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Giulio Cesare in Egitto - Händel

Xavier Sabata © David Ruano

Händel Giulio Cesare

From 25 May TO 07 June 2025
Gran Teatre del Liceu - Barcelona
Program

Händel : Giulio Cesare

Cast
  • Conductor
    William Christie
  • Director
    Calixto Bieito
  • Performers
    Giulio Cesare: Xavier Sabata
    Cleopatra: Julie Fuchs
    Sesto: Helen Charleston
    Cornelia: Teresa Iervolino
    Tolomeo: Cameron Shahbazi
    Achilla: José Antonio López
    Nireno: Alberto Miguélez-Rouco
  • Venue Info
  • Seating Plan
  • Synopsis

Gran Teatre del Liceu - Barcelona LocationLa Rambla, 51-59 - 08002 Barcelona Espagne

  • Venue's Capacity: 2290
  • Other : PRICE: The Gran Teatre del Liceu uses "Dynamic Pricing" that means that Prices for all performances are subject to change (increase and decrease) based on their sales. So, the prices may have changed, you will be informed of the new price as soon as possible, you will then be able to choose wether you want to buy your tickets at the new price or to cancel your booking (your credit card will not be charged).

On 4 April 1847, the Gran Teatre del Liceu established by Miguel Garriga, opened its doors with a very diverse programme. Anna Bolena by Donizetti was one of the major events here. In 1861, the theatre caught fire. It was rebuilt one year later to become the true rival of the old Santa Gran Teatre. At the end of the 19th century, the Liceu became the venue where people came to see and be seen; which is why the shows were performed with the house lights left on.

The work of national composers was rarely performed. However, among them were several highly esteemed composers, including GURIDI, ARRIETA and BRETON. The great French operas did not take hold quite as quickly as the Italian repertoire. It was in 1851 that Robert le diable was performed. Enthusiasm for MEYERBEER reached its peak with the performance of the play Les Huguenots in 1856; he is one of the most frequently performed composers in the history of the Liceu. This fascination of the public for the French repertoire grew with the performances of GOUNOD’s Faust in 1864 which was considered, with its 26 consecutive performances, as the last word in opera. At the end of the 19th century, the Liceu was one of the leading opera houses in Europe. Verdi was performed there, as were the great French operas, and national composers such as Felip PEDRELL and Wagner. Die Walküre caused a sensation and the house lights of the Liceu were put out for the first time.

The performance of Mussorgsky’s Boris Godunov on 20 November 1915 marked the beginning of a period of splendour for Russian opera at the Liceu. When the second republic was proclaimed in 1931, political instability led to a serious financial crisis which badly affected the Liceu. During the civil war, the Liceu was nationalised and took the name “Gran Teatre del Liceu”. Its seasons were later suspended.

The activities of the Liceu began again in 1939 under the aegis of the Spanish and German authorities, subject to the propaganda of the Third Reich. Wagner was the most frequently performed composer during this period. In 1955, for the first time in its history, the Festival of Bayreuth was held at the Gran Teatre del Liceu. Germany felt the need to make up for its recent past. Barcelona was an obvious choice, given its longstanding Wagnerian tradition and the authoritarian regime that kept away any hostile element.

On 31 January 1994, the Liceu was once again destroyed by fire and it was rebuilt on the same site. The new building opened in 1999 offering great artistic and technological quality whilst respecting the former décor which had been reproduced. Its stage allows two or three performances at the same time with maximum visibility and an improved acoustic quality.

Gran Teatre del Liceu

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Giulio Cesare

GIULIO CESERE, THE GREAT ITALIAN OPERA BY HANDEL

George Frederic Handel wrote and staged the Italian opera Giulio Cesare in Egitto, translated to Julius Ceasar in Egypt in 1724 for the Royal Academy of Music in London. German born Handel had settled in London in 1712 and quickly became a celebrated composer in the English royal court, by 1727 he had become a citizen of the UK.
The opera is often regarded as the finest example of Handel's Italian operas and was revived many times during his lifetime. The opera, like much of Handel's work fell out of fashion during the 19th century and was revived across Europe and North America in the early 20th century.

HISTORY

The historic meeting of Julius Ceasar and Cleopatra is the subject of this opera, which has remained the most popular of Handel's over the centuries. The role of Ceasar was originally written for a male castrati singer, who underwent the removal of their sexual organs before reaching puberty. This fine example of serious opera follows the paths of Cleopatra and Ceasar as they fall in love, negotiate and fight a war over Cleopatra's claim to be the queen of Egypt.

Act 1

Ceasar's forces arrive on the banks of the Nile having defeated the army of Pompeo, his wife, Cornelia begs for the life of Pompeo from the victorious Ceasar. The head of Pompeo is then presented to Ceasar as a show of support and loyalty from Cleopatra's brother, Tolomeo. Ceasar is angered at the death of Pompeo, which also prompts Pompeo's son, Sesto to swear revenge on Tolomeo. Told of the unhappiness of Ceasar at his gift, Tolomeo turns his back on an alliance with Ceasar. Cleopatra disguises herself as Lidia and enters Ceasar's camp to ask for his support to her claim over Alexandria and Egypt.

Act 2

Cleopatra, still disguised as Lidia seduces Ceasar and falls in love with him within the walls of her palace. At Tolomeo's palace the prince is rejected in his advances towards Cornelia, prompting her son Sesto to create a plan to kill Tomoleo. Ceasar returns to Cleopatra, but finds the palace stormed by his enemies forcing him to jump from a window to escape. Sesto is about to kill Tomoleo, but is stopped by Achilla bringing news of Ceasar's death.

Act 3

Unhappy with Cornelia's latest refusal of marriage, Achilla decides to declare his loyalty to Cleopatra, but is stabbed by Tomoleo before he can do so. Sesto is handed control of the armies of Achilla, but hands them to the returned Ceasar who states he will rescue Cornelia and kill Tomoleo. Ceasar leads Achilla's army to victory and claims Alexandria for Cleopatra and himself, Sesto kills Tomoleo before he can rape Cornelia leading to a celebration of victory.

THE MAIN ROLES

Giulio Cesare, Ruler of Rome, Alto Castrato
Cleopatra, Egyptian Queen, Soprano
Tolomeo, Cleopatra's rival for the throne, Alto Castrato
Cornelia, Pompeo's Wife, Contralto
Sesto, Pompeo's Son, Soprano

Gran Teatre del Liceu © A. Bofill

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