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Ariodante - Händel

© Agathe Poupeney / OnP 

Händel Ariodante

From 16 September TO 12 October 2025
Palais Garnier - Paris
Program

Händel : Ariodante

3h55 with 2 intermissions
Cast
  • Ensemble Pygmalion
  • Conductor
    Raphaël Pichon
  • Director
    Robert Carsen
  • Performers
    Ariodante: Cecilia Molinari
    Ginevra: Jacquelyn Stucker
    Polinesso: Christophe Dumeaux
    Dalinda: Sabine Devieilhe
    Il Rè di Scozia: Luca Tittoto
    Lurcanio: Rupert Charlesworth
Premium Category

Category Premium (valid on some dates): This category includes seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

The Premium price includes a contribution (€150 per ticket) to support the friends of the Opera (AROP).

  • Venue Info
  • Seating Plan
  • Synopsis

Palais Garnier - Paris LocationPlace de l’Opéra - 75009 Paris France

  • Venue's Capacity: 2054

Subtitles in French and English for Operas.

 

In the land of Descartes, the words «Opéra de Paris» more readily designate a concept than an actual lyrical théâtre! Called «The Royal Academy of Music and Dance» under the reign of Monsieur de Lully and «The Impérial Academy» according to différent jolitical events, the institution was rebaptized a number of time s before settling into the "alais Garnier in 1875. This sumptuous édifice, with every last détail (including the door 'cnobs...) designed by Charles Garnier, brings together the most eclectic architectural éléments. When Napoléon III worried about the buildings differing styles, Garnier reassured him by explaining "hat the design was at the forefront of a new style, called «Napoléon III.» And legend has it that 'he building was constructed on a little lake, in which the Opera's administration bred fish...

Some call to remember the era of Felia Litvimne (1863-1936) and her vast repertoire, including Tannhâuser, La Juive and Lully’AlCESTE. Others remember the casts billed by Jacques Rouché between 1915 and 1945, an era during which Georges Thill sung both Massenet and Wagner in French. In 1939, the Palais Garnier's Grand Opéra and the Salle Favart's Cornic Opéra were united under the manage­ment of a common admînistrator, the «Réunion des Théâtres Lyriques Nationaux.» And 1964 marks the year during which the old ceiling of the Palais Garnier was covered with a colorfiil fresco by Chagall.

 

More recently, opéra lovers recall the magnificent Liebermann years, during which, in 1973, Rolf Liebermann, then the Opera's administrator, called upon the know-how of a musical advisor named Georg Solti! In 1989, the very modem Bastille Opéra was opened and the Salle Favart became indépendant once again. The Garnier Théâtre was then reserved for dance, and. together with the Bastille, became part of the «Association des Théâtres de l'Opéra de Paris,» rebap­tized «Opéra National de Paris» in 1994. In the midst of thèse numerous changes, the Palais Garnier has recently under-gone thorough restoration, and since March 1996, lyrical productions are once again programmed on its stage. To opera lovers' great satis­faction, the famous théâtre has thus revived its past splendeur and a programming worthy of its glorious history.

 

Palais Garnier

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Ariodante

ARIODANTE HANDEL'S STUNNING OPERATIC TRAGEDY

One of the most dramatic operas written by George Frederic Händel, this opera tells a dramatic story of love and jealousy in the court of the King of Scotland. First performed in 1735, long after the German born composer arrived in England to provide Italian opera for the noble classes in 1712, this is one of the great rediscovered works of the baroque period.
Despite being popular with the Royal Family in England and performed eleven times in its first season of 1735, the opera fell out of favour and was lost until the 1960s.

HISTORY

The opera opens with news of our hero's future marriage to the daughter of the King of Scotland, Ginevra. Enraged with jealousy, Polinesso begins a rumour that he is the lover of Ginevra and begins his own plot to marry the princess in place of her betrothed. The opera was written with ballet sequences planned throughout each performance.

Act 1

Princess Ginevra is preparing herself to meet her betrothed and ask her father, the King of Scotland for permission to get married. In her chambers, Polinesso enters and declares his love for Ginevra, he is rebuffed and leaves unhappily. Polinesso then hatches a plot with Ginevra's friend, Dalinda to discredit Ginevra by making it appear as though she and Polinesso are having an affair. Dalinda agrees under the impression she will be allowed to marry Polinesso.

Act 2

Outside the rooms of Ginevra, Polinesso meets the future husband of the princess and acts shocked at news of their marriage before stating he is her lover. To prove his allegations, Polinesso is greeted by Dalinda disguised as Ginevra and enters her chambers for the night. In a fit of jealousy, Ginevra's future husband attempts suicide, but is rescued by his brother, Lurcanio.

Act 3

Polinesso's betrayals continue as he attempts to have Dalinda, the only witness to his crimes killed. Dalinda is rescued from her assassins by Ginevra's unhappy fiance, who is then told of the plot hatched by Polinesso by Dalinda. Back at the court of the King of Scotland, polinesso confesses his supposed infidelity with Ginevra to the King and offers to act as her champion in a forthcoming joust. The King orders Ginevra be arrested and Polinesso fight for her honour at that days joust, Lurcanio swears revenge for the apparent suicide of his brother and challenges Polinesso to a fight. Mortally wounded by Lurcanio, Polinesso is taken to his death bed where he confesses his betrayal, prompting Ginevra to be pardoned from her sentence of death.

 

THE MAIN ROLES

Ariodante, a Prince, Mezzo-Soprano castrato
Ginevra, a Princess, Soprano
Polinesso, Duke of Albany, Contralto
Dalinda, Ginevra's Attendant and Friend, Soprano
Lurcanio, a Prince, Tenor

Opera Garnier - Palais Garnier © Jean-Pierre Delagarde / OnP

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