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La Bohème - Puccini

SYDNEY OPERA HOUSE

Puccini La Bohème

From 23 August TO 16 September 2025
Joan Sutherland Theatre, Sydney Opera House - Sydney
Program

Puccini : La Bohème 120 mn

Cast
  • Conductor
    Erina Yashima
  • Director
    Gale Edwards
  • Performers
    Mimi: Olivia Cranwell
    Rodolfo: Kang Wang
    Marcello: Luke Gabbedy
    Musetta: Rachelle Durkin
    Colline: David Parkin
  • Venue Info
  • Seating Plan
  • Synopsis

Joan Sutherland Theatre, Sydney Opera House - Sydney LocationBennelong Point - NSW 2000 Sydney Australie

The Sydney Opera House Restaurant, the Bennelong is very nice, to discover !

In 1884, a young Australian soprano, Helen Mitchell, gave her first concert in Melbourne. Later acclaimed as one of the most breathtaking coloraturas, she took the stage name Nellie Melba, in souvenir of the city of her début. After growing success greeted her from Paris to New York, from Saint Petersburg to London and Milano, she decided to organize opera tours in her native country. These tours no doubt marked the beginnings of opera in Australia. But it was not before 1973 that the country built an opera house worthy of the birthplace of two of the century's most important coloraturas: Nellie Melba, of course, and Joan Sutherland.

Nevertheless, as of the fifties, a small group of local résidents, backed by the conductor Eugène Goossens, demanded the construction of a modem concert hall in Sydney. The site was rapidly chosen: Bennelong Point, named after the birthplace ofthe first Aborigine who spoke English. A lottery was organized to finance the project and in 1956, an itinérant company, The Australian Opera, was founded. In 1957, the Danish architect Jern Utzon was chosen to design an arts complex that everyone already called the «Opera House.» Everything seemed to be moving along quite quickly: the first stone was laid in 1959, but Utzon, who had designed the famous shells that jut out over the bay of Sydney, had to modify his plans which were impracticable. After much controversy, he resigned in 1966 and an Australian team took over the project in 1973.

After this somewhat difficult birth, the Sydney Opera House rapidly gained an international réputation, and its easily recognizable silhouette has since become an emblem of the city, if not of the country. The complex houses more than 1,000 différent spaces for the performing arts, including a 1,547-seat opera theatre (with its walls painted in black, to bet ter attract the audience's eyes towards the stage). It's in this hall that Joan Sutherland, spouse of the Australian Richard Bonynge (the house's principal conductor from 1976 to 1986), was triumphantly applauded. This hall is also the home of The Australian Opéra, since the company has now mostly limited its tours to Melbourne. A véritable nursery of young talent, which one can applaud, together with a large number of guest stars, during the company's numerous performances.

Joan Sutherland Theatre, Sydney Opera House

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

La Bohème

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Mimi's tragic story is impossible to ignore. With La Bohème, Puccini wrote his most heart-rending opera, set to sublime, poignant music. It's a masterpiece, and an excellent introduction for the emotion-seeking neophyte.

Building on the success of his previous opera ‘Manon Lescaut’, Giacomo Puccini continued his collaboration with Giuseppe Giacosa, adapting for the opera a novel by Henri Murger entitled ‘Scenes from Bohemian Life’. On the timeless theme of impossible love, Puccini describes the creativity and carefree nature of the Parisian artistic milieu, the harsh living conditions of the working class and the constant dissatisfaction of the bourgeoisie. He also contrasts the ability to enjoy the simple joys of life with the harshness of the times. Moving and heartbreaking, but also sparkling and sparkling, La Bohème was a growing and enduring success, even if its premiere on 1 February 1896 left audiences with mixed feelings.

 It was love at first sight when the little cousin Mimi met the poet Rodolpho in the squalor of the Latin Quarter where he lived with his student and artist friends. But Mimi's illness and lack of money made their bohemian life and love impossible. Separated, they are not reunited until Mimi's tragic death from tuberculosis.

SYDNEY OPERA HOUSE

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