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Le nozze di Figaro - Mozart

Emily Edmonds

Mozart Le Nozze di Figaro

From 19 August TO 27 August 2025
Joan Sutherland Theatre, Sydney Opera House - Sydney
Program

Mozart : Le Nozze di Figaro 180 mn

Cast
  • Conductor
    Teresa Riveiro Böhm
  • Director
    David McVicar
  • Performers
    La Contessa Almaviva: Jane Ede
    Il Conte Almaviva: Gordon Bintner
    Figaro: Michael Sumuel
    Susanna: Siobhan Stagg
    Cherubino: Emily Edmonds
    Marcellina: Dominica Matthews
    Dottor Bartolo: Richard Anderson
  • Venue Info
  • Seating Plan
  • Synopsis

Joan Sutherland Theatre, Sydney Opera House - Sydney LocationBennelong Point - NSW 2000 Sydney Australie

The Sydney Opera House Restaurant, the Bennelong is very nice, to discover !

In 1884, a young Australian soprano, Helen Mitchell, gave her first concert in Melbourne. Later acclaimed as one of the most breathtaking coloraturas, she took the stage name Nellie Melba, in souvenir of the city of her début. After growing success greeted her from Paris to New York, from Saint Petersburg to London and Milano, she decided to organize opera tours in her native country. These tours no doubt marked the beginnings of opera in Australia. But it was not before 1973 that the country built an opera house worthy of the birthplace of two of the century's most important coloraturas: Nellie Melba, of course, and Joan Sutherland.

Nevertheless, as of the fifties, a small group of local résidents, backed by the conductor Eugène Goossens, demanded the construction of a modem concert hall in Sydney. The site was rapidly chosen: Bennelong Point, named after the birthplace ofthe first Aborigine who spoke English. A lottery was organized to finance the project and in 1956, an itinérant company, The Australian Opera, was founded. In 1957, the Danish architect Jern Utzon was chosen to design an arts complex that everyone already called the «Opera House.» Everything seemed to be moving along quite quickly: the first stone was laid in 1959, but Utzon, who had designed the famous shells that jut out over the bay of Sydney, had to modify his plans which were impracticable. After much controversy, he resigned in 1966 and an Australian team took over the project in 1973.

After this somewhat difficult birth, the Sydney Opera House rapidly gained an international réputation, and its easily recognizable silhouette has since become an emblem of the city, if not of the country. The complex houses more than 1,000 différent spaces for the performing arts, including a 1,547-seat opera theatre (with its walls painted in black, to bet ter attract the audience's eyes towards the stage). It's in this hall that Joan Sutherland, spouse of the Australian Richard Bonynge (the house's principal conductor from 1976 to 1986), was triumphantly applauded. This hall is also the home of The Australian Opéra, since the company has now mostly limited its tours to Melbourne. A véritable nursery of young talent, which one can applaud, together with a large number of guest stars, during the company's numerous performances.

Joan Sutherland Theatre, Sydney Opera House

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Le Nozze di Figaro

"Le nozze di Figaro", or The Marriage of Figaro is one of the finest operas ever written. Wolfgang Amadeus Mozart wrote this comic opera in 1786 and it has been produced and enjoyed around the world ever since. This most performed opera worldwide, about the wedding day of Figaro and Susanna, is a funny and intriguing romp. 

This is one of the best known Mozart’s operas. Da Ponte’s libretto was based on Beaumarchais’s The Marriage of Figaro, however, the playful atmosphere is preserved whilst the satirical elements and the criticism toward society are considerably reduced and toned down due to censorship. Nevertheless, the opera still shows the aristocracy as strongly clinging to their privileges and the third state as struggling to survive. Plus, this is the beginning of the collaboration between Mozart and Da Ponte.

HISTORY
The action takes place in the palace of Count Almaviva in Seville, Spain. The time is the early 19th century. 

The plot: the Countess of Almaviva is married to the raunchy, ageing, womanising Count. The count is chasing Susanna, a servant girl, about to be married to Figaro, the Count's valet. The Countess, Susanna and Figaro plan to shame the Count and expose his scheming ways. In response, the Count arranges for Figaro to legally marry an old woman who turns out to be his mother. 
Because of clever schemes the love of the Count and Countesses is resored. 

Act 1 
In the Count's home, Figaro and Susanna, are preparing for their wedding when Figaro learns that the Count desires Susanna. Afraid that the Count will reinstate a law that would allow the Count to bed a servant girl before her new husband. Figaro realises a plan needs to be devised. 

Act 2 
In the Countess's chambers, the Countess is questioning Susanna about the Count's fidelity. Susanna explains that the Count has offered her bribes in return for her affections. Susanna convinces the Countess that she is not interested in the Count. The Countess crafts a plan to teach her husband a lesson.

Act 3
The plot unfolds in the wedding hall. Susanna tells the Count to meet her at night, in garden. The Count suspects deception and tells Figaro that he must marry old Marcellina instead of Susanna. Figaro argues that he must have his parents blessing. Figaro does not know his parents so court documents are searched. There are celebrations when Figaro is reunited with his parents.

Act 4
The Count and Susanne are to meet in the garden after the wedding. But, the Countess, dressed as Susanna meets him instead. Elsewhere, Susanna sings of her love for Figaro, though Figaro believes she is singing about the Count, not him . In the garden, "Susanna" and the Count meet. The two embrace passionately and he gifts her a ring. The Count discovers his wife, dressed as Susanne. The Countess scolds her husband for his foolishness, he begs for forgiveness and all ends well. 

MAIN ROLES
Count Almaviva. Bass 
Countess Rosina Almaviva. Soprano 
Susanna, the countess's maid. Soprano 
Figaro, valet to the count. Bass 
Marcellina. Soprano 

SYDNEY OPERA HOUSE

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