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Beethoven Fidelio

From 26 January TO 05 February 2021
Nationaltheater - München
Program

Beethoven : Fidelio

2h 50
Cast
  • Conductor
    Markus Stenz
  • Director
    Calixto Bieito
  • Performers
    Leonore: Anja Kampe
    Florestan: Klaus Florian Vogt
    Don Pizarro: John Lundgren
    Rocco: Franz-Josef Selig
    Marzelline: Emily Pogorelc
    Jaquino: Dean Power
    Don Fernando: Tareq Nazmi
M&O OFFER

Spatenhaus an der Oper

Residenzstraße 12

80333 München

 

This offer includes a ticket in the category chosen with a dinner at the Spatenhaus an der Oper after the performance.

« Dish + Dessert » Drinks not included

Fish, Meat or Vegan plate, thanks to confirm during your booking.

Open daily from 11:30 am to 00:30am

 

The Spatenhaus an der Oper embodies Bavarian cuisine in its most refined form . Beautifully situated right opposite the Bavarian State Opera is celebrated in the traditional Munich Haus at great expense a fine Bavarian cuisine.

  • Venue Info
  • Seating Plan
  • Synopsis

Nationaltheater - München Location Max-Joseph-Platz 2 - 80539 München Allemagne

  • Venue's Capacity: 2100

The history of Munich's actual theatre truly only begins at the end of the eighteenth century. Indeed, after over a century of infatuation for Italian opera, which was manifest in the construction of the Théâtre de la Cour (now called the Théâtre Cuvilliês, still active), local inhabitants began to feel the need for a German lyrical art. German repertoire, as Mozart appealed for, active in Munich especially during the premiere of his IDOMENEO, but also, a German theatre, since the Theatre de la Cour was limited to Italian art. The Napoleonic wars and King Maximilien I's sudden passion for the Odéon Theatre in Paris postponed this project.

The public thus waited until 1818 to discover its « National Theatre, » a subtle and luxurious synthesis of various styles: loggias in the Italian tradition cohabited with innovations from the French school of architecture. One of the noveltieswas a reservoir of water destined to be used in case of fire, but which nevertheless did not save the buildîng from flames in January 1823 ; the water was frozen! The Opera was reconstructed, financed by a special tax on beer: perhaps an original means but one yielding a particularly high return! After these rather tumultuous beginnings, the National Theatre reopened in 1825 and became the hotbed of German lyrical art. Four of Wagner's operas were premiered there between 1365 and 1870 (TRISTAN UND ISOLDE, Da MEISTERSINGER, DAS RHEINGOLD, and DIE WALKÜRE).

Wagner, of course, but also Mozart and Richard Strauss soon became the pillars of the Theatre's repertoire during the first half of the twentieth century, thanks to the talent of conductors such as Bruno Walter, Hans Knappertsbusch, and... Richard Strauss, himself a native of Munich. Strauss saw two of his operas premiered in his home town: FRIEDENSTAG (Peace Day, 1938!), and CAPRICCIO (1942). The libretto of the latter was elaborated with the help of the conductor Clemens Krauss, who was then Director of the Opera. The fact that the building was destroyed during the war did not prevent the company's tradition from being perpetuated.

Between 1952 and 1967, the institution was directed by Rudolf Hartmann, a former assistant to Richard Strauss and Clemens Krauss. The former 1818 edifice was reconstructed in 1963, after much hesitation as to whether or not to erect a modern hall. The long reign (1971-1992) of conductor Wolfgang Sawallisch, a distinguished representative of the tradition composed of rigour and commitment, is an example of the perserverance with which the Bayerische Staatsoper comes to terms with the legacy of its brilliant past.

Nationaltheater

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Fidelio

FIDELIO, BEETHOVEN'S ONLY OPERA

Premiering as a three act opera in 1805, This opera went through several re-writes before its composer, Ludwig van Beethoven, settled on the final, version in 1814, reduced to a performance in two acts.
A German language opera which featured spoken dialogue as well as song, the opera premiered in Vienna, while the city was under French military occupation, at the Theater an der Wien. With French military officers the main audience, Beethoven struggled to find success with his story of politics, sacrifice and struggle until the third incarnation of the opera was performed at the Kärntnertortheater on 23 May 1814, with a young Franz Schubert in the audience.

THE HISTORY

Set in and around a state prison near Seville, Spain, in the late 18th Century, the story follows the plight of Florestan, a prisoner nearly starved to death, until his wife Leonore launches an audacious plan to free him, turning up at the prison dressed as a young man seeking work, where she is hired by the prison's chief guard, Rocco.

Act 1

The action begins in the prison, two years after Florestan's incarceration. Leonore is working as Rocco's assistant, disguised as a boy named Fidelio. We learn that Rocco's daughter, Marzelline, is in love with Leonore in disguise and wishes to marry him.
Rocco's assistant Jaquino is in love with Marzelline too. We also learn that Florestan is being hidden in a dungeon in the basement, where his enemy, the tyrant Pizarro, plans to kill him later that day. Rocco and Leonora set the prisoners free in the yard, where they are so overjoyed by their new found liberty that they burst into song. Pizarro arrives and the prisoners are ushered back to their cells.

Act 2

Rocco and Leonora in disguise again arrive at Florestan's cell to dig his grave before Pizarro is due to arrive to kill him. Here they sing a duet. Leonora recognises her starved and beaten husband, who begs Rocco for a drop of water, which he is given, but he does not recognise he. Pizarro arrives to kill Florestan and Leonora hides, leaping between Pizarro and Florestan when he brandishes a dagger, threatening to shoot him. Jaquino arrives to tell Pizarro a minister has arrived to see him, Rocco reveals Pizarro's murder plot, and he is taken away to prison. Leonora and Florestan sing a love duet, before she releases him from his chains, and is praised in song by the townsfolk, in front of a shocked Marzelline.

THE MAIN ROLES

Florestan, a prisoner, tenor
Leonore, his wife, soprano
Rocco, a guard, bass
Marzelline, his daughter, soprano
Jaquino, assistant to Rocco, tenor
Pizarro, governor of the prison, bass-baritone
Fernando, the King's minister, bass
Two prisoners, tenor and bass
Soldiers, prisoners and townspeople, assorted chorus.

© Bayerischen Staatsoper

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