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Paris
Paris

Paris is the capital of classical music and opera , and there are not there less than fifty concert venues . This is the time to book your tickets! The musical life of Paris is studded with the names of distinguished composers, Rameau, Lully Gounod, Cherubini, Meyerbeer, Offenbach, Spontini, Rossini, Verdi, Fauré, Debussy, Ravel …

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Discover Paris 2018-2019 Season and book your tickets for Operas, Concerts or Dance performances in Paris !

 

Paris is one of the most beautiful cities in the world. No need to present it ! Everyone knows the Eiffel Tower, the Arc de Triomphe and the the beautiful Cathedrals of Notre-Dame and Sacré Cœur!

Paris' musical heritage is one of the most prestigious in the world with some 15,000 seats in its various concert halls and opera houses. Its different concert halls and operas present a wide offer of classical performances.

Would you be tempted by a magnificent ballet or a great opera in Paris?


Great venues such as Opera Garnier, the Opera Bastille, the Théâtre des Champs-Elysées, the Opéra Comique and Paris Philharmonie, ... are waiting for you.

Paris glitters with exciting things to do and see. Attending to a concert, an opera or ballet performance in Paris is an unforgettable experience.

Do not wait any longer, book your opera tickets for Paris' season!


OPERA NATIONAL DE PARIS

Since 1994, the Palais Garnier and Opéra Bastille have been brought together under the banner of the Opéra National de Paris.


Palais Garnier
A model for a great many auditoriums all over the world, it was constructed in the time of Napoleon III as part of the major development scheme carried out by Haussmann; the Opéra was put out to competition and Charles Garnier submitted the winning design. The construction work was to last from 1860 to 1875. 
Since 1994, major refurbishment work has been undertaken to restore the sumptuousness of the Palais, very typical of the Second Empire style. The Groupe de la Danse de Carpeaux [Young Carp Dance Group], the marble Grand Staircase, the red and gold auditorium with ceiling by Chagall and a crystal chandelier weighing 8 tonnes are all designed for performance and illusion. In Box 5, you might even perhaps encounter the famous phantom …
Backstage, the Palais Garnier is home to some 70 stage technicians and Ballet de l’Opéra company, one of the most famous in the world.


Opéra Bastille
The work of Carlos Ott whose construction was one of François Mitterrand's major building projects, it was officially opened on 13 July 1989, at the time of the commemorative celebrations of the bicentenary of the French Revolution. This large, modern, 2,703 seat theatre has all the latest equipment technology can offer.


THEATRE DES CHAMPS ELYSEES
Driven through by Gabriel Astruc, this art nouveau theatre built in 1913 by Les Frères Perret [the Perret brothers] with the collaboration of the sculptor Antoine Bourdelle and the painter Maurice Denis, was listed as an historic monument in 1953. The scandal of the first performance of the Rite of Spring by the Russian ballet should not consign the great figures who followed one another on to this prestigious stage to oblivion: from Debussy, Saint-Saëns to Furtwängler, Boulez and Gergiev, from Nelly Melba, Callas, Elizabeth Schwarzkopf to Cecilia Bartoli…


THEATRE DU CHÂTELET

First opened in 1862, with its 2,500 seats it was then the largest auditorium in Paris. The Théâtre du Châtelet has been an eclectic venue since the very beginning, for it has been host to Plays, Extravaganzas, Operetta (Luis Mariano, Tino Rosi), Variety shows, Films (Méliès) and Dance (Pavlova, Nijinski, Diaghilev). Since Edouard Colonne who staged first performances of French works (Bizet, Massenet, Ravel), the theatre has played a major role in the musical life of Paris. Tchaikovsky, Debussy, Grieg, Mahler and Richard Strauss have come to conduct their works. In our day, by inviting the greatest conductors and bringing theatre directors in to the Opéra, the Théâtre du Châtelet has managed to retain its international standing.


OPERA COMIQUE
After more than one year of works, the Opera Comique has been completly refurbished and re-opened in April 2017.

