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La Sonnambula - Bellini

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Bellini La Sonnambula

From 22 April TO 08 May 2025
Gran Teatre del Liceu - Barcelona
Program

Bellini : La Sonnambula

Cast
  • Conductor
    Lorenzo Paserini
  • Director
    Barbara Lluch
  • Performers
    Amina: Nadine Sierra
    Elvino: Xabier Anduaga
    Il Conte Rodolfo: Fernando Javier Radó
    Lisa: Sabrina Gárdez
  • Venue Info
  • Seating Plan
  • Synopsis

Gran Teatre del Liceu - Barcelona LocationLa Rambla, 51-59 - 08002 Barcelona Espagne

  • Venue's Capacity: 2290
  • Other : PRICE: The Gran Teatre del Liceu uses "Dynamic Pricing" that means that Prices for all performances are subject to change (increase and decrease) based on their sales. So, the prices may have changed, you will be informed of the new price as soon as possible, you will then be able to choose wether you want to buy your tickets at the new price or to cancel your booking (your credit card will not be charged).

On 4 April 1847, the Gran Teatre del Liceu established by Miguel Garriga, opened its doors with a very diverse programme. Anna Bolena by Donizetti was one of the major events here. In 1861, the theatre caught fire. It was rebuilt one year later to become the true rival of the old Santa Gran Teatre. At the end of the 19th century, the Liceu became the venue where people came to see and be seen; which is why the shows were performed with the house lights left on.

The work of national composers was rarely performed. However, among them were several highly esteemed composers, including GURIDI, ARRIETA and BRETON. The great French operas did not take hold quite as quickly as the Italian repertoire. It was in 1851 that Robert le diable was performed. Enthusiasm for MEYERBEER reached its peak with the performance of the play Les Huguenots in 1856; he is one of the most frequently performed composers in the history of the Liceu. This fascination of the public for the French repertoire grew with the performances of GOUNOD’s Faust in 1864 which was considered, with its 26 consecutive performances, as the last word in opera. At the end of the 19th century, the Liceu was one of the leading opera houses in Europe. Verdi was performed there, as were the great French operas, and national composers such as Felip PEDRELL and Wagner. Die Walküre caused a sensation and the house lights of the Liceu were put out for the first time.

The performance of Mussorgsky’s Boris Godunov on 20 November 1915 marked the beginning of a period of splendour for Russian opera at the Liceu. When the second republic was proclaimed in 1931, political instability led to a serious financial crisis which badly affected the Liceu. During the civil war, the Liceu was nationalised and took the name “Gran Teatre del Liceu”. Its seasons were later suspended.

The activities of the Liceu began again in 1939 under the aegis of the Spanish and German authorities, subject to the propaganda of the Third Reich. Wagner was the most frequently performed composer during this period. In 1955, for the first time in its history, the Festival of Bayreuth was held at the Gran Teatre del Liceu. Germany felt the need to make up for its recent past. Barcelona was an obvious choice, given its longstanding Wagnerian tradition and the authoritarian regime that kept away any hostile element.

On 31 January 1994, the Liceu was once again destroyed by fire and it was rebuilt on the same site. The new building opened in 1999 offering great artistic and technological quality whilst respecting the former décor which had been reproduced. Its stage allows two or three performances at the same time with maximum visibility and an improved acoustic quality.

Gran Teatre del Liceu

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

La Sonnambula

LA SONNAMBULA, AN OPERA SEMISERIA

This opera, translated in English to 'The Sleepwalker', is in two acts with music composed by Vincenzo Bellini. The opera premiered in Milan at the Teatro Carcano on 6th March 1831, and in London at the King's Theatre on 28th July 1831.

The main female role of Amina is renowned for being a difficult part, with high notes and an excellent technique required. La Sonnambula was immediately popular and is still regularly performed today. Although this opera is not part of the standard repertoire, it is still performed frequently, and in 2011 it was produced in London by the Royal Opera House.

HISTORY

The opera is set in Italy in a village with a mill.

Act 1

The proprietress of the inn, Lisa, is jealous of the betrothal procession of Amina and Elvino as she herself was one betrothed to Elvino. Amina thanks her friends and family, and particularly Teresa who is her foster mother and adopted her as an orphan. Elvino arrives after visiting his mother's grave and he gives Amina his mother's ring. A stranger arrives in the village asking the way to the castle. Lisa explains it is too late to reach it and offers him a room at the inn. He admires Amina who reminds him of a girl he once loved. Elvino is jealous that the stranger admires Amina. Teresa explains that the lord's son is said to have disappeared years ago but the stranger assures her he is alive. He is warned to go to bed because of a village phantom that walks at night. Lisa tells the stranger that someone has recognised him as the lost son, Rodolfo. As she leaves she drops a handkerchief. Amina enters sleep walking and Rodolfo realises it is this that has caused the rumours of a phantom. He refrains from taking advantage of her and sees her innocence. She falls asleep on the sofa and Rodolfo goes outside to meet the villagers welcoming their long lost lord. Elvino rejects Amina, believing she has been faithless. It is only Teresa who believes Amina is innocent.

Act 2

Even when Count Rodolfo defends her innocence Elvino continues to reject Amina and he takes back the ring. Elvino then decides to marry Lisa but Rodolfo meets them on the way to the church and explains that Amina is a somnambulist; a sleepwalker. Teresa confronts Lisa and produces the handkerchief. Elvino demands proof and Amina then is seen sleepwalking on the dangerous mill bridge. When she wakes she finds herself in Elvino's arms to everyone's happiness.

MAIN ROLES

Count Rodolfo, long lost son of the lord, bass
Amina, female lead betrothed to Elvino, soprano
Elvino, betrothed to Amina, tenor
Lisa, inn owner, soprano
Teresa, mill owner, mezzo-soprano
Alessio, bass

Gran Teatre del Liceu © A. Bofill

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