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Emily D'Angelo

Mozart Don Giovanni

From 27 March TO 12 April 2022
Teatro alla Scala - Milano
Program

Mozart : Don Giovanni 150 mn

Cast
  • Conductor
    Pablo Heras-Casado
  • Director
    Robert Carsen
  • Performers
    Don Giovanni: Christopher Maltman
    Donna Anna: Hanna-Elisabeth Müller
    Donna Elvira: Emily D'Angelo
    Leporello: Alex Esposito
    Don Ottavio: Bernard Richter
    Zerlina: Andrea Carroll
    Masetto: Fabio Capitanucci
    Il Commendatore: Günther Groissböck
    Il Commendatore: Jongmin Park
BOOKING ON DEMAND

We only offer packages (hotel + ticket + visit). For any booking request, contact us at : [email protected]

 

  • Venue Info
  • Seating Plan
  • Synopsis

Teatro alla Scala - Milano Location Via Filodrammatici, 2 - 20121 Milano Italie

  • Venue's Capacity: 2000

After fire destroyed the Royal Ducal Theatre, Milanese aristocrates took no more than twelve days to design a new theatre and send their plans to the Empress Maria Theresa. Two years later, in 1778, the new opera house was inaugurated, on the site of the Santa Maria alia Scala Church. The Teatro alia Scala wasted no time in becoming one of the best: all of Europe came to admire the flamboyant costumes, the impressive chorus, and the singers, famous for their dramatic finesse. The audience was a show in itself: people visited in their respective boxes, exchanged the latest news, dined, and played cards... A tradition that is now lost to the ages, while the Scala's public nonetheless still knows how to make itself heard if it completely disagrees with a trill, or when it enthusiastically applauds a prima donna.

During the nineteenth century, competition from the Teatro di San Carlo in Naples, which then attracted the peninsula's best voices, obliged the Milanese opera house to undergo renovation, which it did with panache! Rossini's, Bellini's, and Verdi's names were henceforth linked to that of the illustrious house, and the history of Italian music was written within its walls. Works such as NORMA, NABUCCO, II TURCO IN ITALIA, and FALSTAFF were premiered here, while singers such as Isabella Colbran and Maria Malibran triumphed on its stage.

The end of Verdi's reign ushered in the beginning of Toscanini's. Despite his famous temper tantrums, the Italian conductor formed an orchestra and a permanent company which imposed new standards of quality the world over. Those were the days that one could sing at the MET only under the condition of having been previously consecrated on the Scala's stage...

The Scala was destroyed in 1943. Rapidly reconstructed along the original plans, the house has never lost its soul, thanks to artists such as Giulini, Kaum war die Herrschaft Verdis zuende, Callas, Karajan, and Tebaldi, who all once trembled at the idea of appearing in the light shed over the stage by the hall's huge Murano crystal chandelier.

Teatro alla Scala

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Don Giovanni

One of the most popular and frequently performed operas in the history of the medium, Don Giovanni is arguably Wolfgang Amadeus Mozart's most cherished and enduring work.

First performed in 1787, the opera includes a libretto by celebrated poet Lorenzo Da Ponte and continues to thrill and entertain audiences to this day. Broadly classified as a comedy the work blends melodrama and also includes a supernatural element. Making it one of the richest and most engaging classical works ever produced.

HISTORY
The piece centres around the life and exploits of fictional libertine and seducer Don Juan. Exploring the intricacies of his numerous relationships and eventual demise.

Act 1
The Don unsuccessfully attempts to seduce the already betrothed Donna Anna. The girl escapes and her father, the Commendatore challenges the Don to a dual. Giovanni kills the older man and escape with his servant Leporello, Donna Anna returns with her husband Don Ottavio and discovers her murdered father. She makes Ottavio swear he will avenge the death.
Leporello declares Giovanni's life to be scandalous, which angers his master. The Don's former lover Donna Elvira appears, angry at her betrayal at the hands of a man. Inspired by the prospect of another conquest Don Giovanni approaches only to be rebuffed.
Giovanni attempts to seduce another woman Zerlina, but is thwarted by Donna Elvira who exposes his true character to the girl. Donna Anna and Don Ottavio arrive at Giovanni's castle and, unaware of his role in the Commendatore's death, request his help in finding the killer.
After discovering Giovanni's role in her fathers murder, Donna Anna, Don Ottavio, Zerlina her scorned husband Masetto and Elvira resolve to kill the don. Wearing masks the group attempt an attack on the Don who keeps them at bay with his sword whilst using Leporello as a shield before escaping.

Act 2
Leporello threatens to leave Giovanni but is convinced to stay by the offer of money. Giovanni's enemy's track down the pair and prepare to kill the don, but he evades them once again, pretending to be his servant.
Returning to his castle Giovanni is begged by Elvira to change his ways but he decides to ignore her pleas. The remembrance statue erected in memory of the Commendatore comes to life and enters Giovanni's dining room as he eats. He asks the Don to repent but is ignored. The statue takes the Don's hand and drags him to hell, punishing him for a life of lies, inequity and deceit. Donna Anna, Don Ottavio, Elvira, Zerlina and Masetto arrive at the Don's castle to enact there revenge. They are too late and resolve to live honest and worthy lives before going their separate ways.

MAIN ROLES

Don Giovanni - Baritone
Leporello - Bass
Commendatore - Bass
Donna Anna - Soprano
Don Ottavio - Tenor
Donna Elvira - Soprano
Masetto - Bass
Zerlina - Soprano

Teatro alla Scala

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