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©Bettina Stöss / Die Zauberflöte / Mozart

Mozart Die Zauberflöte

From 11 December TO 27 May 2023
Deutsche Oper - Berlin
Program

Mozart : Die Zauberflöte 160 mn

Cast
  • Conductor
    Yi-Chen Lin
    Dominic Limburg
  • Director
    Günter Krämer
  • Performers
    Tamino: Matthew Newlin
    Tamino: Attilio Glaser
    Tamino: Andrei Danilov
    Tamino: Kieran Carrel
    Pamina: Siobhan Stagg
    Pamina: Mane Galoyan
    Pamina: Elisa Verzier
    Pamina: Sua Jo
    Papageno: Philipp Jekal
    Königin der Nacht: Khismatullina Aigul
    Sarastro: Tobias Kehrer
    Sarastro: Patrick Guetti
  • Venue Info
  • Seating Plan
  • Synopsis

Deutsche Oper - Berlin Location Bismarckstrasse 35 - 10627 Berlin Allemagne

  • Venue's Capacity: 1859

Contrary to the Staatsoper Unter den Linden which was founded in the eighteenth century in the centre of town and for a long time considered the Royal Opera, the history of the Berlin Opera began in 1912, in the Charlottenburg neighborhood situated outside the city limits, and intitiated by the rich bourgeoisie. But the inevitable occured, following the economic crisis of World War I, and the Charlottenburg Opera was ultimately purchased by the City of Berlin.

Bruno Walter greatly improved the musical qualities of this institution which was rebaptized the Städtische Oper (City Opera). Prior to that, Carl Ebert, as administrator (with Rudolf Bing, the future legendary director of the MET in New York, as assistant), promoted more modern music, including those operas by Kurt Weill or Schreker which Klemperer could no longer perform at the then-closed Kr oll-Oper, and which provoked the ire of the Nazis as early as 1933. In 1945, the building was left in ruins, but by the month of August 45, the company presented FIDELIO at the « Theater des Westerns » and animated that theatre until 1961. During this period, the conductor Ferenc Fricsay, named music director, enabled the Städtische Oper to regain its international ranking, alternating standard repertoire in top-quality productions (where voices such as Dietrich Fischer-Dieskau or Josef Greindl were discovered), works by Stravinsky and Hindemith (who were banned by the Nazis), and world premieres. But in 1955, the Opera Unter den Linden, situated in East Germany, reopened under the name of the Deutsche Staatsoper. Under the influence of this politico-artistic competition, three decisions were made : the Städtische Oper was rebaptized the Deutsche Oper Berlin, plans were made to construct a theatre at the Charlottenburg site (situated in West Berlin), and Carl Ebert who, in the mean­time founded the Glyndebourne Festival, was called back. His productions and season programmes turned West Berlin into one of contemporary opera's main capitals.

Deutsche Oper

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Die Zauberflöte

The Magic Flute, or La Flûte enchantée by Wolfgang Amadeus Mozart is a charming and magical escapade in which good battles the dark forces and ultimately triumphs. Moreover, it is a tale of love, courage and persistence. This singspiel was the last opera that Mozart wrote and premiered just 3 months before his death in 1791. For many, it is the greatest of Mozart's operas, mixing both comedy and a deep seated seriousness, displaying how wisdom and passion can be victorious in life.

HISTORY
Set in an enchanted world, this whimsical caper tells the story of how a young prince, Tamino, along with Papageno, a bird catcher, also desperately searching for love, releases his beloved from the clutches of an evil priest. The magic that comes from his flute enchants nature and allows him to conquer his fears and overcome danger. But everything is not as it seems. Who is really the evil body here? 

Act 1 
La Flûte enchantée starts by Tamino being rescued from the great serpent by 3 ladies who work for the queen of the night. They show him a picture of the queen's daughter, Pamina and falls instantly in love with her. Shortly after he meets the queen, who tells him her daughter has been kidnapped by Sarastro, the evil magician. Tamino vows to rescue her and he is given a magic flute for his protection. A bird catcher, Papageno is instructed to accompany him. For protection against evil forces, Tamino is given a magical flute and Papageno receives magic bells. Upon reaching Sarastro's domain, Tamino is met by a priest who tells him it is Pamina's mother who is evil and Sarastro is merely protecting her. When they Tamino and Pamina, they fall instantly in love.

Act 2
Before Tamino and Pamina can be together, Sarastro imposes a series of tests on Tamino. The first is a test of silence. The second is to resist any temptation, no conversation, no food and no women. Believing Tamino is ignoring her, Pamina decides to take her own life, but is stopped by three boys who convince her that Tamino does indeed love her. Tamino and Pamina must be pass the third test together, the test of fire and water. By using the magic flute, they pass the test. Meanwhile, Papageno who has been searching for love the whole time, finds his true love Papagena by playing his magic bells. Pamina's mother is furious by the events and tries to break into Sarastro's temple, but is repelled. The singspiel ends with light triumphing over death.

MAIN ROLES
Tamino: A young prince, tenor
Papageno: A bird catcher, baritone
Pamina: Daughter of the Queen of the Night, soprano
The Queen of the Night: Pamina's mother, coloratura soprano
Sarastro: bass
Three ladies: 2 sopranos and a mezzo-soprano

Deutsche Oper Berlin im Saal © Günter Karl Bose

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