The first building dates from 1783. After two fires in 1838 and 1887, the present auditorium was first opened in 1898. Here the notes of Mignon, Carmen, Pelléas, Louise and Lakmé still resonate. Even though the programme today puts undue emphasis on music-hall, you can still listen to a few operas and recitals here.


SALLE GAVEAU
This 1,020 seat showcase for chamber music and recitals almost became a carpark in 1963. Since listed as an historic monument, it has just been completely renovated and restored to its original form.


PHILHARMONIE DE PARIS

The Philharmonie de Paris was inaugurated on 14 January 2015. The site provides hosting chamber orchestras , jazz and world music in high quality audio equipment. It consists of the " Philharmonie 1" and " Philharmonie 2 ".

Book Concert, Opera and Dance Tickets for Paris

 | 19 Results
  • Show
    Bel Canto Paris
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    A quartet of lyric singers accompanied by a piano supports the ballet of waiters. Every fifteen minutes or so, one, two or the four of them will perform parts of renowned tunes such as in Carmen, Don Giovanni, Tosca, The Magic Flute, or La Bohème. The surprise, the joy, and the proximity with the singers create a real emotion.

    [description_short] =>

    Cat Premium: ticket for the Opera Dinner, check the menu here.

    Drinks are not included.

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    Dîner Lyrique



  • Opera
    Orphée et Eurydice © Pierre Grosbois
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    [description_short] =>

    Cat Premium: Get a seat in the best category with a dinner at 7pm, before the performance, at the Bistro Opera Carmen (choose your meal « Starter + Dish » or « Dish + Dessert » - drinks not included). Click here to read the menu.

     

     

    Facing the Opéra Comique, the « Bistrot de l'Opéra Carmen », classed as an Historic Monument, welcomes you in a cosy atmosphere, diner from Monday to Saterday 18h30 to 23h00, closed on Sundays.

    The restaurant is decorated by photographies dedicaced by artists, often having diner after the performance. The chef offers a personalized cuisine bistrot, with traditional recipes. The menu is always made with fresh products of the season.

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    Orphée et Eurydice Gluck


    Opéra-Comique Paris, France

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    From 94€ To 204€ Buy Tickets
  • Concert
    John Eliot Gardiner © Chris Christodoulou
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    Well-versed in the Berliozian universe, Sir John Eliot Gardiner pairs the composer’s Symphonie fantastique with two vocal works performed by Lucile Richardot.

     

    Source Phiharmonie de Paris

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    Berlioz La Mort de Cléopâtre / Berlioz Symphonie Fantastique / Berlioz Le Corsaire (Overture) / Berlioz Les Troyens (Excerpts)



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    From 46€ To 98€ Buy Tickets
  • Concert
    Paul Agnew © Oscar Ortega
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    Carlo Gesualdo is a singular figure amongst composers. Noble by birth, he left an indelible mark on music history. Paul Agnew and the Solistes des Arts Florissants bring the exceptional flourishes of his madrigals into full bloom.

     

    Source Philharmonie de Paris

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    Gesualdo Madrigals



    • Les Arts Florissants (Members)
    • Conductor :
      Paul AGNEW

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  • Concert
    Nicholas Angelich © Jean-François Leclercq
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    Peteris Vasks’s spirituality; the passion of Rachmaninov’s Piano Concerto No. 4 with Nicholas Angelich as soloist; the deeply moving confessions of Tchaikovsky’s Symphony No. 4, the “Pathétique”… This concert explores music as an expression of the soul.

     

    Source Philharmonie de Paris

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    Rachmaninov Piano Concerto No. 4 / Tchaikovsky Symphony No. 6 / Vasks Musica appassionata



    • Latvian National Symphony Orchestra
    • Conductor :
      Andris POGA

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    From 40€ To 58€ Buy Tickets
  • Opera
    La Traviata © Vincent Pontet  OnP
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    [description_short] =>

    Category Premium : seats in Category + (Optima), a glass of champagne per person in private rooms and one programme per booking.

