanian men, and to each try and seduce the other's fiancee. Ferrando's fiancee Dorabella and Gugliemo's fiancee Fiordiligi are saddened as their fiances sail off to their pretended battle. The two women, who are also sisters, express their love for Ferrando and Gigliemo. Ferrando and Gigliemo return, disguised as Albanians and make straight for Dorabella and Fiordiligi. The two women do not recognise their fiances, and refuse to succumb to the 'Albanians'' seduction techniques. Still in disguise, Ferrando and Gigliemo pretend to drink poison, saying that they are so distressed at this rejection. Their accomplice, Despina, disguised as a doctor, pretends to revive them. The 'Albanians', reviving, pretend that they think Fiordiligi and Dorabella are divine goddesses who have saved them from death. They ask to kiss the two women, but are once more rejected.

Act 2
Despina convinces Fiordiligi and Dorabella that they ought to give in to the 'Albanians'' flirtatious remarks, and seductive overtures. Eventually, the two women agree. After some resistance, both women fall into the arms of the 'Albanians'. Don Alfonso is delighted to have won the wager. Gugliemo and Ferrando are angry at first, but Don Alfonso persuades them to forgive their fiancees. After all, says Don Alfonso, 'all women are like this': 'Cosi fan tutti'. Dorabella and Fiordiligi agree to marry the 'Albanians', still unaware that these men are in fact their fiances in disguise. Half way through the wedding, the 'Albanians' retire, and remove their disguises. The brides are shocked to find out that the 'Albanians' are really their long lost Neapolitan fiances.

Epilog
Unlike many other operas, Cosi fan tutti has just two acts. The opera ends with the group of lovers agreeing to forgive one another, and singing about how life involves both good and bad times.

MAIN ROLES
Fiordiligi, a Lady of Naples, soprano
Dorabella, Fiordiligi's sister, soprano
Guglielmo, Fiordiligi's fiance and a naval officer, bass
Ferrando, Dorabella's fiance and a naval officer, tenor
Despina, a maid and accomplice to Gugliemo and Ferrando, soprano
Don Alfonso, an old philosopher and friend to Gugliemo and Ferrando, bass

Teatro di San Carlo

You may also be interested by …