From €267
×

1 Click on the date to see the prices and book

Available

2Choose the Category

Please precise your seating wishes regarding your ticket booking
(150 char. max)

ANY QUESTIONS ?

Contact us by tel : +33 1 53 59 39 29 – or by Email) See Help & FAQ page

TICKET DELIVERY INFORMATION

Your tickets will be sent by post. If the delay is too short, you will get a voucher by email to exchange at the theater.

Seating

Music & Opera book the best seats available. the exact seat location will be confirmed by email. Only seats next to each other are booked.More information

Price

Music Opera ticket price differs from the ticket face value. It includes all service fees and taxes.

Refund Protection

A Refund Insurance will be offered before payment More Information

The club
Music & Opera

Join the Club to
Benefit from the special prices
Already Member of the Club,
Please Login !
Retour

Marlis Petersen © Yiorgos Macropoulos

Strauss R. Der Rosenkavalier

The 03 April 2021
Nationaltheater - München
Program

Strauss R. : Der Rosenkavalier 200 mn

Cast
  • Conductor
    Vladimir Jurowski
  • Director
    Barrie Kosky
  • Performers
    Die Feldmarschallin Fürstin Werdenberg: Marlis Petersen
    Octavian: Samantha Hankey
    Sophie: Katharina Konradi
    Ochs auf Lerchenau: Christof Fischesser
    Ein Sänger: Galeano Salas
    Herr von Faninal: Johannes Martin Kränzle
    Annina: Ursula Hesse von den Steinen
M&O OFFER

Attend this performance as a part of a Travel!

Spatenhaus an der Oper

Residenzstraße 12

80333 München

 

This offer includes a ticket in the category chosen with a dinner at the Spatenhaus an der Oper after the performance.

« Dish + Dessert » Drinks not included

Fish, Meat or Vegan plate, thanks to confirm during your booking.

Open daily from 11:30 am to 00:30am

 

The Spatenhaus an der Oper embodies Bavarian cuisine in its most refined form . Beautifully situated right opposite the Bavarian State Opera is celebrated in the traditional Munich Haus at great expense a fine Bavarian cuisine.

  • Venue Info
  • Seating Plan
  • Synopsis

Nationaltheater - München Location Max-Joseph-Platz 2 - 80539 München Allemagne

  • Venue's Capacity: 2100

The history of Munich's actual theatre truly only begins at the end of the eighteenth century. Indeed, after over a century of infatuation for Italian opera, which was manifest in the construction of the Théâtre de la Cour (now called the Théâtre Cuvilliês, still active), local inhabitants began to feel the need for a German lyrical art. German repertoire, as Mozart appealed for, active in Munich especially during the premiere of his IDOMENEO, but also, a German theatre, since the Theatre de la Cour was limited to Italian art. The Napoleonic wars and King Maximilien I's sudden passion for the Odéon Theatre in Paris postponed this project.

The public thus waited until 1818 to discover its « National Theatre, » a subtle and luxurious synthesis of various styles: loggias in the Italian tradition cohabited with innovations from the French school of architecture. One of the noveltieswas a reservoir of water destined to be used in case of fire, but which nevertheless did not save the buildîng from flames in January 1823 ; the water was frozen! The Opera was reconstructed, financed by a special tax on beer: perhaps an original means but one yielding a particularly high return! After these rather tumultuous beginnings, the National Theatre reopened in 1825 and became the hotbed of German lyrical art. Four of Wagner's operas were premiered there between 1365 and 1870 (TRISTAN UND ISOLDE, Da MEISTERSINGER, DAS RHEINGOLD, and DIE WALKÜRE).

Wagner, of course, but also Mozart and Richard Strauss soon became the pillars of the Theatre's repertoire during the first half of the twentieth century, thanks to the talent of conductors such as Bruno Walter, Hans Knappertsbusch, and... Richard Strauss, himself a native of Munich. Strauss saw two of his operas premiered in his home town: FRIEDENSTAG (Peace Day, 1938!), and CAPRICCIO (1942). The libretto of the latter was elaborated with the help of the conductor Clemens Krauss, who was then Director of the Opera. The fact that the building was destroyed during the war did not prevent the company's tradition from being perpetuated.

