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Eugene Onegin - Tchaikovsky

Royal Opera House © Rob Moore

Tchaikovsky Eugene Onegin

From 24 September TO 14 October 2024
Covent Garden - London
Program

Tchaikovsky : Eugene Onegin

Cast
  • Conductor
    Henrik Nánási
  • Director
    Ted Huffman
  • Performers
    Eugene Onegin: Gordon Bintner
    Tatyana: Kristina Mkhitaryan
    Vladmir Lenski: Liparit Avetisyan
    Prince Gremin: Dmitry Belosselskiy
    Olga: Avery Amereau
    Triquet: Christophe Mortagne
    Filipjewna: Rhonda Browne
    Larina: Alison Kettlewell
    Zaretzki: Jamie Woollard
BOOKING ON REQUEST

For all booking requests, please contact us by e-mail, specifying the city, the date and the number of tickets required at [email protected]

  • Venue Info
  • Seating Plan
  • Synopsis

Covent Garden - London LocationBow Street, Covent Garden - WC2E 9DD London Royaume-Uni

  • Venue's Capacity: 2256

Covent Garden's lyrical tradition goes back to the eighteenth century. It is here, for example, in a theatre constructed in 1732 by John Rich, the successful producer of THE BEGGAR'S OPERA, that the London public discovered several of Handel's operas.

Covent Garden then also staged plays and pantomime, a tradition which continued well into the thirties. The theatre has since hosted the most diverse productions, including cinema, cabaret, ice shows, and the circus. Today only opera and dance (The Royal Ballet) share the season.

As is the case with many an opera house. Covent Garden's life history was interrupted by fire, which twice destroyed the building. The second Royal Opera was inaugurated in 1809. Weber composed OBERON for the theatre, and conducted its premiere in 1826; the next year, Beethoven's F ID EU o was staged. From 1847, Covent Garden most often scheduled the Italian repertoire, with works by Rossini and Verdi. After the fire that demolished the second theatre in 1856, and until 1914, the third opera house built on the Covent Garden site became known as the theatre that hired the world's leading artists (like Nellie Melba, Caruso, and Adelina Patti, who refused all rehearsals by contract), and paid them royally. Several legendary conductors furthered the Royal Opera House's reputation after the First World War, such as Bruno Walter, and, of course, Thomas Beecham, who introduced the opera of Richard Strauss.

During the Second World War, Covent Garden became a "Palais de Dance" (sic). At the end of the war, following an intense period of negogiations. the ambitious decision was made to found a permanent opera company. Karl Rankl was appointed the first Music Director of the Covent Garden Opera Company (it became The Royal Opera in 1968) which gave its first performance in 1947.

Rankl's successors - Rafael Kubelik, Georg Solti, Colin Davis, and Bernard Haitink - have managed to maintain the company spirit and even the most celebrated guest artists are obliged to attend rehearsals.

Covent Garden

The seating plan is given as an indication and has no contractual value.
The division of categories may differ depending on shows and dates.

Synopsis

Eugene Onegin

Eugene Onegin is the most famous opera by the Russian master Pyotr Ilyich Tchaikovsky. 

Since its first performance in 1879, the work has lost none of its popularity, and today it remains one of the most performed in the world. Inspired by Constantin Shilovsky's versified novels and Pushkin's poems, this work is a symbol of Russian lyricism. Its music darkly evokes the torments of a young aristocrat who, out of pride, loses the two people closest to him.

The action takes place in St Petersburg at the beginning of the 19th century. Eugene Onegin, an idle, self-centred young aristocrat, spurns the woman who loves him and provokes his best friend into challenging him to a duel.

In a country estate near St Petersburg, Mrs Larine lives with her two daughters: Olga, the laughing one, and Tatiana, the romantic one. Visitors arrive unexpectedly. They are Lenski, Olga's fiancé, and Eugène Oneguin, a St Petersburg dandy. That evening, when she finds herself alone in her room, Tatiana is immediately seduced and decides to write a passionate letter to her new friend. 

Onegin agrees to pay her a visit, only to reply curtly that he is not suited to marriage. Tatiana is devastated.

Royal Opera House © Rob Moore

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