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Il barbiere di Siviglia - Rossini

Rossini Il Barbiere di Siviglia

From 02 February TO 26 February 2025
Palazzo Barbarigo Minotto - Venezia
Program

Rossini : Il Barbiere di Siviglia

Approximately 2 hours, including the interval.
Details on the Performance

Sung in italian (no subtitles)

The opera is set in the 17th century and therefore the halls of Palazzo Barbarigo Minotto are the ideal setting, embellished and complemented by its magnificent Baroque furnishings.

The two acts are performed in three different halls: the Portego (the central hall), Tiepolo Hall and the bedroom with an alcove; during the interval, it is possible to appreciate the splendour of the halls facing the Grand Canal. The palace architecture, with its countless doors in high-quality wood, allows the artists to move around an “all-round” stage space so that the audience can fully participate in Rossini’s most amusing opera. The interiors environments are candlelit and the elegant costumes, designed by Anthony Knight, are inspired by period clothes and made of the finest fabrics.

The exhilarating direction combined with the vocal and instrumental virtuosity of the performers will guarantee the spectators a vibrant, cheerful evening.

Free seating.

  • Venue Info
  • Venue Pictures
  • Synopsis

Palazzo Barbarigo Minotto - Venezia LocationSan Marco 2504 - Fondamenta Duodo o Barbarigo - (near Campo Santa Maria del Giglio) 30124 Venezia Italie

  • Venue's Capacity: 75

Free seating

During the first interval, guests will be offered a glass of prosecco wine in a hall overlooking the Grand Canal.

The recommended dress code is evening casual (men are advised to wear long trousers and closed shoes).

 

The Palazzo Barbarigo Minotto is facing the Canal Grande, in front of Guggenhiem Museum, but the palace entrance is located in an impasse on the right, at the end of Fondamento Duodo, at only 5 min. from Piazza San Marco

Vaporetto - Stop "Santa Maria del Giglio".

Synopsis

Il Barbiere di Siviglia

Listen to the Music & Opera playlist : 

In The Barber, the truculent Rossini offers a festival of famous arias with infectious glee. 

Everything swirls in this music where entertainment is the only thing that counts. The voices of this brilliant composer of bel canto are always in the limelight. Il barbiere di Siviglia, composed in 1816 by Rossini, is considered to be the finest example of Italian opera buffa. The libretto is inspired by Beaumarchais' play of the same name, but its social implications are more diffuse than in the French playwright's work. Chronologically, the plot precedes that of Mozart's Marriage of Figaro. To attend a performance of The Barber of Seville is to rediscover some of the best-known sung pieces in the classical repertoire, such as Basilio's aria, Figaro's cavatina and Rosina's aria.

In Seville, Count Almaviva is trying to seduce Rosina, the ward of Doctor Bartholo. Bartholo has designs on the young girl and keeps her locked up in his house. Figaro, nicknamed the Babier of Seville, has become the Count's valet and helps his master to win over the woman he loves.

Palais-Barbarigo-Minotto-©-Musica-a-Palazzo

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