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La traviata © Wilfried Hösl

Verdi La Traviata

From 09 April TO 15 April 2021
Nationaltheater - München
Program

Verdi : La Traviata

3h 05
Cast
  • Conductor
    Andrea Battistoni
  • Director
    Günter Krämer
  • Performers
    Violetta Valery: Rosa Feola
    Alfredo Germont: Frédéric Antoun
    Giorgio Germont: Simon Keenlyside
M&O OFFER

Spatenhaus an der Oper

Residenzstraße 12

80333 München

 

This offer includes a ticket in the category chosen with a dinner at the Spatenhaus an der Oper after the performance.

« Dish + Dessert » Drinks not included

Fish, Meat or Vegan plate, thanks to confirm during your booking.

Open daily from 11:30 am to 00:30am

 

The Spatenhaus an der Oper embodies Bavarian cuisine in its most refined form . Beautifully situated right opposite the Bavarian State Opera is celebrated in the traditional Munich Haus at great expense a fine Bavarian cuisine.

  • Venue Info
  • Seating Plan
  • Synopsis

Nationaltheater - München Location Max-Joseph-Platz 2 - 80539 München Allemagne

  • Venue's Capacity: 2100

The history of Munich's actual theatre truly only begins at the end of the eighteenth century. Indeed, after over a century of infatuation for Italian opera, which was manifest in the construction of the Théâtre de la Cour (now called the Théâtre Cuvilliês, still active), local inhabitants began to feel the need for a German lyrical art. German repertoire, as Mozart appealed for, active in Munich especially during the premiere of his IDOMENEO, but also, a German theatre, since the Theatre de la Cour was limited to Italian art. The Napoleonic wars and King Maximilien I's sudden passion for the Odéon Theatre in Paris postponed this project.

The public thus waited until 1818 to discover its « National Theatre, » a subtle and luxurious synthesis of various styles: loggias in the Italian tradition cohabited with innovations from the French school of architecture. One of the noveltieswas a reservoir of water destined to be used in case of fire, but which nevertheless did not save the buildîng from flames in January 1823 ; the water was frozen! The Opera was reconstructed, financed by a special tax on beer: perhaps an original means but one yielding a particularly high return! After these rather tumultuous beginnings, the National Theatre reopened in 1825 and became the hotbed of German lyrical art. Four of Wagner's operas were premiered there between 1365 and 1870 (TRISTAN UND ISOLDE, Da MEISTERSINGER, DAS RHEINGOLD, and DIE WALKÜRE).

Wagner, of course, but also Mozart and Richard Strauss soon became the pillars of the Theatre's repertoire during the first half of the twentieth century, thanks to the talent of conductors such as Bruno Walter, Hans Knappertsbusch, and... Richard Strauss, himself a native of Munich. Strauss saw two of his operas premiered in his home town: FRIEDENSTAG (Peace Day, 1938!), and CAPRICCIO (1942). The libretto of the latter was elaborated with the help of the conductor Clemens Krauss, who was then Director of the Opera. The fact that the building was destroyed during the war did not prevent the company's tradition from being perpetuated.

Between 1952 and 1967, the institution was directed by Rudolf Hartmann, a former assistant to Richard Strauss and Clemens Krauss. The former 1818 edifice was reconstructed in 1963, after much hesitation as to whether or not to erect a modern hall. The long reign (1971-1992) of conductor Wolfgang Sawallisch, a distinguished representative of the tradition composed of rigour and commitment, is an example of the perserverance with which the Bayerische Staatsoper comes to terms with the legacy of its brilliant past.

Nationaltheater

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

La Traviata

LA TRAVIATA: AN EXCITING AND PASSIONATE OPERA
La Traviata by Giuseppe Verdi is a popular opera played over three parts, and set to a beautiful Italian libretto by Francesco Maria Piave.

Telling the tale of a fallen woman, the opera is based on an original play adapted from a novel entitled 'La Dame aux Camélias' by Alexandre Dumas, the younger son of the famous French writer. Though both Verdi and Piave wished to adhere to Dumas' contemporary setting, authorities at La Fenice were adamant that it should be set in the 1700's. It was only in the 1880's that the opera was finally performed in the contemporary setting that Verdi had intended. However, it was not well recieved until it was again revised.

HISTORY
The most performed opera in the world according to Operaboard 2012/2013, and certainly one of the most popular, La Traviata is set in early 18th century Paris and tells the tale of Violetta, a courtesan.

Act 1
A fabulous party is thrown to celebrate the recovery from illness of famous Parisian courtesan, Violetta Valéry. Count Gastone has brought along his friend, the young noble Alfredo Germont who is in love with Violetta. Gastone tells Violetta that during her illness Alfredo visited her home every daym abnd she wonders if he could be 'the one'. However, Violetta's lover Baron Douphol is not impressed and refuses to toast her creating the opening for Alfredo to sing a drinking song in her honour.

Act 2
Scene 1:
Violetta has given up her life in Paris and has moved with Alfredo to her country home. Annina the maid has been to Paris to sell Violetta's belongings to support them and when Alfredo discovers this he leaves for Paris. Alfredo's father, Giorgio Germont visits Violetta to beg her to break up with his son since her reputation is ruining his daughter's engagement. She finally agrees and is seen weeping alone. Leaving a farewell note with her servant for Alfredo, Violetta leaves for Paris.
Scene 2: Party at Flora's house
Everyone is shocked to hear of the break up of Violetta and Alfredo. She arrives at the party with Baron Douphol. Alfredo says it will be he who leaves with her and wins a lot of money at the gambling table. Alfredo won't believe that Violetta no longer loves him and forces her to say that she is in love with the Baron. Alfredo throws the money at Violetta to 'pay for her services'. Giorgio enters looking for his son Alfredo and immediately realises what has happened. The Baron and Alfredo decide to fight a duel.

Act 3
Her tuberculosis has returned and Violetta doesn't have long to live when a letter from Alfredo's father informing her that the Baron was only wounded. He has told Alfredo of the sacrifice Violetta made for him and his sister. It is too late and Violetta is aware of this when Alfredo rushes in. She dies in his arms.

THE MAIN ROLES
Violetta Valéry - courtesan (soprano)
Alfredo Germont - a young noble (tenor)
Giorgio Germont - Alfredo's father (baritone)
Annina - maid (soprano)
Barone Douphol - Violetta's lover and Alfredo's rival (baritone)

© Bayerischen Staatsoper

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