Between 1952 and 1967, the institution was directed by Rudolf Hartmann, a former assistant to Richard Strauss and Clemens Krauss. The former 1818 edifice was reconstructed in 1963, after much hesitation as to whether or not to erect a modern hall. The long reign (1971-1992) of conductor Wolfgang Sawallisch, a distinguished representative of the tradition composed of rigour and commitment, is an example of the perserverance with which the Bayerische Staatsoper comes to terms with the legacy of its brilliant past.

Nationaltheater

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Der Rosenkavalier

The Knight of the Rose (Le chevalier à la Rose) is a three-act comic opera by Richard Strauss to Hugo Von Hofmannsthal, the original German libretto, and Harry Von Kessler. The opera was first performed at the Königliches Opernhaus in Dresden, Germany on January 26, 1911 under the direction of Monsieur de Pourceaugnac. Initially, the title of the Knight of the Rose was Ochs Von Lerchenau. Le Chevalier à la Rose was an immediate hit and it is reported that at the time of its debut, tickets were completely sold out. Today, Le Chevalier à la Rose remains a part of the standard opera repertory.

Act 1 The Marschallin's Bedroom
The Marschallinand Count Octavian Rofrano, her younger lover, exchanges vows of love in the absence of her husband. Baron Ochs, Marschallin's boorish cousin arrives to reveal his engagement to Sophie von Fanninal. Och desperately needs a knight to deliver a traditional silver rose to Sophie. However, for a moment, Mariandel (Octavian disguised as a chambermaid), intrigues Ochs.
The valet and the maids waltz in and out of the room, which gets filled with supplicants. Also, a morning serenade performed by an Italian singer gets interrupted by the arrival of Baron Ochs. After the agitation, the Marschallian finds herself all by herself. She doesn't think much of her egotistical cousin. At the thought of her early marriage, she starts to muse and contemplates her youthfulness and the unavoidable passage of time.

Act 2: The Von Fanninal's Home
The Marschallian comes to realize that Octavian will one day leave her for someone younger. However, despite that, she sticks with her choice to have Octavian present the silver rose to the bride-to-be. Sophie on the other hand forgets all about her pending marriage when she sees Octavian. As soon as she sets her eyes on him, it's love at first sight.
When Baron Ochs arrives at the Fanninal household, he treats Sophie rudely. How can she marry this arrogant man, especially when she has fallen for someone else? However, Ochs surprises the two (Sophie and Octavian) during a soft conversation. Octavian loses his cool and challenges Ochs to a duel in which the Baron gets slightly wounded in the fracas and cries out bloody murder. A doctor is called, but the Baron's spirit is lifted by only a glass of wine. Ochs receives Mariandel's letter asking him for a meeting, but it all turns out to be a trap set by Octavian.

Act 3: Private Room in an Inn
Ochs attempts to seduce Mariandel but he's caught when Sophie and her father in the act, Octavian is responsible. Ochs leaves the room embarrassed and in the meantime, the Marschallin, who arrives to sort out the situation, discovers that Octavian is in love with Sophie. A sublime trio follows.

THE MAIN ROLES
Die Feldmarschallin Fürstin Werdenberg, Marshallin (Soprano)
Der Baron Ochs auf Lerchenau, Baron (Basso)
Octavian, Marschallin’s young lover (Mezzo)
Herr von Faninal, rich merchant who has just acquired a noble title (Baritone)
Sophie, his daughter (Soprano)
Valzacchi, Conspirator (Tenor)
Annina, his accomplice (Contralto)
A singer (Tenor) A notary (Basso)

© Bayerischen Staatsoper

You may also be interested by …