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Die Fledermaus - Strauss J.

Semperoper Dresden © Matthias Creutziger

Strauss J. Die Fledermaus

From 27 December TO 16 January 2026
Semperoper - Dresden
Program

Strauss J. : Die Fledermaus 170 mn

Cast
  • Sächsische Staatskapelle Dresden
  • Conductor
    Marcus Merkel
  • Director
    Günter Krämer
  • Performers
    Gabriel von Eisenstein: Christoph Pohl
    Rosalinde: Elissa Huber
    Adele: Katrina Galka
    Prinz Orlovsky: Valerie Eickhoff
    Alfred: Mario Lerchenberger
    Frank: Markus Marquardt
    Dr. Falke: Anton Beliaev
  • Venue Info
  • Seating Plan
  • Synopsis

Semperoper - Dresden LocationTheaterplatz 2 - 01067 Dresden Allemagne

During the seventeenth and eighteenth centuries, Dresden, which became known as the « Florence of the Elbe, » became a primordially important intellectual centre and its orchestra, which developed a new virtuostic instrumental style, spread its influence throughout Europe. Under the influence of Weber, Dresden actively participated in the renaissance of German opera.

For instance, the Opera House built by Gottfried Semper in 1841 welcomed Wagner's first successes in his attempt to renovate German lyrical art; RIENZI, THE FLYING DUTCHMAN, and TANNHÄUSER. But Wagner was also a political agitator and he was forced to leave the city after the 1848 revolution.

In 1858, the orchestra organized its first regular season of symphonic concerts for the public. Following a fire in 1869, Semper erected a second concert hall which was subsequently destroyed, along with the rest of the splendid baroque city, during the devastating bombings of 1945. In 1985, the reopening of one of Europe’s most beautiful opera houses

Semperoper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Die Fledermaus

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THE BAT, THE PINNACLE OF VIENNESE OPERETTA

Composed in just forty-two days by the great Viennese composer Johann Strauss in 1874, Die Fledermaus is an operetta which, despite its modest beginnings, is today recognised as one of the masterpieces of the genre. It wasn't until 1904 that the operetta finally found its audience, but since then it has made a name for itself through its musical refinement and orchestral innovations. The lively, playful overture and the famous waltz in Act II are moments of unparalleled grandeur, symbols of the festive and brilliant spirit of Vienna at the time.

The action takes place during a night of madness in elegant, carefree Vienna. At the heart of the plot, Dr Falke, once ridiculed by his friend Eisenstein at a fancy dress party, plots a delicious revenge. He convinces Eisenstein, a fickle husband, to go to a ball organised by the mysterious Prince Orlofsky. There, under the masks and in the whirl of the waltzes, Eisenstein finds himself intoxicated by the charms of a woman he believes to be a stranger, but who is none other than his own wife, Rosalinde, disguised for the occasion. The misunderstanding, orchestrated with finesse and humour, gives way to a series of twists and turns in which identities are revealed, leading to a cascade of comic misunderstandings.

Semperoper Dresden © Matthias Creutziger

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