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Don Pasquale - Donizetti

Staatsoper Hamburg © Staatsoper Hamburg

Donizetti Don Pasquale

From 08 March TO 14 March 2025
Staatsoper - Hamburg
Program

Donizetti : Don Pasquale

Cast
  • Conductor
    Francesco Ivan Ciampa
  • Director
    David Bösch
  • Performers
    Don Pasquale: Roberto Frontali
    Norina: Sydney Mancasola
    Ernesto: Jack Swanson
    Dottore Malatesta: Kartal Karagedik
  • Venue Info
  • Seating Plan
  • Synopsis

Staatsoper - Hamburg LocationGrosse Theaterstrasse 25 - 20354 Hamburg Allemagne

During their frequent journeys to Venice, the merchants of Hamburg had many a chance to note the success of Europe's first public opera, opened in 1637. In 1678, some of these rich bourgeois thus founded, on the Geese Market, a permanent opera. It was the first in Germany, a fact of which the Hamburgers were very proud. Driven by a strong sense of nationalism that preferred to blatently ignore French and Italian opera, as well as a shrewd business acumen, Hamburg's Opern-Theatrum specialized in defending the German lyrical repertoire, ins-pite of the clergy's prostests and heated debates that reached as far as the University of Iena. In 1738, the hall went bankrupt, ruined by the public's renewed interest in Italian opera. A new building was constructed in 1765, billing both theatre and lyrical works.

 

It was not before 1827 that the location of the actual Staatsoper became that of an opera house. At first, the German Weber, the Italian Rossini, and the Frenchman Auber shared the billing, before Wagner and Verdi (performed here as of 1845, for the first time in Germany) became the house's undisputed stars. Gustav Mahler was appointed at the Opera's head in 1891. Under his direction, the opera freshened up its rather conventional programming (and became equipped with electricity). Mahler hired the young Bruno Walter as coach, before another of his proteges, Otto Klemperer, took over the musical direction of the institution in 1910.

 

Greatly affected by the financial crisis that followed the First World War, and partially destroyed during the Second, the Opera opened in 1946 with difficulty, performing in front of 600 spectators seated around what remained of the stage. But the company, that included names such as Hans Hotter, Martha Modi, Hermann Prey, Elisabeth Grümmer, and Astrid Varnay, rapidely acquired an international reputation.

Staatsoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Don Pasquale

DON PASCUALE, A COMIC OPERA

Don Pasquale is a comic opera by Gaetano Donizetti and takes place in three acts.
The opera was first performed, by Theatre-Italien, on 3 January 1843 in Paris at the Salle Ventadour. Donizetti's music and lyrical humour brings the comic opera to life. Pasquale is an old man who runs his crumbling pension with the help of a greasy cook, a chambermaid and an ancient porter.

HISTORY

The story of Donizetti's Don Pasquale is based in early 19th century in Rome, and it is a perfect setting to showcase the quirks of the clashing generations.

Pasquale, the reclusive old man, who likes cats, is a worried man as he fears that his wealth will be taken over by Ernesto, his scheming nephew. To avert this he wants to find a wife for himself and appears truly smitten when a young lady turns up in his life.

Act 1

Pasquale wants to marry in order to produce a lawful heir and keep his scheming nephew, Ernest, away from his inheritance. Dr. Malatesta calls on Pasquale and suggests his younger sister as a befitting bride for the old man.
Pasquale is immensely delighted at the prospect of marrying and urges the doctor to immediately arrange for a meeting.

Ernesto loves Norina, a young widow and refuses to marry the woman chosen by his uncle, and as a result he has to forgo the house. Norina is on her terrace, reading a romance and appears amused at the feminine wiles of the story. She suddenly feels depressed by Ernesto's farewell note when Malatesta appears with his proposal of her impersonating as his sister and marry off Pasquale.

Act 2

Ernesto is unaware of Malatesta's schemes and sits in his uncle's living room, grieving at the imminent loss of his beloved Norina. He leaves when his uncle arrives, who is getting ready to meet his bride-to-be. Pasquale feels youthful on meeting "Sofronia" and is willing to marry her immediately.

At the wedding ceremony, Ernesto enters and expresses his beloved's infidelity. But before he can foil the strategy, Malatesta informs him of the plan he has entered with Norina. So Ernesto becomes a willing witness of the contract. The Notary has sealed the contract wherein the fortune is bequeathed to the new bride, Norina. The trio celebrate their success while Pasquale is stunned to see his demure bride turn into a rebellious woman.

Act 3

Pasquale is seated in his refurbished living room with a pile of bills incurred by his wife. Norina enters the room followed by servants carrying her purchases only to leave again for the theatre. She drops a letter which speaks of a meeting in a garden at night, with some suitor. Pasquale seeks the help of Dr. Malatesta who assures him that they will trap the couple red-handed. In the garden, while Ernesto and "Sofronia" engage in a song of love, Pasquale and Malatesta arrive but they cannot see her lover as he escapes quickly. Later when Ernesto proposes to marry his beloved, "Sofronia" claims to leave if another woman lives in the same house. Pasquale is glad to permit Ernesto to marry his love. Pasquale is stunned to find the true identity of his bride. He however realises that marriage cannot work right for an old man and agrees to the young couple's marriage.

THE MAIN ROLES

Don Pasquale, an elderly bachelor, bass
Dr Malatesta, physician, baritone
Ernesto, Pasquale's nephew,tenor
Norina, Emesto's beloved, soprano
Carlino,Dr Malatesta's cousin, bass
Servants

Staatsoper Hamburg © Staatsoper Hamburg

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