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    La Traviata Verdi


    Opéra Bastille Paris, France

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    From 180€ To 463€ Buy Tickets
  • Théâtre
    Capture Youtube
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    Décembre 1897, Paris. Edmond Rostand n’a pas encore trente ans mais déjà deux enfants et beaucoup d’angoisses. Il n’a rien écrit depuis deux ans. En désespoir de cause, il propose au grand Constant Coquelin une pièce nouvelle, une comédie héroïque, en vers, pour les fêtes. Seul souci : elle n’est pas encore écrite. Faisant fi de caprices des actrices, des exigences de ses producteurs corses, de la jalousie de sa femme, des histoires de coeur de son meilleur ami et du manque d’enthousiasme de l’ensemble de son entourage, Edmond se met à écrire cette pièce à laquelle personne ne croit. Pour l’instant, il n’a que le titre : Cyrano de Bergerac.

     

     

    Ecrire une pièce sur un auteur de génie est une idée géniale. Et Alexis Michalik est un créateur génial. C’est lui Le Porteur d’Histoire. L’illusionniste du Cercle. Le prisé metteur en scène qui redonne au théâtre l’esprit de troupe que l’individualisme starifié avant banni. Une seule et unique tête d’affiche pour ce nouvel opus au Palais-Royal, Cyrano de Bergerac, le chef d’œuvre d’Edmond Rostand. Ou Edmond pour nous les intimes, privilégiés spectateurs qui assistons à la naissance de ce classique du répertoire français le plus joué au monde. Nous prenons la prose et ne la quittons plus jusqu’à ces derniers vers que l’on nous offre en offrande à l’hôtel du triomphe. Apothéose de ce feu d’artifice théâtral qui illumine la scène et les acteurs, et embrase la salle. Une nouvelle fois nommé aux Molières toutes catégories, Alexis Michalik a d’ores et déjà gagné sa stature de chevalier des arts et lettres et des tréteaux. Ses spectacles sont des pieds de nez de Cyrano aux tragédies, comédies, bouffonneries et autres classiqueries et Edmond est tout cela à la fois. Le verbe. L’esprit. Le génie. Le panache. Le théâtre comme seul Michalik sait le monter. Forcément vers le haut.

     

    Texte : Eric Lebraud - Check Théâtre

    [description_short] =>

    Performed in French.

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    Edmond



    From 68€ To 78€ Buy Tickets
  • Théâtre
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    Les ombres de Tartuffe se suivent mais ne se ressemblent pas forcément. Bien sûr le texte est strictement le même et la perruque de Jean-Baptiste se retournerait dans sa fosse si l’on devait y changer une virgule. Si ce ne sont les personnages, eux aussi immuables, ce sont les personnes qui ont changé depuis la dernière production du Théâtre de la Porte Saint-Martin l’année dernière, qui prête une nouvelle fois son décor somptueux à ce classique du classique. Tartuffe est monstrueux. Manipulateur. Menteur. Trompeur. Mais quand il est joué par un monstre sacré, il est vrai. Il est l’évidence. Il est divin. Pierre Arditi est un vrai Tartuffe. Sournois. Espiègle. Malin. Sans jamais tombé dans sa propre caricature, il est ce qu’a écrit l’auteur. Il est le texte. Les mots. Le souffle de Tartuffe. L’air de rien. Naturellement. Il respire le Tartuffe.

     

    A l’instar de l’autre star du plateau, Jacques Weber, la force de la nature. Tonitruant. Enorme. Ce n’est plus le souffle, c’est la tempête. Violent. Impressionnant. Renversant. Ces deux monuments aux vivants parlent la langue de Molière couramment. Sans accent. Sans faute. Point. Isabelle Gélinas les accompagne et délie le texte quand la jeune génération parfois le délire. Mais sans heurts. Elle, le raisonne. Elle le gâte. Et nous avec. Nous nous régalons devant cette œuvre de chef, servie par maitre Jacques qui n’est pas avare et maitre Pierre par le menu. La mise en scène de Peter Stein est d’un classicisme contemporain maitrisé. Décors et costumes, dignes d’une croisière de luxe. D’un autre temps. Indéfinissable mais parfaitement dans le ton. Ils sont tous à l’unisson, magnifiquement bons, portés par deux grandes voix timbrées et une soprane éclatante de justesse. Du beau, du grand, du théâtre total, classique certes, mais moderne, résolument.

