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Tosca Anja Harteros (Floria Tosca), Željko Lučić (Baron Scarpia)

Puccini Tosca

From 28 October TO 03 November 2019
Nationaltheater - München
Program

Puccini : Tosca

2 h 35 Sung in : Italian
Cast
  • Conductor
    Karel Mark Chichon
  • Director
    Luc Bondy
  • Performers
    Floria Tosca: Anja Harteros
    Mario Cavaradossi: Stefano La Colla
    Il Barone Scarpia: Zeljko Lucic
    Il Sagrestano: Martin Snell
    Spoletta: Kevin Conners
    Cesare Angelotti: Bálint Szabó
Details on the Performance

Puccini couldn’t resist the temptation to take Tosca as an opera plot. He created a music drama all’italiana, a veritable drama of voices and orchestra, which places the inner motivations and acts of the pragmatists, their hopeless entanglements in the machinery of subjugation in stark contrast to the musical naturalism of banal everyday life all around them.

offre M&O

Spatenhaus an der Oper

Residenzstraße 12

80333 München

 

This offer includes a ticket in the category chosen with a dinner at the Spatenhaus an der Oper after the performance.

« Dish + Dessert » Drinks not included

Fish, Meat or Vegan plate, thanks to confirm during your booking.

Open daily from 11:30 am to 00:30am

 

The Spatenhaus an der Oper embodies Bavarian cuisine in its most refined form . Beautifully situated right opposite the Bavarian State Opera is celebrated in the traditional Munich Haus at great expense a fine Bavarian cuisine.

  • Venue Info
  • Seating Plan
  • Synopsis

Nationaltheater - München Location Max-Joseph-Platz 2 - 80539 München Allemagne

  • Venue's Capacity: 2100

The Venue's History in few words …

The history of Munich's actual theatre truly only begins at the end of the eighteenth century. Indeed, after over a century of infatuation for Italian opera, which was manifest in the construction of the Théâtre de la Cour (now called the Théâtre Cuvilliês, still active), local inhabitants began to feel the need for a German lyrical art. German repertoire, as Mozart appealed for, active in Munich especially during the premiere of his IDOMENEO, but also, a German theatre, since the Theatre de la Cour was limited to Italian art. The Napoleonic wars and King Maximilien I's sudden passion for the Odéon Theatre in Paris postponed this project.

 

The public thus waited until 1818 to discover its « National Theatre, » a subtle and luxurious synthesis of various styles: loggias in the Italian tradition cohabited with innovations from the French school of architecture. One of the noveltieswas a reservoir of water destined to be used in case of fire, but which nevertheless did not save the buildîng from flames in January 1823 ; the water was frozen! The Opera was reconstructed, financed by a special tax on beer: perhaps an original means but one yielding a particularly high return! After these rather tumultuous beginnings, the National Theatre reopened in 1825 and became the hotbed of German lyrical art. Four of Wagner's operas were premiered there between 1365 and 1870 (TRISTAN UND ISOLDE, Da MEISTERSINGER, DAS RHEINGOLD, and DIE WALKÜRE).

 

Wagner, of course, but also Mozart and Richard Strauss soon became the pillars of the Theatre's repertoire during the first half of the twentieth century, thanks to the talent of conductors such as Bruno Walter, Hans Knappertsbusch, and... Richard Strauss, himself a native of Munich. Strauss saw two of his operas premiered in his home town: FRIEDENSTAG (Peace Day, 1938!), and CAPRICCIO (1942). The libretto of the latter was elaborated with the help of the conductor Clemens Krauss, who was then Director of the Opera. The fact that the building was destroyed during the war did not prevent the company's tradition from being perpetuated.

 

Between 1952 and 1967, the institution was directed by Rudolf Hartmann, a former assistant to Richard Strauss and Clemens Krauss. The former 1818 edifice was reconstructed in 1963, after much hesitation as to whether or not to erect a modern hall. The long reign (1971-1992) of conductor Wolfgang Sawallisch, a distinguished representative of the tradition composed of rigour and commitment, is an example of the perserverance with which the Bayerische Staatsoper comes to terms with the legacy of its brilliant past.

Nationaltheater

Synopsis

Tosca

TOSCA, A UNIVERSALLY ADORED OPERA
This popular opera by Giacomo Puccini was premiered at Rome's famous Teatro Costanzi in 1900.
In three acts and sung to a libretto by Giuseppe Giacosa an Luigi Illica, the opera is about lovers who are threatened by and evil police chief at the time of Napoleon's invasion of Italy in 1800.
With all the ingredients of an epic drama including murder, torture and suicide, this exceptional opera has inspired some amazing performances by many top stars.
Based on a play written in 1887 by French writer Victorien Sardou, it took Puccini over four years to make the long, meandering play into a concise three act opera.

THE HISTORY
A tale based on the love affair of and acclaimed singer, Floria Tosca and Mario Cavaradossi in times of political unrest in Rome. The evil Baron Scarpia wants Floria for himself and tricks her into giving him information that leads to her lovers arrest. Promising that she and Cavaradossi will escape, he tricks Floria into letting her lover stand in front of a firing squad by saying that the bullets will be blank. After he trys to seduce her, Floria stabs the Baron and rushes to the prison. He has tricked her and Cavaradossi is shot. Seeing no alternative, Floria commits suicide.

Act 1
Trying to escape, one time Roman Consul-General, Cesare Angelotti tells his friend Cavaradossi that he is wanted by evil police chief, Baron Scarpia. Cavaradossi hides him down a well in his garden and Floria, his lover overhears. He confides in her. The act ends with a canon signalling that Angelotti's escape has been discovered.

Act 2
Baron Scarpia sends a note to Floria asking her to come to his apartment at supper time. A rival for her affection, he is determined to win Floria away from Cavaradossi. He tries to interrogate her about Angelotti's hiding place and has Cavaradossi tortured within her hearing to persuade her to give up the information. She tells him where Angelotti is hidden as she can stand her lover's pain no longer. Cavaradossi is furious with Floria for betraying him and his friend, and he is taken away to prison. She manages to get the Baron to promise that he will allow her and Cavaradossi to escape from the city if she surrenders to his advances, and he agrees on condition that Cavaradossi is subjected to a mock execution.
The Baron arranges this with one of his men, Spoletta and gives Floria a letter to ensure the safe escape of her and her lover. News comes that Angelotti has killed himself. The Baron tries to force himself on Floria and she stabs him.

Act 3
Floria rushes to the prison to tell Cavaradossi that he will need to go in front of a firing squad but that the guns will contain blank bullets. However, the Baron has tricked her and the bullets are real. When Cavaradossi has been shot Floria commits suicide.

THE MAIN ROLES
Floria Tosca - an opera singer - Soprano
Mario Cavaradossi - a painter and political activist - Tenor
Baron Scarpia - chief of police - Baritone
Cesare Angelotti - a political prisoner who has escaped -Bass

Nationaltheater

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