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Rusalka - Dvorák

SYDNEY OPERA HOUSE

Dvorák Rusalka

From 19 July TO 11 August 2025
Joan Sutherland Theatre, Sydney Opera House - Sydney
Program

Dvorák : Rusalka

Cast
  • Conductor
    Johannes Fritzsch
  • Director
    Sarah Giles
  • Performers
    Rusalka: Nicole Car
    Prince: Gerard Schneider
    Vodnik, The Water Man: Warwick Fyfe
    Jezibaba: Ashlyn Tymms
    The Foreign Princess: Natalie Aroyan
  • Venue Info
  • Seating Plan
  • Synopsis

Joan Sutherland Theatre, Sydney Opera House - Sydney LocationBennelong Point - NSW 2000 Sydney Australie

The Sydney Opera House Restaurant, the Bennelong is very nice, to discover !

In 1884, a young Australian soprano, Helen Mitchell, gave her first concert in Melbourne. Later acclaimed as one of the most breathtaking coloraturas, she took the stage name Nellie Melba, in souvenir of the city of her début. After growing success greeted her from Paris to New York, from Saint Petersburg to London and Milano, she decided to organize opera tours in her native country. These tours no doubt marked the beginnings of opera in Australia. But it was not before 1973 that the country built an opera house worthy of the birthplace of two of the century's most important coloraturas: Nellie Melba, of course, and Joan Sutherland.

Nevertheless, as of the fifties, a small group of local résidents, backed by the conductor Eugène Goossens, demanded the construction of a modem concert hall in Sydney. The site was rapidly chosen: Bennelong Point, named after the birthplace ofthe first Aborigine who spoke English. A lottery was organized to finance the project and in 1956, an itinérant company, The Australian Opera, was founded. In 1957, the Danish architect Jern Utzon was chosen to design an arts complex that everyone already called the «Opera House.» Everything seemed to be moving along quite quickly: the first stone was laid in 1959, but Utzon, who had designed the famous shells that jut out over the bay of Sydney, had to modify his plans which were impracticable. After much controversy, he resigned in 1966 and an Australian team took over the project in 1973.

After this somewhat difficult birth, the Sydney Opera House rapidly gained an international réputation, and its easily recognizable silhouette has since become an emblem of the city, if not of the country. The complex houses more than 1,000 différent spaces for the performing arts, including a 1,547-seat opera theatre (with its walls painted in black, to bet ter attract the audience's eyes towards the stage). It's in this hall that Joan Sutherland, spouse of the Australian Richard Bonynge (the house's principal conductor from 1976 to 1986), was triumphantly applauded. This hall is also the home of The Australian Opéra, since the company has now mostly limited its tours to Melbourne. A véritable nursery of young talent, which one can applaud, together with a large number of guest stars, during the company's numerous performances.

Joan Sutherland Theatre, Sydney Opera House

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Rusalka

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RUSALKA, A SUPERB PRODUCTION

As one of the most successful Czech operas, Rusalka was created by the genius mind of Antonin Dvorak. The Czech libretto, developed by poet Jaroslav Kvapil, is derived from the fairy tales of Karel Jaromir Erben and Bozena Nemcova. The Opera represents the keystone of the Czech opera houses portfolio.

A Rusalk is a water-dwelling sprite that originates from Slavic mythology. Surprisingly this opera was not a major segment of Dvorak's international reputation. Only in recent years has the opera been performed by major companies.

THE HISTORY

Described as a "sad, modern fairy tale," this Opera retains elements from The Little Mermaid (Hans Christian Andersen) and Undine (Frederich dabe la Motte Fouque). Although the libretto was completed in 1899, Kvapil went searching for composers interested in this opera. His composer friends sent him to see Dvorak who read the libretto and composed the opera quickly.

Act 1: A MEADOW BY THE EDGE OF A LAKE

In a nearby lake, three wood-sprites tease the Water Goblin who rules the lake. A water sprite and the daughter of the Water Goblin, Rusalka, notifies her father that she has fallen deeply in love with a human Prince. He sends her to Jezibaba, a witch, for guidance. Jezibaba informs her that if she becomes human by drinking the potion; she will lose all powers of speech. If rejected by the human Prince, she will be damned to the bottom of the lake forever. She agrees and then drinks the potion to become human. The Prince finds her and leads her away.

Act 2 - THE GARDEN OF THE PRINCE'S CASTLE

The Gamekeeper and Kitchen Boy suspect witchcraft when they catch wind that the Prince will be marrying a nameless bridge. The Prince is lavishing attention from a Foreign Princess who is a guest. The Foreign Princess curses the newlyweds because of extreme jealously. As a result, he rejects his bride who returns back to the pond while the Foreign Princess wins over the Prince.

Act 3 - A MEADOW BY THE EDGE OF A LAKE

She calls on Jezibaba to find a solution and tells her that she can save herself from damnation if she kills the Prince with a magic dagger. Given her feelings for the Prince, Rusalka rejects the offer and disposes of the knife in the lake. She then turns into a bludicka (spirit of death who lures humans into the lake to their deaths). The Gamekeeper and Kitchen Boy contact the Water Goblin who tells them that the Prince has betrayed his daughter. The Prince comes to the lake and the two passionately kiss, bringing him to his death. She thanks the Prince for allowing her to experience human emotion, extols his soul to God and returns to the bottom of the lake.

MAIN ROLES

Rusalka, a water nymph, soprano
The Prince, a betrayer, tenor
Vodnik, the water goblin, bass
Jezibaba, a witch, mezzo-soprano
Turnspit, the Kitchen Boy, soprano
The Gamekeeper, tenor

SYDNEY OPERA HOUSE

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