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Ludovic Tezier © Elie Ruderman

Verdi Il Trovatore

From 02 June TO 16 June 2023
Covent Garden - London
Program

Verdi : Il Trovatore 143 mn

Cast
  • Conductor
    Antonio Pappano
  • Director
    Adele Thomas
  • Performers
    Manrico: Yusif Eyvazov
    Leonora: N.N.
    Il Conte di Luna: Ludovic Tézier
    Azucena: Jamie Barton
    Ferrando: Roberto Tagliavini
BOOKING ON REQUEST

For all booking requests, please contact us by e-mail, specifying the city, the date and the number of tickets required at [email protected]

  • Venue Info
  • Seating Plan
  • Synopsis

Covent Garden - London Location Bow Street, Covent Garden - WC2E 9DD London Royaume-Uni

  • Venue's Capacity: 2256

Covent Garden's lyrical tradition goes back to the eighteenth century. It is here, for example, in a theatre constructed in 1732 by John Rich, the successful producer of THE BEGGAR'S OPERA, that the London public discovered several of Handel's operas.

Covent Garden then also staged plays and pantomime, a tradition which continued well into the thirties. The theatre has since hosted the most diverse productions, including cinema, cabaret, ice shows, and the circus. Today only opera and dance (The Royal Ballet) share the season.

As is the case with many an opera house. Covent Garden's life history was interrupted by fire, which twice destroyed the building. The second Royal Opera was inaugurated in 1809. Weber composed OBERON for the theatre, and conducted its premiere in 1826; the next year, Beethoven's F ID EU o was staged. From 1847, Covent Garden most often scheduled the Italian repertoire, with works by Rossini and Verdi. After the fire that demolished the second theatre in 1856, and until 1914, the third opera house built on the Covent Garden site became known as the theatre that hired the world's leading artists (like Nellie Melba, Caruso, and Adelina Patti, who refused all rehearsals by contract), and paid them royally. Several legendary conductors furthered the Royal Opera House's reputation after the First World War, such as Bruno Walter, and, of course, Thomas Beecham, who introduced the opera of Richard Strauss.

During the Second World War, Covent Garden became a "Palais de Dance" (sic). At the end of the war, following an intense period of negogiations. the ambitious decision was made to found a permanent opera company. Karl Rankl was appointed the first Music Director of the Covent Garden Opera Company (it became The Royal Opera in 1968) which gave its first performance in 1947.

Rankl's successors - Rafael Kubelik, Georg Solti, Colin Davis, and Bernard Haitink - have managed to maintain the company spirit and even the most celebrated guest artists are obliged to attend rehearsals.

Covent Garden

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Il Trovatore

IL TROVATORE: A DRAMA OF WAR, LOVE AND FATE
Verdi's Il Trovatore, performed worldwide, tells the tale of Manrique, who - disguised as the 'troubadour' of the title - serenades Leonore, a beautiful noblewoman at his enemy's court. Though his song wins her heart, it fires the jealousy of the Count De Luna. Manrique and De Luna are rivals in love and leaders of opposing armies, but their fates are strangely linked by a mystery from years before...
Il Trovatore combined war, romance, revenge and revelation to create a huge hit and an enduring favourite - millions hearing it for the first time will recognise the famous Anvil Chorus.

HISTORY

Act 1
From Fernand, De Luna's captain of guards, we learn how Manrique's mother, Azucena, lost her mother by the cruelty of De Luna's father and avenged herself by abducting and killing one of the count's two sons, only his charred bones being found.
Leonora admits her love to her confidante, while De Luna stalks in search of his rival. Mistaking De Luna for the troubadour, Leonore rushes to him, only for Manrique to appear, and she is powerless to prevent a duel between the enemies.

Act 2
Manrique has spared De Luna's life, only to be defeated on the battlefield, left for dead, and rescued by Azucena.
Azucena remains haunted by her duty to avenge her mother. She confesses that, in her confusion, the child she killed was not the count's son, but her own. Who, then, is Manrique? A messenger arrives and reports that Leonore, believing Manrique is dead, intends to renounce the world and enter a convent.
Manrique rushes away to stop her.

Act 3
De Luna's army besiege the fortress where Manrique and Leonore have hidden. Azucena, who has been captured nearby, is recognised as the murderer of De Luna's brother. When Azucena cries out to Manrique, De Luna orders his men to burn Azucena in sight of her son. Manrique prepares to launch a desperate attack to rescue her.

Act 4
Verdi provides a harrowing ending. Leonore dies after Manrique refuses to have his freedom bought by her marriage to De Luna. As Manrique is led away and executed, Azucena reveals the terrible truth: De Luna has killed his own brother.

MAIN ROLES

Manrique ,the troubadour, and a leader of the army of the Prince of Urgel, tenor
Count de Luna, a nobleman of the Prince of Aragon, enemy of Manrique, baritone
Azucena ,a gypsy, who has raised Manrique as her son, mezzo-soprano
Leonore ,a beautiful noblewoman, in love with Manrique, but desired by De Luna, soprano
Ines, Leonore's confidante,soprano

Royal Opera House © Rob Moore

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