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DON GIOVANNI © Mats Bäcker

Mozart Don Giovanni

From 08 April TO 20 April 2022
Gran Teatre del Liceu - Barcelona
Program

Mozart : Don Giovanni

2h 55m
Cast
  • Orquestra Simfònica i Cor del Gran Teatre del Liceu
  • Conductor
    Marc Minkowski
  • Director
    Ivan A. Alexandre
  • Performers
    Don Giovanni: Alexandre Duhamel
    Donna Anna: Iulia Maria Dan
    Donna Elvira: Arianna Vendittelli
    Leporello: Robert Gleadow
    Don Ottavio: Julien Henric
    Zerlina: Megan Marino
    Masetto: Leonard Bernad
    Il Commendatore: Leonard Bernad
  • Venue Info
  • Seating Plan
  • Synopsis

Gran Teatre del Liceu - Barcelona Location La Rambla, 51-59 - 08002 Barcelona Espagne

  • Venue's Capacity: 2290
  • Other : PRICE: The Gran Teatre del Liceu uses "Dynamic Pricing" that means that Prices for all performances are subject to change (increase and decrease) based on their sales. So, the prices may have changed, you will be informed of the new price as soon as possible, you will then be able to choose wether you want to buy your tickets at the new price or to cancel your booking (your credit card will not be charged).

On 4 April 1847, the Gran Teatre del Liceu established by Miguel Garriga, opened its doors with a very diverse programme. Anna Bolena by Donizetti was one of the major events here. In 1861, the theatre caught fire. It was rebuilt one year later to become the true rival of the old Santa Gran Teatre. At the end of the 19th century, the Liceu became the venue where people came to see and be seen; which is why the shows were performed with the house lights left on.

The work of national composers was rarely performed. However, among them were several highly esteemed composers, including GURIDI, ARRIETA and BRETON. The great French operas did not take hold quite as quickly as the Italian repertoire. It was in 1851 that Robert le diable was performed. Enthusiasm for MEYERBEER reached its peak with the performance of the play Les Huguenots in 1856; he is one of the most frequently performed composers in the history of the Liceu. This fascination of the public for the French repertoire grew with the performances of GOUNOD’s Faust in 1864 which was considered, with its 26 consecutive performances, as the last word in opera. At the end of the 19th century, the Liceu was one of the leading opera houses in Europe. Verdi was performed there, as were the great French operas, and national composers such as Felip PEDRELL and Wagner. Die Walküre caused a sensation and the house lights of the Liceu were put out for the first time.

The performance of Mussorgsky’s Boris Godunov on 20 November 1915 marked the beginning of a period of splendour for Russian opera at the Liceu. When the second republic was proclaimed in 1931, political instability led to a serious financial crisis which badly affected the Liceu. During the civil war, the Liceu was nationalised and took the name “Gran Teatre del Liceu”. Its seasons were later suspended.

The activities of the Liceu began again in 1939 under the aegis of the Spanish and German authorities, subject to the propaganda of the Third Reich. Wagner was the most frequently performed composer during this period. In 1955, for the first time in its history, the Festival of Bayreuth was held at the Gran Teatre del Liceu. Germany felt the need to make up for its recent past. Barcelona was an obvious choice, given its longstanding Wagnerian tradition and the authoritarian regime that kept away any hostile element.

On 31 January 1994, the Liceu was once again destroyed by fire and it was rebuilt on the same site. The new building opened in 1999 offering great artistic and technological quality whilst respecting the former décor which had been reproduced. Its stage allows two or three performances at the same time with maximum visibility and an improved acoustic quality.

Gran Teatre del Liceu

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Don Giovanni

One of the most popular and frequently performed operas in the history of the medium, Don Giovanni is arguably Wolfgang Amadeus Mozart's most cherished and enduring work.

First performed in 1787, the opera includes a libretto by celebrated poet Lorenzo Da Ponte and continues to thrill and entertain audiences to this day. Broadly classified as a comedy the work blends melodrama and also includes a supernatural element. Making it one of the richest and most engaging classical works ever produced.

HISTORY
The piece centres around the life and exploits of fictional libertine and seducer Don Juan. Exploring the intricacies of his numerous relationships and eventual demise.

Act 1
The Don unsuccessfully attempts to seduce the already betrothed Donna Anna. The girl escapes and her father, the Commendatore challenges the Don to a dual. Giovanni kills the older man and escape with his servant Leporello, Donna Anna returns with her husband Don Ottavio and discovers her murdered father. She makes Ottavio swear he will avenge the death.
Leporello declares Giovanni's life to be scandalous, which angers his master. The Don's former lover Donna Elvira appears, angry at her betrayal at the hands of a man. Inspired by the prospect of another conquest Don Giovanni approaches only to be rebuffed.
Giovanni attempts to seduce another woman Zerlina, but is thwarted by Donna Elvira who exposes his true character to the girl. Donna Anna and Don Ottavio arrive at Giovanni's castle and, unaware of his role in the Commendatore's death, request his help in finding the killer.
After discovering Giovanni's role in her fathers murder, Donna Anna, Don Ottavio, Zerlina her scorned husband Masetto and Elvira resolve to kill the don. Wearing masks the group attempt an attack on the Don who keeps them at bay with his sword whilst using Leporello as a shield before escaping.

Act 2
Leporello threatens to leave Giovanni but is convinced to stay by the offer of money. Giovanni's enemy's track down the pair and prepare to kill the don, but he evades them once again, pretending to be his servant.
Returning to his castle Giovanni is begged by Elvira to change his ways but he decides to ignore her pleas. The remembrance statue erected in memory of the Commendatore comes to life and enters Giovanni's dining room as he eats. He asks the Don to repent but is ignored. The statue takes the Don's hand and drags him to hell, punishing him for a life of lies, inequity and deceit. Donna Anna, Don Ottavio, Elvira, Zerlina and Masetto arrive at the Don's castle to enact there revenge. They are too late and resolve to live honest and worthy lives before going their separate ways.

MAIN ROLES

Don Giovanni - Baritone
Leporello - Bass
Commendatore - Bass
Donna Anna - Soprano
Don Ottavio - Tenor
Donna Elvira - Soprano
Masetto - Bass
Zerlina - Soprano

Gran Teatre del Liceu © A. Bofill

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