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© Charles Duprat / Onp

Verdi Rigoletto

From 23 October TO 15 November 2021
Opéra Bastille - Paris
Program

Verdi : Rigoletto 120 mn

Cast
  • Conductor
    Dan Ettinger
  • Director
    Claus Guth
  • Performers
    Rigoletto: Ludovic Tézier
    Gilda: Nadine Sierra
    Il Duca di Mantova: Dmitry Korchak
    Sparafucile: Goderdzi Janelidze
    Maddalena: Justina Gringyte
Premium Category

Category Premium (valid on some dates): This category includes seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

The Premium price includes a contribution (€150 per ticket) to support the friends of the Opera (AROP).

  • Venue Info
  • Seating Plan
  • Synopsis

Opéra Bastille - Paris Location Place de la Bastille - 75012 Paris France

  • Venue's Capacity: 2745

From its beginnings under Louis XIV to the present day, including the construction of the Palais Gamier under Napoleon III, the history of the Paris Opera has been marked by the wishes and whims of the French government. The decision to build a new opera on the Place de la Bastille is no exception, made by Frangois Mitterrand less than a year after being elected President. A competition was organized, and of the 750 projects presented, the one designed by the Uruguayan-Canadian architect Carl Ott won. The new building, whose large ground surface ostentatiously marks the site where the French Revolution broke out, was inaugurated during the bicentennial celebrations of that same Revolution in 1989.

 

From the Place de la Bastille, the building's glass facade, with its "aleatory" lighting designed by Yann Kersale, suggests the sober modernism of its interior, even more so because the interior uses the same construction materials as the exterior, symbolizing a desire to open out to the public. Once inside, one can discover the warmth of the light wood that adorns the large 2703-seat hall with its proscenium stage. But the building barely stops here, for one must imagine the enormous backstage that takes up 55 per cent of the edifice's total volume, the six underground stories of technical premises, the workshops that make and stock the mobile sets as well as the costumes, not to mention the Gounod Hall, that has a stage identical to the main one, used for rehearsals. Designed around a symmetrical axis that is symbolized by the sculpted tuning forks that decorate the public premises, the Bastille Opera is a formidable computerized machine for staging opera productions, employing the population of a veritable city-within-a-city.

 

The conductor Myung-Whun Chung faced the difficult task of starting up this machine. The audience discovered productions staged by Bob Wilson or Peter Sellars, which it did not always unanimously applaud. But today, in full possession of its impressive technical means, permitting the rotation of different productions, the Bastille Opera proposes the most diverse performances. Currently managed by Hugues Gall and his music director James Conlon, revivals, premieres and major productions now share the season's billing, at a pace that leaves the audience little respite.

Since 2014, Stépahne Lissner is the Director of the Paris Opera.

Opéra Bastille

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Rigoletto

“La donna è mobile”, “Caro nome”…these are only few of the successful arias contained in this Verdi’s Opera where the identity of the Villain is blurred and whose audience will most certainly cries a river.

When the Italian composer decided to adapt Victor Hugo’s “Le Roi s’amuse”, the play, which harshly and straightforwardly criticises the Royal family, had been already censored. As a consequence, this passionate opera went through many ups and downs before making it to the Venice’s Fenice Theatre, where it premiered on the 11 March 1851. Verdi and librettist Francesco Maria Piave had to change a number of different elements such as the setting, titles and names in order to be allowed to stage it.

HISTORY
The action takes place in the opulent palaces of sixteenth century Mantua. The opera revolves around a licentious Duke's efforts to seduce the beautiful daughter of the hunchback Rigoletto.

Act 1
The Duke of Mantua sings joyfully of his many love affairs. With the help of his hunchbacked jester Rigoletto, the Duke makes fun of the husbands whose wives he has seduced. The jester has a daughter, Gilda, whom he has kept hidden from the Duke, well aware of the Duke's licentious ways. By the end of the act, however, Gilda and the Duke have met, whilst the Duke disguises his real identity. Gilda falls in love with the Duke.

Meanwhile, a group of noblemen employ the jester to help them kidnap a woman, without revealing that the woman is Gilda. Once it is too late, the jester realises that he has unwittingly helped his daughter's kidnappers to carry her away, and is devastated.

Act 2
The Duke is concerned that Gilda has disappeared. The noblemen arrive and tell the Duke about the woman they have kidnapped. They think that Gilda is the jester's mistress, and do not realise that she is his daughter.
The Duke, however, recognises that the woman is Gilda from the way that the noblemen describe her. The jester and the Duke both attempt to save Gilda, with each swearing to take revenge on the other.

Act 3
The Duke is in the house of a noble woman, busy seducing her. Gilda and her father arrive. Gilda is still in love with the Duke, but her father attempts to make her realise that the Duke will never be faithful to her. The jester hires an assassin to kill the Duke, to make sure that the Duke can never try and seduce his daughter again. The assassin's sister, Maddalena, informs Gilda of this plan. Gilda dresses as a man and, still in love with the Duke, takes his place and proves her love by being killed in his stead.

Epilog
The jester is presented with a corpse. Thinking it is the assassinated Duke, he rejoices. Finally, he uncovers the corpse and finds it to be his own daughter. Gilda revives, briefly, and she and her father share a short moment of reconciliation before she dies.

MAIN ROLES
The Duke of Mantua, A rich and licentious man, tenor
Rigoletto, The Duke's court jester, baritone
Gilda, Daughter to the Jester, soprano
Sparafucile, An Assassin, bass
Giovanna, Gilda's nurse, mezzo-soprano
Maddalena, Sister to Sparafucile, mezzo-soprano

Opéra Bastille

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