     

     

    Texte : Eric Lebraud - Check Théâtre

    [description_short] =>

    Performed in French.

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    Le Tartuffe



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  • Théâtre
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    Vincent, la quarantaine triomphante, va être père pour la première fois. Invité à diner chez Elisabeth et Pierre, sa sœur et son beau-frère, il y retrouve Claude, un ami d’enfance. En attendant l’arrivée d’Anna, sa jeune épouse éternellement en retard, on le presse de questions sur sa future paternité dans la bonne humeur générale… Mais quand on demande à Vincent s’il a déjà choisi un prénom pour l’enfant à naître, sa réponse plonge la famille dans le chaos.

     

    On se souvient de cette comédie qui s’était fait un nom sur les planches du théâtre susnommé et sur les toiles des salles obscures, grâce à Patrick, Guillaume, Jean-Michel, Valérie et Judith, il y a quelques années. Succès mérité de la rentrée 2010, la pièce de Matthieu Delaporte et Alexandre de la Patellière, déjà mise en scène par le pétulant Bernard Murat, plusieurs fois molierisée, revient en force avec une nouvelle distribution de comiques pas troupier, puisqu’ils officient habituellement seuls en scène. Florent Peyre, Jonathan Lambert, Sébastien Castro, sont les noms masculins composés pour cette partition enjouée et rejouée avec brio. Marie-Julie Baup et Lilou Fogli sont les actrices filles de sexe féminin décomposées face aux fausses notes hilarantes de leurs acolytes, à commencer par l’ouverture en fanfare de ce diner familial qui va tourner au pugilat. Pierre et sa femme Babou, attendent Vincent le frère de celle-ci, qui va leur annoncer le prénom du futur enfant qu’il va avoir avec Anna sa femme. Arrivé après Claude, leur ami d’enfance, mais avant sa femme Anna qui est toujours en retard, Vincent va leur faire la blague du siècle, censée faire fureur. Le résultat est au-delà de ses espérances, quand il leur fait l’article masculin plutôt singulier du prénom choisi. Adolphe.

     

    La guerre éclate entre Vincent et le front familial et inamical en furie. Le noyau se désintègre jusqu’à l’apothéose en feu d’artifice. Un régal. Evidemment, quand un spectacle comme celui-ci est repris, on a tendance à légitimement comparer. Et bien, je vous le confirme, le titre est le même ! Le texte est le même ! Même l’affiche est à la même ! En gros, c’est la même ! En fait il n’y a que les noms et forcément prénoms, qui changent. Rompus au comique qui fait mouche, ils manient le verbe et le geste comme Einstein maniait les atomes et c’est de la bombe ! Le public explose à chaque réplique nucléaire et comme Guillaume et sa particule, Patrick et son prénom propre, ou Jean-Michel sorti du puits, ils vont atomiser les entrées dans l’atmosphère parisienne. On retrouve avec délice ce petit bijou toujours aussi éblouissant d’humour vache qui a gardé son éclat de rire. A voir et à revoir.

     

    Texte : Eric Lebraud - Check Théâtre

    [description_short] =>

    Performed in French.

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    Le Prénom



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  • Théâtre
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    Vienne, 1919. Un jeune auteur cherche à s’extirper du souvenir de son père, poète devenu icône nationale. Le jeune homme étouffe dans la maison familiale où tout est organisé par sa mère, femme autoritaire et intransigeante, autour du culte du grand homme. C’est alors que revient au sérail une femme dont le secret pourrait libérer le jeune homme de son carcan.

     

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    La légende d'une vie



    From 66€ To 71€ Buy Tickets