From €88
×

1 Click on the date to see the prices and book

Available

2Choose the Category

Please specify your seating requests regarding your ticket booking.
(150 char. max)

Seating

Music & Opera books the best available seats. The exact location of your seats will be confirmed via email. Only adjacent seats can be booked. More information

ANY QUESTIONS ?

Contact us by tel: +33 1 53 59 39 29 – or by Email.) See Help & FAQ page

TICKET DELIVERY INFORMATION

You will receive by mail your voucher to print and exchange at the theater.

Price

Music & Opera ticket prices differ from the ticket face value, as they also include all service fees and taxes.

THE MUSIC & OPERA CLUB

Join the Club to
benefit from special offers.
Already a member of the Club,
Login !
Retour
Così fan tutte - Mozart

Staatsoper Hamburg © Staatsoper Hamburg

Mozart Così fan tutte

From 22 June TO 02 July 2025
Staatsoper - Hamburg
Program

Mozart : Così fan tutte 165 mn

Cast
  • Conductor
    Alexander Joel
  • Director
    Herbert Fritsch
  • Performers
    Fiordiligi: Jennifer Rhys-Davies
    Dorabella: Jana Kurucová
    Guglielmo: Kartal Karagedik
    Ferrando: Dovlet Nurgeldiyev
    Despina: Siobhan Stagg
    Don Alfonso: Joshua Bloom
  • Venue Info
  • Seating Plan
  • Synopsis

Staatsoper - Hamburg LocationGrosse Theaterstrasse 25 - 20354 Hamburg Allemagne

During their frequent journeys to Venice, the merchants of Hamburg had many a chance to note the success of Europe's first public opera, opened in 1637. In 1678, some of these rich bourgeois thus founded, on the Geese Market, a permanent opera. It was the first in Germany, a fact of which the Hamburgers were very proud. Driven by a strong sense of nationalism that preferred to blatently ignore French and Italian opera, as well as a shrewd business acumen, Hamburg's Opern-Theatrum specialized in defending the German lyrical repertoire, ins-pite of the clergy's prostests and heated debates that reached as far as the University of Iena. In 1738, the hall went bankrupt, ruined by the public's renewed interest in Italian opera. A new building was constructed in 1765, billing both theatre and lyrical works.

 

It was not before 1827 that the location of the actual Staatsoper became that of an opera house. At first, the German Weber, the Italian Rossini, and the Frenchman Auber shared the billing, before Wagner and Verdi (performed here as of 1845, for the first time in Germany) became the house's undisputed stars. Gustav Mahler was appointed at the Opera's head in 1891. Under his direction, the opera freshened up its rather conventional programming (and became equipped with electricity). Mahler hired the young Bruno Walter as coach, before another of his proteges, Otto Klemperer, took over the musical direction of the institution in 1910.

 

Greatly affected by the financial crisis that followed the First World War, and partially destroyed during the Second, the Opera opened in 1946 with difficulty, performing in front of 600 spectators seated around what remained of the stage. But the company, that included names such as Hans Hotter, Martha Modi, Hermann Prey, Elisabeth Grümmer, and Astrid Varnay, rapidely acquired an international reputation.

Staatsoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Così fan tutte

Listen to the Music & Opera playlist : 

Dramma giacoso (joyful drama) in two acts, sung in Italian to a libretto by Lorenzo da Ponte.

The first performance took place at the Burgtheater in Vienna on 26 January 1790. Based on a true story, Mozart and his librettist Da Ponte drew their inspiration from many sources, including Neapolitan opera buffa. 
Light-hearted characters, saucy plots, the games of love, fidelity and false pretence are the theme of Così fan tutte, halfway between drama and comedy. The music accompanies the plot with finesse and subtly follows the performers, giving them virtuoso arias. A brilliant comedy that puts the composer at the top of his game.

A philosophical old bachelor makes a bet with two young officers on the fidelity of their betrothed. With the help of the girls' maid, he sets up an ambush. The two lovers, taking advantage of a supposed absence, show up in disguise and each courts the other's fiancée, putting them to the test. The two girls give in more or less easily. 

And so they all do! But it all ends in reconciliation and two weddings, with the bitter taste of illusions lost forever...

Staatsoper Hamburg © Staatsoper Hamburg

You may also be interested by …